Author: J. A. Crowe
Publisher: Forgotten Books
ISBN: 9781331824145
Category : Art
Languages : en
Pages : 514
Book Description
Excerpt from A History of Painting in Italy, Vol. 4: Florentine Masters of the Fifteenth Century Ghiberti, who enthusiastically urges the claim of the Tuscan school of painting to the perfection of the Greeks? But who need not be taken as literally meaning all that he says in this respect, had clearly intended, at the outset of his career, to become a painter. Unwilling, perhaps, to compete with his father, who was a sculptor, he chose to forget the rules of plastic art. The competition for the gates of S. Giovanni altered his resolve; and he went in for the prize with others, amongst Whom was not Donatello, as we are now aware.' The manner in which he carried out the work of the first gate, in company with Barto luccio, his father, illustrates a remarkable tendency in the age, the introduction of a style exclusively pictorial in the execution of has-relief, a new feature that was soon to find its concomitant in painting.6 The prototype of Ghiberti in his first great enter prise is Giovanni Pisano, the general aspect of whose work, its unity, distribution, action, and festooned drapery, were obviously in the later artist's mind. Giovanni had already introduced into his sculpture a pictorial element unknown to Nicola.6 This. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A History of Painting in Italy, Vol. 4
Author: J. A. Crowe
Publisher: Forgotten Books
ISBN: 9781331824145
Category : Art
Languages : en
Pages : 514
Book Description
Excerpt from A History of Painting in Italy, Vol. 4: Florentine Masters of the Fifteenth Century Ghiberti, who enthusiastically urges the claim of the Tuscan school of painting to the perfection of the Greeks? But who need not be taken as literally meaning all that he says in this respect, had clearly intended, at the outset of his career, to become a painter. Unwilling, perhaps, to compete with his father, who was a sculptor, he chose to forget the rules of plastic art. The competition for the gates of S. Giovanni altered his resolve; and he went in for the prize with others, amongst Whom was not Donatello, as we are now aware.' The manner in which he carried out the work of the first gate, in company with Barto luccio, his father, illustrates a remarkable tendency in the age, the introduction of a style exclusively pictorial in the execution of has-relief, a new feature that was soon to find its concomitant in painting.6 The prototype of Ghiberti in his first great enter prise is Giovanni Pisano, the general aspect of whose work, its unity, distribution, action, and festooned drapery, were obviously in the later artist's mind. Giovanni had already introduced into his sculpture a pictorial element unknown to Nicola.6 This. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Publisher: Forgotten Books
ISBN: 9781331824145
Category : Art
Languages : en
Pages : 514
Book Description
Excerpt from A History of Painting in Italy, Vol. 4: Florentine Masters of the Fifteenth Century Ghiberti, who enthusiastically urges the claim of the Tuscan school of painting to the perfection of the Greeks? But who need not be taken as literally meaning all that he says in this respect, had clearly intended, at the outset of his career, to become a painter. Unwilling, perhaps, to compete with his father, who was a sculptor, he chose to forget the rules of plastic art. The competition for the gates of S. Giovanni altered his resolve; and he went in for the prize with others, amongst Whom was not Donatello, as we are now aware.' The manner in which he carried out the work of the first gate, in company with Barto luccio, his father, illustrates a remarkable tendency in the age, the introduction of a style exclusively pictorial in the execution of has-relief, a new feature that was soon to find its concomitant in painting.6 The prototype of Ghiberti in his first great enter prise is Giovanni Pisano, the general aspect of whose work, its unity, distribution, action, and festooned drapery, were obviously in the later artist's mind. Giovanni had already introduced into his sculpture a pictorial element unknown to Nicola.6 This. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
A Hand-book of the History of Painting: The Italian schools of paintings
Author: Franz Kugler
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 490
Book Description
Publisher:
ISBN:
Category : Painting
Languages : en
Pages : 490
Book Description
Painting and Illumination in Early Renaissance Florence, 1300-1450
Author: Laurence B. Kanter
Publisher: Metropolitan Museum of Art
ISBN: 0870997254
Category : Illumination of books and manuscripts, Italian
Languages : en
Pages : 406
Book Description
. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.
Publisher: Metropolitan Museum of Art
ISBN: 0870997254
Category : Illumination of books and manuscripts, Italian
Languages : en
Pages : 406
Book Description
. By way of introduction to the objects themselves are three essays. The first, by Laurence B. Kanter, presents an overview of Florentine illumination between 1300 and 1450 and thumbnail sketches of the artists featured in this volume. The second essay, by Barbara Drake Boehm, focuses on the types of books illuminators helped to create. As most of them were liturgical, her contribution limns for the modern reader the medieval religious ceremonies in which the manuscripts were utilized. Carl Brandon Strehlke here publishes important new material about Fra Angelico's early years and patrons - the result of the author's recent archival research in Florence.
Fra Angelico and the Rise of the Florentine Renaissance
Author: Carl Brandon Strehlke
Publisher: National Geographic Books
ISBN: 0500970998
Category : Art
Languages : en
Pages : 0
Book Description
With illustrations that demonstrate the rich colors and intense light that imbue Fra Angelico’s work, this book takes a deeper look at one of the master painters of the Florentine Renaissance. One of the great fifteenth-century masters, Fra Angelico was one of several painters who shaped the beginnings of the Florentine Renaissance. Although, because of his occupation as a friar, he is sometimes considered separately from his contemporaries, including Masaccio, Masolino, Paolo Uccello, Filippo Lippi, Lorenzo Ghiberti, Donatello, Nanni di Banco, and Filippo Brunelleschi, Fra Angelico and the Rise of the Florentine Renaissance examines his early works and shows that not only was he a participant in the artistic culture of the time, but also a key innovator. Angelico’s breakthrough work from the mid-1420s, the Prado’s great Annunciation altarpiece, is regarded as the first Renaissance-style altarpiece in Florence. Published to accompany the exhibition “Fra Angelico and the Rise of the Florentine Renaissance” at the Museo Nacional del Prado, Madrid, this book reveals the results of the Prado’s extensive conservation and technological research efforts on The Annunciation, as well as two other recently acquired Angelico paintings: the Alba Madonna and the Funeral of Saint Anthony Abbot. Vividly illustrated and deeply illuminating, this book investigates the origins of the Florentine Renaissance and positions Angelico at the heart of the story.
Publisher: National Geographic Books
ISBN: 0500970998
Category : Art
Languages : en
Pages : 0
Book Description
With illustrations that demonstrate the rich colors and intense light that imbue Fra Angelico’s work, this book takes a deeper look at one of the master painters of the Florentine Renaissance. One of the great fifteenth-century masters, Fra Angelico was one of several painters who shaped the beginnings of the Florentine Renaissance. Although, because of his occupation as a friar, he is sometimes considered separately from his contemporaries, including Masaccio, Masolino, Paolo Uccello, Filippo Lippi, Lorenzo Ghiberti, Donatello, Nanni di Banco, and Filippo Brunelleschi, Fra Angelico and the Rise of the Florentine Renaissance examines his early works and shows that not only was he a participant in the artistic culture of the time, but also a key innovator. Angelico’s breakthrough work from the mid-1420s, the Prado’s great Annunciation altarpiece, is regarded as the first Renaissance-style altarpiece in Florence. Published to accompany the exhibition “Fra Angelico and the Rise of the Florentine Renaissance” at the Museo Nacional del Prado, Madrid, this book reveals the results of the Prado’s extensive conservation and technological research efforts on The Annunciation, as well as two other recently acquired Angelico paintings: the Alba Madonna and the Funeral of Saint Anthony Abbot. Vividly illustrated and deeply illuminating, this book investigates the origins of the Florentine Renaissance and positions Angelico at the heart of the story.
Images and Identity in Fifteenth-century Florence
Author: Patricia Lee Rubin
Publisher: Yale University Press
ISBN: 9780300123425
Category : Art
Languages : en
Pages : 456
Book Description
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.
Publisher: Yale University Press
ISBN: 9780300123425
Category : Art
Languages : en
Pages : 456
Book Description
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.
History of Painting in Italy: Florentine masters of the fifteenth century
Author: Joseph Archer Crowe
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 526
Book Description
Publisher:
ISBN:
Category : Italy
Languages : en
Pages : 526
Book Description
The Art of Sculpture in Fifteenth-Century Italy
Author: Amy R. Bloch
Publisher: Cambridge University Press
ISBN: 9781108428842
Category : Art
Languages : en
Pages : 350
Book Description
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
Publisher: Cambridge University Press
ISBN: 9781108428842
Category : Art
Languages : en
Pages : 350
Book Description
Fifteenth-century Italy witnessed sweeping innovations in the art of sculpture. Sculptors rediscovered new types of images from classical antiquity and invented new ones, devised novel ways to finish surfaces, and pushed the limits of their materials to new expressive extremes. The Art of Sculpture in Fifteenth-Century Italy surveys the sculptural production created by a range of artists throughout the peninsula. It offers a comprehensive overview of Italian sculpture during a century of intense creativity and development. Here, nineteen historians of Quattrocento Italian sculpture chart the many competing forces that led makers, patrons, and viewers to invest sculpture with such heightened importance in this time and place. Methodologically wide-ranging, the essays, specially commissioned for this volume, explore the vast range of techniques and media (stone, metal, wood, terracotta, and stucco) used to fashion works of sculpture. They also examine how viewers encountered those objects, discuss varying approaches to narrative, and ponder the increasing contemporary interest in the relationship between sculpture and history.
A History of Painting in Italy
Author: Sir Joseph Archer Crowe
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages :
Book Description
Luxury Arts of the Renaissance
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
Book Buyer
Author:
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 260
Book Description
Publisher:
ISBN:
Category : American literature
Languages : en
Pages : 260
Book Description