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Author: Yonit Lea Kosovske
Publisher: Indiana University Press
ISBN: 0253001455
Category : Music
Languages : en
Pages : 238
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Book Description
Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.
Author: Yonit Lea Kosovske
Publisher: Indiana University Press
ISBN: 0253001455
Category : Music
Languages : en
Pages : 238
Get Book Here
Book Description
Yonit Lea Kosovske surveys early music and writing about keyboard performance with the aim of facilitating the development of an expressive tone in the modern player. Reviewing the work of the pedagogues and performers of the late Renaissance through the late Baroque, she gives special emphasis to la douceur du toucher or a gentle touch. Other topics addressed include posture, early pedagogy, exercises, articulation, and fingering patterns. Illustrated with musical examples as well as photos of the author at the keyboard, Historical Harpsichord Technique can be used for individual or group lessons and for amateurs and professionals.
Author: Richard Troeger
Publisher: Bloomington : Indiana University Press
ISBN:
Category : Music
Languages : en
Pages : 280
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Book Description
Author: Mark Kroll
Publisher: Scarecrow Press
ISBN: 9780810850323
Category : Music
Languages : en
Pages : 146
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Book Description
This book gives a practical method for playing the harpsichord in a way that was lost when the instrument was marginalized by the piano in the 19th century. Since a thorough knowledge of historical performance practice is such an important aspect of playing this repertoire, excerpts from relevant primary sources are given at the end of many of the lessons.
Author: Joan Benson
Publisher: Indiana University Press
ISBN: 0253011647
Category : Music
Languages : en
Pages : 142
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Book Description
Written by Joan Benson, one of the champions of clavichord performance in the 20th century, Clavichord for Beginners is an exceptional method book for both practitioners and enthusiasts. In addition to detailing the historical origins of the instrument and the evolution of keyboard technique, the book describes the proper method for practicing fingering and articulation and emphasizes the importance of touch and sensitivity at the keyboard.
Author: François Couperin
Publisher:
ISBN:
Category : Harpsichord
Languages : en
Pages : 90
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Book Description
Author: Quentin Faulkner
Publisher: Concordia Publishing House
ISBN:
Category : Music
Languages : en
Pages : 92
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Book Description
Discussion of various aspects of Bach's keyboard techniques with special emphasis on fingering.
Author: Bernard Brauchli
Publisher: Cambridge University Press
ISBN: 9780521630672
Category : Music
Languages : en
Pages : 410
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Book Description
This is a richly illustrated history of the clavichord, the forerunner of the modern piano.
Author: Peter Watchorn
Publisher: Routledge
ISBN: 1351561960
Category : Music
Languages : en
Pages : 275
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Book Description
Isolde Ahlgrimm (1914-1995) was an important pioneer in the revival of Baroque and Classical keyboard instruments in her native city, Vienna, and later, throughout Europe and the United States. She trained as a pianist at the Musikakademie in Vienna under the instruction of Viktor Ebenstein, Emil von Sauer and Franz Schmidt. In 1934 she met the musical instrument collector, Dr Erich Fiala, whom she married in 1938. His activities opened up the world of early instruments to her. Using a 1790 fortepiano by Michael Rosenberger, Isolde Ahlgrimm began her career as a specialist on early keyboard instruments with the first in her notable series of Concerte f?r Kenner und Liebhaber, given in Vienna's Palais Palffy in February 1937. Ahlgrimm's career as a harpsichordist also began in 1937, when a new instrument was commissioned from the Ammer brothers in Eisenberg, Germany. In 1943 Ahlgrimm performed her first all-harpsichord programme, which consisted of the Goldberg Variations by J.S. Bach. From 1949 to 1956, she devoted herself to performing and recording nearly all of Bach's harpsichord music for the newly-founded Dutch label, Philips, presenting her new approach to the harpsichord to a wider audience. Ahlgrimm's performances of Baroque music represented a radical departure from the distinctly twentieth-century interpretations by the much more famous Wanda Landowska and her followers. Most obviously, Ahlgrimm's harpsichord performances eliminated frequent registration changes (her instrument had hand stops rather than pedals to change registers), and largely eschewed the massive ritardandi and other anachronistic performance practices that were hallmarks of Landowska's essentially Romantic style. Ahlgrimm researched and emphasized rhetorical traditions on which the music was based. This became more pronounced throughout the course of her later performing, writing and teaching career, and it was the beginning of an approach to the performance of eighteenth-century musi
Author: Sandra Soderlund
Publisher:
ISBN: 9781934596135
Category :
Languages : en
Pages : 456
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Book Description
(Hinshaw Music). This book traces keyboard playing from its beginnings to the end of the 19th century. It discusses all the instruments organ, harpsichord, clavichord, and piano, including quotes from letters, diaries, reviews, and method books. There are chapters dedicated to Bach, Beethoven, Chopin and Liszt, and major sections on such great performers and composers as Frescobaldi and Couperin to Debussy and Rachmaninoff. This book belongs in the library of every keyboard performer and teacher.
Author: Mark Kroll
Publisher: Cambridge University Press
ISBN: 1108667929
Category : Music
Languages : en
Pages : 407
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Book Description
Written by fourteen leading experts in the field, this Companion covers almost every aspect of the harpsichord - the history of the instrument, tuning systems, the role of the harpsichord in ensemble, its use in the twentieth and twenty-first centuries, and includes separate chapters devoted to Domenico Scarlatti, J. S. Bach and Handel. Chapters featuring almost every national style are written by authors with close connections to the countries about which they are writing, including England, The Netherlands, Germany, the Austro-Hungarian Empire, France, Italy, Portugal and Spain, as well as the less extensive harpsichord traditions of Russia, the Nordic and Baltic countries, and colonial Spanish and Portuguese America. With musical examples, illustrations, a timeline of the harpsichord, and an appendix of composers, reliable editions and original sources, this book is for all who love the harpsichord, or want to learn more about it.
