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Author: Michael McKeon
Publisher: Rutgers University Press
ISBN: 1684484774
Category : History
Languages : en
Pages : 179
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Book Description
Enlightenment critics from Dryden through Johnson and Wordsworth conceived the modern view that art and especially literature entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Instead “neoclassicism” and “Augustanism” have been falsely construed as involving a one-dimensional imitation of classical texts and an unselfconscious representation of the world. In fact these Enlightenment movements adopted an oblique perspective that registers the distance between past tradition and its present reenactment, between representation and presence. Two modern movements, Romanticism and modernism, have appropriated as their own these innovations, which derive from Enlightenment thought. Both of these movements ground their error in a misreading of “imitation” as understood by Aristotle and his Enlightenment proponents. Rightly understood, neoclassical imitation, constitutively aware of the difference between what it knows and how it knows it, is an experimental inquiry that generates a range of prefixes—“counter-,” “mock-,” “anti-,” “neo-”—that mark formal degrees of its epistemological detachment. Romantic ideology has denied the role of the imagination in Enlightenment imitation, imposing on the eighteenth century a dichotomous periodization: duplication versus imagination, the mirror versus the lamp. Structuralist ideology has dichotomized narration and description, form and content, structure and history. Poststructuralist ideology has propounded for the novel a contradictory “novel tradition”—realism, modernism, postmodernism, postcolonialism—whose stages both constitute a sequence and collapse it, each stage claiming the innovation of the stage that precedes it. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Michael McKeon
Publisher: Rutgers University Press
ISBN: 1684484774
Category : History
Languages : en
Pages : 179
Get Book Here
Book Description
Enlightenment critics from Dryden through Johnson and Wordsworth conceived the modern view that art and especially literature entails a double reflection: a reflection of the world, and a reflection on the process by which that reflection is accomplished. Instead “neoclassicism” and “Augustanism” have been falsely construed as involving a one-dimensional imitation of classical texts and an unselfconscious representation of the world. In fact these Enlightenment movements adopted an oblique perspective that registers the distance between past tradition and its present reenactment, between representation and presence. Two modern movements, Romanticism and modernism, have appropriated as their own these innovations, which derive from Enlightenment thought. Both of these movements ground their error in a misreading of “imitation” as understood by Aristotle and his Enlightenment proponents. Rightly understood, neoclassical imitation, constitutively aware of the difference between what it knows and how it knows it, is an experimental inquiry that generates a range of prefixes—“counter-,” “mock-,” “anti-,” “neo-”—that mark formal degrees of its epistemological detachment. Romantic ideology has denied the role of the imagination in Enlightenment imitation, imposing on the eighteenth century a dichotomous periodization: duplication versus imagination, the mirror versus the lamp. Structuralist ideology has dichotomized narration and description, form and content, structure and history. Poststructuralist ideology has propounded for the novel a contradictory “novel tradition”—realism, modernism, postmodernism, postcolonialism—whose stages both constitute a sequence and collapse it, each stage claiming the innovation of the stage that precedes it. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Michael McKeon
Publisher:
ISBN: 9781684484850
Category : History
Languages : en
Pages : 0
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Book Description
This book "historicizes" the British Enlightenment, 1650-1800, as the beginning of the modern world by reconstructing what it was like to live through the emergence of concepts and practices that have come to define the character of daily existence.
Author: Michael McKeon
Publisher: Rutgers University Press
ISBN: 1684484731
Category : History
Languages : en
Pages : 167
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Book Description
The Enlightenment has been blamed for some of the most deadly developments of modern life: racism and white supremacy, imperialist oppression, capitalist exploitation, neoliberal economics, scientific positivism, totalitarian rule. These developments are thought to have grown from principles that are rooted in the soil of the Enlightenment: abstraction, reduction, objectification, quantification, division, universalization. Michael McKeon’s new book corrects this defective view by historicizing the Enlightenment--by showing that the Enlightenment has been abstracted from its history. From its past: critics have ignored that Enlightenment thought is a reaction against deadly traditions that precede it. From its present: the Enlightenment extended its reactive analysis of the past to its own present through self-analysis and self-criticism. From its future: much of what’s been blamed amounts to the failure of its posterity to sustain Enlightenment principles. To historicize the Enlightenment requires that we conjure what it was like to live through the emergence of concepts and practices that are now commonplace—society, privacy, the public, the market, experiment, secularity, representative democracy, human rights, social class, sex and gender, fiction, the aesthetic attitude. McKeon’s book argues the continuity of Enlightenment thought, its consistency and integrity across this broad range of conceptual domains. It also shows how the Enlightenment has shaped our views of both tradition and modernity, and the revisionary work that needs to be done in order to understand our place in the future. In the process, Historicizing the Enlightenment exemplifies a distinctive historiography and historical method. Published by Bucknell University Press. Distributed worldwide by Rutgers University Press.
Author: Steve Clark
Publisher: Springer
ISBN: 134923477X
Category : Literary Criticism
Languages : en
Pages : 204
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Book Description
Historicizing Blake puts Blake back into the cultural context of his times. These new essays by both established and younger scholars re-address Blake's contemporary milieu after the neglect of ten years of post-structuralist, reader-orientated, methodology. By employing notions of history wider than the purely 'literary', and featuring an important new essay by the period's foremost subcultural historian, Iain McCalman, Historicizing Blake represents a significant contribution towards the re-historicizing of Romanticism.
Author: Gretchen Gerzina
Publisher:
ISBN: 9780813532158
Category : History
Languages : en
Pages : 222
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Book Description
Black Victorians/Black Victoriana is a welcome attempt to correct the historical record. Although scholarship has given us a clear view of nineteenth-century imperialism, colonialism, and later immigration from the colonies, there has for far too long been a gap in our understanding of the lives of blacks in Victorian England. Without that understanding, it remains impossible to assess adequately the state of the black population in Britain today. Using a transatlantic lens, the contributors to this book restore black Victorians to the British national picture. They look not just at the ways blacks were represented in popular culture but also at their lives as they experienced them--as workers, travelers, lecturers, performers, and professionals. Dozens of period photographs bring these stories alive and literally give a face to the individual stories the book tells. The essays taken as a whole also highlight prevailing Victorian attitudes toward race by focusing on the ways in which empire building spawned a "subculture of blackness" consisting of caricature, exhibition, representation, and scientific racism absorbed by society at large. This misrepresentation made it difficult to be both black and British while at the same time it helped to construct British identity as a whole. Covering many topics that detail the life of blacks during this period, Black Victorians/Black Victoriana will be a landmark contribution to the emergent field of black history in England.
Author: Katherine Sonderegger
Publisher: Fortress Press
ISBN: 1506464181
Category : Religion
Languages : en
Pages : 604
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Book Description
Katherine Sonderegger follows her monumental volume on the doctrine of God with this second entry of her Systematic Theology, which explores the doctrine of the Holy Trinity. Locating her analysis first in the Hebrew Scriptures, Sonderegger examines the thrice-holy God that is proclaimed to Isaiah in the sanctuary and manifested in the sacrifice of the temple. The book of Leviticus, read in conversation with Exodus, unfolds the doctrine of the Trinity under the character of holiness. In the One God, Trinity speaks of the life, movement, and self-offering of God, who is the eternal procession of goodness and light. In Israel's sacrificial covenant, the Triune God is perfect self-offering: the eternal descent of the Father of Lights is the offering who is Son, eternally received and hallowed in the one who is Spirit. Anchoring the theology of the Trinity in Israel's Scriptures in this way elevates the processions over the persons, exploring the mystery of the Divine Life as holy, rational, and good. The Divine Persons, named in the New Testament, cannot be defined but may be glimpsed in the notion of perfection, a complete and perfect infinite set. In all these ways, the Holy Trinity may be praised as the deep reality of the life of God.
Author: Mohammad H. Tamdgidi
Publisher: Ahead Publishing House (imprint: Okcir Press)
ISBN: 1888024542
Category : Social Science
Languages : en
Pages : 186
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Book Description
The articles collected in this Spring 2009 (VII, 2) issue of Human Architecture: Journal of the Sociology of Self-Knowledge entitled “Historicizing Anti-Semitism” were part of an international conference entitled, “The Post-September 11 New Ethnic/Racial Configurations in Europe and the United States: The Case of Anti-Semitism,” organized by Lewis Gordon and Ramón Grosfoguel at the Maison des Sciences de l’Homme (MSH) in Paris on June 29–30, 2007. Part of a series inaugurated by a discussion on Islamophobia, they brought a majority Jewish group of scholars together in the hope of bringing to the forum a critical exchange and conversation among the participants. The articles gathered here do not represent a unified voice but those often unheard in discussions of anti-Semitism. The focus on anti-Semitism in this collection raises the question of how ancient and Medieval versions of anti-Jewish practices should be interpreted, especially since even the term “Semite” came about as an effort in eighteenth-century French and German scholarship to organize Arabic, Aramaic, and Hebrew under a single linguistic nomenclature, which was crystallized in the nineteenth century in the work of the French scholar Ernest Renan. Contributors include: Lewis R. Gordon (also as journal issue guest editor), Ramón Grosfoguel (also as journal issue guest editor), Eric Mielants (also as journal issue guest editor), David Ost, James Cohen, Santiago E. Slabodsky, Rabson Wuriga, Walter Mignolo, Ramón Grosfoguel, Marc H. Ellis, Etienne Balibar, Ivan Davidson Kalmar, Martine Chard-Hutchinson, Michael Löwy, Jean-Paul Rocchi and Mohammad H. Tamdgidi (also as journal editor-in-chief). Human Architecture: Journal of the Sociology of Self-Knowledge is a publication of OKCIR: The Omar Khayyam Center for Integrative Research in Utopia, Mysticism, and Science (Utopystics). For more information about OKCIR and other issues in its journal’s Edited Collection as well as Monograph and Translation series visit OKCIR’s homepage.
Author: Michael McKeon
Publisher:
ISBN: 9781684484782
Category : Electronic books
Languages : en
Pages : 0
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Book Description
Author: William J. Bulman
Publisher: Oxford University Press
ISBN: 0190602104
Category : Religion
Languages : en
Pages : 337
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Book Description
We have long been taught that the Enlightenment was an attempt to free the world from the clutches of Christian civilization and make it safe for philosophy. The lesson has been well learned. In today's culture wars, both liberals and their conservative enemies, inside and outside the academy, rest their claims about the present on the notion that the Enlightenment was a secularist movement of philosophically driven emancipation. Historians have had doubts about the accuracy of this portrait for some time, but they have never managed to furnish a viable alternative to it-for themselves, for scholars interested in matters of church and state, or for the public at large. In this book, William J. Bulman and Robert G. Ingram bring together recent scholarship from distinguished experts in history, theology, and literature to make clear that God not only survived the Enlightenment but thrived within it as well. The Enlightenment was not a radical break from the past in which Europeans jettisoned their intellectual and institutional inheritance. It was, to be sure, a moment of great change, but one in which the characteristic convictions and traditions of the Renaissance and Reformation were perpetuated to the point of transformation, in the wake of the Wars of Religion and during the early phases of globalization. The Enlightenment's primary imperatives were not freedom and irreligion but peace and prosperity. As a result, Enlightenment could be Christian, communitarian, or authoritarian as easily as it could be atheistic, individualistic, or libertarian. Honing in on the intellectual crisis of the late seventeenth and early eighteenth centuries while moving from Spinoza to Kant and from India to Peru, God in the Enlightenment takes a prism to the age of lights.
Author: Gabriele Balbi
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110740281
Category : History
Languages : en
Pages : 295
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Book Description
As media environments and communication practices evolve over time, so do theoretical concepts. This book analyzes some of the most well-known and fiercely discussed concepts of the digital age from a historical perspective, showing how many of them have pre-digital roots and how they have changed and still are constantly changing in the digital era. Written by leading authors in media and communication studies, the chapters historicize 16 concepts that have become central in the digital media literature, focusing on three main areas. The first part, Technologies and Connections, historicises concepts like network, media convergence, multimedia, interactivity and artificial intelligence. The second one is related to Agency and Politics and explores global governance, datafication, fake news, echo chambers, digital media activism. The last one, Users and Practices, is finally devoted to telepresence, digital loneliness, amateurism, user generated content, fandom and authenticity. The book aims to shed light on how concepts emerge and are co-shaped, circulated, used and reappropriated in different contexts. It argues for the need for a conceptual media and communication history that will reveal new developments without concealing continuities and it demonstrates how the analogue/digital dichotomy is often a misleading one.
