Histories, fables, allegories, and characters, selected from the Spectator and Guardian ... The fifth edition. To which are added remarks upon each story, etc PDF Download
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Author:
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Category :
Languages : en
Pages : 120
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Author:
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Category :
Languages : en
Pages : 120
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Author: George Harding (ltd.)
Publisher:
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Category :
Languages : en
Pages : 626
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Category : English literature
Languages : en
Pages : 886
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Category : New York (N.Y.)
Languages : en
Pages : 432
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Author:
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Category : New York (N.Y.)
Languages : en
Pages : 328
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Category : San Francisco (Calif.)
Languages : en
Pages : 428
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Category : English language
Languages : en
Pages : 2238
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Book Description
Micrographic reproduction of the 13 volume Oxford English dictionary published in 1933.
Author: Ronald Carter
Publisher: Psychology Press
ISBN: 9780415243179
Category : History
Languages : en
Pages : 598
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Book Description
This is a guide to the main developments in the history of British and Irish literature, charting some of the main features of literary language development and highlighting key language topics.
Author: Philostratus (the Athenian)
Publisher: BRILL
ISBN: 9789004127012
Category : Religion
Languages : en
Pages : 288
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Book Description
This English translation, with introduction and notes, an extensive glossary, maps, and topical bibliographies, explores religious authority and revealed knowledge and is indispensable for the study of Homer, heroes, literature, religion, and culture in the Roman Empire and Late Antiquity. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org).
Author: Marina Belozerskaya
Publisher: Getty Publications
ISBN: 0892367857
Category : Art
Languages : en
Pages : 292
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Book Description
Today we associate the Renaissance with painting, sculpture, and architecture—the “major” arts. Yet contemporaries often held the “minor” arts—gem-studded goldwork, richly embellished armor, splendid tapestries and embroideries, music, and ephemeral multi-media spectacles—in much higher esteem. Isabella d’Este, Marchesa of Mantua, was typical of the Italian nobility: she bequeathed to her children precious stone vases mounted in gold, engraved gems, ivories, and antique bronzes and marbles; her favorite ladies-in-waiting, by contrast, received mere paintings. Renaissance patrons and observers extolled finely wrought luxury artifacts for their exquisite craftsmanship and the symbolic capital of their components; paintings and sculptures in modest materials, although discussed by some literati, were of lesser consequence. This book endeavors to return to the mainstream material long marginalized as a result of historical and ideological biases of the intervening centuries. The author analyzes how luxury arts went from being lofty markers of ascendancy and discernment in the Renaissance to being dismissed as “decorative” or “minor” arts—extravagant trinkets of the rich unworthy of the status of Art. Then, by re-examining the objects themselves and their uses in their day, she shows how sumptuous creations constructed the world and taste of Renaissance women and men.
