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Author: Doris Stockmann
Publisher: Museum Tusculanum Press
ISBN: 9788772894416
Category : Music
Languages : en
Pages : 272
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Book Description
Since the 1960s historical studies of European folk and traditional music have had a centre in the 'Study Group on Historical Sources of Folk Music' within the International Council for Traditional Music (ICTM). The new political situation in Europe in the 1990s has given this work topical interest, since folk and traditional music is often an important component in ethnic or even national identity. The Study Group held its eleventh conference in Copenhagen at the Danish Folklore archives (Dansk Folkemindesamling) from 24 to 28 April 1995. The local organisers of the meeting were Jens Henrik Koudal and Svend Nielsen. Around 30 participants from 15 countries (Austria, Belgium, Bulgaria, Croatia, Denmark, Germany, Hungary, Italy/Albania, Latvia, Lithuania, Norway, Poland, Romania and Sweden) attended the conference, presenting recent results of their research. The meeting concentrated on historical aspects of the following topics: (I) 'Traditional Music Between Urban and Rural Communities', and (II) 'Music and Working'. MAIN HEADINGS: Preface; THEME ONE -- Traditional Music Between Urban and Rural Communities; Central Europe; Balkans; On the Borderlines and Outside Europe. THEME TWO -- Music and Working.
Author: Doris Stockmann
Publisher: Museum Tusculanum Press
ISBN: 9788772894416
Category : Music
Languages : en
Pages : 272
Get Book Here
Book Description
Since the 1960s historical studies of European folk and traditional music have had a centre in the 'Study Group on Historical Sources of Folk Music' within the International Council for Traditional Music (ICTM). The new political situation in Europe in the 1990s has given this work topical interest, since folk and traditional music is often an important component in ethnic or even national identity. The Study Group held its eleventh conference in Copenhagen at the Danish Folklore archives (Dansk Folkemindesamling) from 24 to 28 April 1995. The local organisers of the meeting were Jens Henrik Koudal and Svend Nielsen. Around 30 participants from 15 countries (Austria, Belgium, Bulgaria, Croatia, Denmark, Germany, Hungary, Italy/Albania, Latvia, Lithuania, Norway, Poland, Romania and Sweden) attended the conference, presenting recent results of their research. The meeting concentrated on historical aspects of the following topics: (I) 'Traditional Music Between Urban and Rural Communities', and (II) 'Music and Working'. MAIN HEADINGS: Preface; THEME ONE -- Traditional Music Between Urban and Rural Communities; Central Europe; Balkans; On the Borderlines and Outside Europe. THEME TWO -- Music and Working.
Author: Jan Ling
Publisher: University Rochester Press
ISBN: 9781878822772
Category : Juvenile Nonfiction
Languages : en
Pages : 268
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Book Description
The aim of this study is to increase understanding of folk music within an historical, European framework, and to show the genre as a dynamic and changing art form. The book addresses a plethora of questions through its detailed examination of a wide range of music from vastly different national and cultural identities. It attempts to elucidate the connections between, and the varying development of, the music of peoples throughout Europe, firstly by examining the ways in which scholars of different ideological and artistic ambitions have collected, studied and performed folk music, then by investigating the relationship between folk and popular music. Jan Ling is Professor of Musicology at Göteborg University, Sweden.
Author: Philip V. Bohlman
Publisher: Indiana University Press
ISBN: 9780253112606
Category : Social Science
Languages : en
Pages : 188
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Book Description
"[This book] is a contribution of considerable substance because it takes a holistic view of the field of folk music and the scholarship that has dealt with it." -- Bruno Nettl "... a praiseworthy combination of solid scholarship, penetrating discussion, and global relevance." -- Asian Folklore Studies "... successfully ties the history and development of folk music scholarship with contemporary concepts, issues, and shifts, and which treats varied folk musics of the world cultures within the rubric of folklore and ethnomusicology with subtle generalizations making sense to serious minds... " -- Folklore Forum "... [this book] challenges many carefully-nurtured sacred cows. Bohlman has executed an intellectual challenge of major significance by successfully organizing a welter of unruly data and ideas into a single, appropriately complex but coherent, system." -- Folk Music Journal Bohlman examines folk music as a genre of folklore from a broadly cross-cultural perspective and espouses a more expansive view of folk music, stressing its vitality in non-Western cultures as well as Western, in the present as well as the past.
Author: Benjamin Filene
Publisher: UNC Press Books
ISBN: 9780807848623
Category : Music
Languages : en
Pages : 344
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Book Description
In American music, the notion of "roots" has been a powerful refrain, but just what constitutes our true musical traditions has often been a matter of debate. As Benjamin Filene reveals, a number of competing visions of America's musical past have vied fo
Author: Britta Sweers
Publisher: Oxford University Press
ISBN: 0198038984
Category : Music
Languages : en
Pages : 350
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Book Description
In the 1960s and 1970s, a number of British musicians rediscovered traditional folk ballads, fusing the old melodies with rock, jazz, and blues styles to create a new genre dubbed "electric folk" or "British folk rock." This revival featured groups such as Steeleye Span, Fairport Convention, and Pentangle and individual performers like Shirley & Dolly Collins, and Richard Thompson. While making music in multiple styles, they had one thing in common: they were all based on traditional English song and dance material. These new arrangements of an old repertoire created a unique musical voice within the popular mainstream. After reasonable commercial success, peaking with Steeleye Span's Top 10 album All Around My Hat, Electric Folk disappeared from mainstream notice in the late 1970s, yet performers continue to create today. In Electric Folk: The Changing Face of English Traditional Music, Britta Sweers provides an illuminating history and fascinating analysis of the unique features of the electric folk scene, exploring its musical styles and cultural implications. Drawing on rare historical sources, contemporary music journalism, and first-hand interviews with several of electric folk's most prominent artists, Sweers argues that electric folk is both a result of the American folk revival of the early 1960s and a reaction against the dominance of American pop music abroad. Young British "folk-rockers," such as Richard Thompson and Maddy Prior, turned to traditional musical material as a means of asserting their British cultural identity. Yet, unlike many American and British folk revivalists, they were not as interested in the "purity" of folk ballads as in the music's potential for lively interaction with modern styles, instruments, and media. The book also delves into the impact of the British folk rock movement on mainstream pop, American rock music, and neighboring European countries. Ultimately, Sweers creates a richly detailed portrait of the electric folk scene--as cultural phenomenon, commercial entity, and performance style.
Author: Martin Dowling
Publisher: Routledge
ISBN: 1317008405
Category : Music
Languages : en
Pages : 419
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Book Description
Written from the perspective of a scholar and performer, Traditional Music and Irish Society investigates the relation of traditional music to Irish modernity. The opening chapter integrates a thorough survey of the early sources of Irish music with recent work on Irish social history in the eighteenth century to explore the question of the antiquity of the tradition and the class locations of its origins. Dowling argues in the second chapter that the formation of what is today called Irish traditional music occurred alongside the economic and political modernization of European society in the late eighteenth and early nineteenth centuries. Dowling goes on to illustrate the public discourse on music during the Irish revival in newspapers and journals from the 1880s to the First World War, also drawing on the works of Pierre Bourdieu and Jacques Lacan to place the field of music within the public sphere of nationalist politics and cultural revival in these decades. The situation of music and song in the Irish literary revival is then reflected and interpreted in the life and work of James Joyce, and Dowling includes treatment of Joyce’s short stories A Mother and The Dead and the 'Sirens' chapter of Ulysses. Dowling conducted field work with Northern Irish musicians during 2004 and 2005, and also reflects directly on his own experience performing and working with musicians and arts organizations in order to conclude with an assessment of the current state of traditional music and cultural negotiation in Northern Ireland in the second decade of the twenty-first century.
Author: Deirdre Ní Chonghaile
Publisher: University of Wisconsin Press
ISBN: 9780299332440
Category : Social Science
Languages : en
Pages : 0
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Book Description
For more than 150 years, individuals have traveled the countryside with pen, paper, tape recorders, and even video cameras to document versions of songs, music, and stories shared by communities. As technologies and methodologies have advanced, the task of gathering music has been taken up by a much broader group than scholars. The resulting collections created by these various people can be impacted by the individual collectors’ political and social concerns, cultural inclinations, and even simple happenstance, demonstrating a crucial yet underexplored relationship between the music and those preserving it. Collecting Music in the Aran Islands, a critical historiographical study of the practice of documenting traditional music, is the first to focus on the archipelago off the west coast of Ireland. Deirdre Ní Chonghaile argues for a culturally equitable framework that considers negotiation, collaboration, canonization, and marginalization to fully understand the immensely important process of musical curation. In presenting four substantial, historically valuable collections from the nineteenth and twentieth centuries, she illustrates how understanding the motivations and training (or lack thereof) of individual music collectors significantly informs how we should approach their work and contextualize their place in the folk music canon.
Author: Ronald Cohen
Publisher: Routledge
ISBN: 1136088989
Category : Music
Languages : en
Pages : 266
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Book Description
Folk Music: The Basics gives a brief introduction to British and American folk music. Drawing upon the most recent and relevant scholarship, it will focus on comparing and contrasting the historical nature of the three aspects of understanding folk music: traditional, local performers; professional collectors; and the advent of professional performers in the twentieth century during the so-called "folk revival." The two sides of the folk tradition will be examined--both as popular and commercial expressions. Folk Music: The Basics serves as an excellent introduction to the players, the music, and the styles that make folk music an enduring and well-loved musical style. Throughout, sidebars offer studies of key folk performers, record labels, and related issues to place the general discussion in context.
Author: William R. Ferris
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 248
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Book Description
The essays in this collection range from the impact of technology on the British folksong revival to regional characteristics of early rock and roll in New Orleans. Attention is given to the blues, Sacred Harp singing, ethnic music, both black and white gospel, country music, and the polka. Other essays consider the relationship of music from the Yiddish-American theater with that of Broadway, the wide influence and commercialization of black music in today's popular music, myths about early black music, and Charles Ives as folk hero. Contributors include Amiri Baraka, Doris J. Dyen, Dena J. Epstein, David Evans, Kenneth S. Goldstein, Anthony Heilbut, William Ivey, Charles Keil, A.L. Lloyd, Bill C. Malone, Robert Palmer, Vivian Perlis, Mark Slobin, Richard Spottswood, and Charles K. Wolfe.
Author: Rick Massimo
Publisher: Wesleyan University Press
ISBN: 0819577049
Category : Music
Languages : en
Pages : 272
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Book Description
The first-ever book exclusively devoted to the history of the Newport Folk Festival, I Got a Song documents the trajectory of an American musical institution that began more than a half-century ago and continues to influence our understanding of folk music today. Rick Massimo's research is complemented by extensive interviews with the people who were there and who made it all happen: the festival's producers, some of its biggest stars, and people who huddled in the fields to witness moments—like Bob Dylan's famous electric performance in 1965—that live on in musical history. As folk has evolved over the decades, absorbing influences from rock, traditional music and the singer-songwriters of the '60s and '70s, the Newport Folk Festival has once again become a gathering point for young performers and fans. I Got a Song tells the stories, small and large, of several generations of American folk music enthusiasts. Hardcover is un-jacketed.
