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Author: Myra Seaman
Publisher:
ISBN: 9780814213049
Category : Literary Criticism
Languages : en
Pages : 281
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Book Description
Fragments for a History of a Vanishing Humanism brings together scholars working in prehistoric, classical, medieval, and early modern studies who are developing, from longer and slower historical perspectives, critical post/humanisms that explore: 1) the significance (historical, sociocultural, psychic, etc.) of human expression and affectivity; 2) the impact of technology and new sciences on what it means to be a human self; 3) the importance of art and literature in defining and enacting human selves; 4) the importance of history in defining the human; 5) the artistic plasticity of the human; 6) the question of a human collectivity--what is the value, and peril, of "being human" or "being post/human" together?; and finally, 7) the constructive, and destructive, relations (aesthetic, historical, and philosophical) of the human to the nonhuman. This volume, edited by Myra Seaman and Eileen A. Joy, insists on the always provisional and contingent formations of the human, and of various humanisms, over time, while also aiming to demonstrate the different ways these formations emerge (and also disappear) in different times and places, from the most ancient past to the most contemporary present. The essays are offered as "fragments" because the authors do not believe there can ever be a "total history" of either the human or the post/human as they play themselves out in differing historical contexts. At the same time, the volume as a whole argues that defining what "the human" (or "post/human") is has always been an ongoing, never finished cultural project.
Author: Myra Seaman
Publisher:
ISBN: 9780814213049
Category : Literary Criticism
Languages : en
Pages : 281
Get Book Here
Book Description
Fragments for a History of a Vanishing Humanism brings together scholars working in prehistoric, classical, medieval, and early modern studies who are developing, from longer and slower historical perspectives, critical post/humanisms that explore: 1) the significance (historical, sociocultural, psychic, etc.) of human expression and affectivity; 2) the impact of technology and new sciences on what it means to be a human self; 3) the importance of art and literature in defining and enacting human selves; 4) the importance of history in defining the human; 5) the artistic plasticity of the human; 6) the question of a human collectivity--what is the value, and peril, of "being human" or "being post/human" together?; and finally, 7) the constructive, and destructive, relations (aesthetic, historical, and philosophical) of the human to the nonhuman. This volume, edited by Myra Seaman and Eileen A. Joy, insists on the always provisional and contingent formations of the human, and of various humanisms, over time, while also aiming to demonstrate the different ways these formations emerge (and also disappear) in different times and places, from the most ancient past to the most contemporary present. The essays are offered as "fragments" because the authors do not believe there can ever be a "total history" of either the human or the post/human as they play themselves out in differing historical contexts. At the same time, the volume as a whole argues that defining what "the human" (or "post/human") is has always been an ongoing, never finished cultural project.
Author: Richard Vinen
Publisher: Hachette UK
ISBN: 074812344X
Category : History
Languages : en
Pages : 482
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Book Description
The problem with the history of twentieth-century Europe is that everyone thinks they know it. The great stories of the century - the two world wars, the rise and fall of Nazism and communism, female emancipation - seem self-evidently important. But behind the grand narratives, the politics and the ideologies, lies another history: the history of forces that shaped the lives of individual Europeans. That is the thrust of Richard Vinen's magisterial survey of this uniquely destructive and creative century. It argues that there is no single history that encompasses the experience of all Europeans, but rather a multiplicity of different, partially interlocking, histories. Some of these histories are told here in a book which seeks to root the generalisations of large-scale analysis in the concrete - and sometimes incongruous - details of individual lives. Challenging, informing and revealing, this is history writing at its finest.
Author: Alison Winter
Publisher: University of Chicago Press
ISBN: 0226902587
Category : History
Languages : en
Pages : 331
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Book Description
Picture your 21st birthday. Did you have a party? If so, do you remember who was there? How clear are these memories? Should we trust them? Such questions have fascinated scientists for hundreds of years, and, as Alison Winter shows in this book, the answers have changed dramatically in just the past century.
Author: Agnes Heller
Publisher: Wiley-Blackwell
ISBN: 9780631187554
Category : History
Languages : en
Pages : 276
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Book Description
Author: Fred Orton
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 418
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Book Description
A study of the two premier survivals of pre-Viking Anglo-Saxon stone sculpture. This book shows the reader how to understand the monuments as social products in relation to a history of which our knowledge is so fragmentary, and concludes with a discussion of their underlying premises.
Author: Michael O'Loughlin
Publisher: Rowman & Littlefield
ISBN: 1442231866
Category : Psychology
Languages : en
Pages : 341
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Book Description
Fragments of Trauma and the Social Production of Suffering: Trauma, History, and Memory offers a kaleidoscope of perspectives that highlight the problem of traumatic memory. Because trauma fragments memory, storytelling is impeded by what is unknowable and what is unspeakable. Each of the contributors tackles the problem of narrativizing memory that is constructed from fragments that have been passed along the generations. When trauma is cultural as well as personal, it becomes even more invisible, as each generation’s attempts at coping push the pain further below the surface. Consequently, that pain becomes increasingly ineffable, haunting succeeding generations. In each story the contributors offer, there emerges the theme of difference, a difference that turns back on itself and makes an accusation. Themes of knowing and unknowing show the terrible toll that trauma takes when there is no one with whom the trauma can be acknowledged and worked through. In the face of utter lack of recognition, what might be known together becomes hidden. Our failure to speak to these unaspirated truths becomes a betrayal of self and also of others. In the case of intergenerational and cultural trauma, we betray not only our ancestors but also the future generations to come. In the face of unacknowledged trauma, this book reveals that we are confronted with the perennial choice of speaking or becoming complicit in our silence.
Author: William Tronzo
Publisher: Getty Publications
ISBN: 0892369264
Category : Art
Languages : en
Pages : 234
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Book Description
The universe may well have begun with an immense act of fragmentation, "the big bang," that sent particles flying in all directions to perform spectacular acts of creation and destruction. The fragment, volatile and unpredictable, is not simply the static part of a once-whole thing but itself something in motion. Drawing upon art history, archaeology, literature, numismatics, philosophy, and film, this book explores the significance of the fragment and addresses the powerful drives that have impelled it into the cultural mainstream. Book jacket.
Author: Seymour de Ricci
Publisher:
ISBN:
Category : Libraries
Languages : en
Pages :
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Book Description
Author: Gilbert M. Joseph
Publisher: Duke University Press
ISBN: 9780822327189
Category : History
Languages : en
Pages : 534
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Book Description
DIVThe first cultural history of post-1940s Mexico to relate issues of representation and meaning to questions of power; it includes essays on popular music, unions, TV, tourism, cinema, wrestling, and illustrated magazines./div
Author: Martin Corless-Smith
Publisher:
ISBN: 9781934200384
Category : Poetry
Languages : en
Pages : 0
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Book Description
The final volume in a trilogy of alternate selves and alternate literary histories
