Author: Victor Hugo
Publisher:
ISBN:
Category : France
Languages : en
Pages : 354
Book Description
Histoire d'un crime
Author: Victor Hugo
Publisher:
ISBN:
Category : France
Languages : en
Pages : 354
Book Description
Publisher:
ISBN:
Category : France
Languages : en
Pages : 354
Book Description
Cinema and the Invention of Modern Life
Author: Leo Charney
Publisher: Univ of California Press
ISBN: 9780520201125
Category : Performing Arts
Languages : en
Pages : 428
Book Description
"This is one of the finest, freshest, and most suggestive anthologies I've come across in recent years."—Stuart Liebman, City University of New York Graduate Center
Publisher: Univ of California Press
ISBN: 9780520201125
Category : Performing Arts
Languages : en
Pages : 428
Book Description
"This is one of the finest, freshest, and most suggestive anthologies I've come across in recent years."—Stuart Liebman, City University of New York Graduate Center
The Cine Goes to Town
Author: Richard Abel
Publisher: Univ of California Press
ISBN: 0520912918
Category : Performing Arts
Languages : en
Pages : 596
Book Description
Richard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema. Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France. The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.
Publisher: Univ of California Press
ISBN: 0520912918
Category : Performing Arts
Languages : en
Pages : 596
Book Description
Richard Abel's magisterial new book radically rewrites the history of French cinema between 1896 and 1914, particularly during the years when Pathé-Frères, the first major corporation in the new industry, led the world in film production and distribution. Based on extensive investigation of rare archival films and documents, and drawing on recent social and cultural histories of turn-of-the-century France and the United States, his book provides new insights into the earliest history of the cinema. Abel tells how early French film entertainment changed from a cinema of attractions to the narrative format that Hollywood would so successfully exploit. He describes the popular genres of the era—comic chases, trick films and féeries, historical and biblical stories, family melodramas and grand guignol tales, crime and detective films—and shows the shift from short subjects to feature-length films. Cinema venues evolved along with the films as live music, color effects, and other new exhibiting techniques and practices drew larger and larger audiences. Abel explores the ways these early films mapped significant differences in French social life, helping to produce thoroughly bourgeois citizens for Third Republic France. The Ciné Goes to Town recovers early French cinema's unique contribution to the development of the mass culture industry. As the one-hundredth anniversary of cinema approaches, this compelling demonstration of film's role in the formation of social and national identity will attract a wide audience of film scholars, social and cultural historians, and film enthusiasts.
Victor Hugo
Author: Graham Robb
Publisher: W. W. Norton & Company
ISBN: 9780393318999
Category : Biography & Autobiography
Languages : en
Pages : 726
Book Description
"Graham Robb tells the complicated story of this colossal life with authority and sympathy. . . . Unquestionably, a magnificent biography".--"Washington Square Press". of photos.
Publisher: W. W. Norton & Company
ISBN: 9780393318999
Category : Biography & Autobiography
Languages : en
Pages : 726
Book Description
"Graham Robb tells the complicated story of this colossal life with authority and sympathy. . . . Unquestionably, a magnificent biography".--"Washington Square Press". of photos.
George Méliès
Author: Elizabeth Ezra
Publisher: Manchester University Press
ISBN: 9780719053962
Category : Performing Arts
Languages : en
Pages : 180
Book Description
Before the turn of the 20th century, before the nickelodeon, even before the first cinemas, George Méliès began making movies. In addition to the fairy tales and fantasies for which he is best known, he made films in every genre from newsreels and commercial advertisements to science fiction and pornography. This major study of Méliès's films interprets his work using the tools of modern film analysis and explores several myths about Méliès's role in film history.
Publisher: Manchester University Press
ISBN: 9780719053962
Category : Performing Arts
Languages : en
Pages : 180
Book Description
Before the turn of the 20th century, before the nickelodeon, even before the first cinemas, George Méliès began making movies. In addition to the fairy tales and fantasies for which he is best known, he made films in every genre from newsreels and commercial advertisements to science fiction and pornography. This major study of Méliès's films interprets his work using the tools of modern film analysis and explores several myths about Méliès's role in film history.
Author:
Publisher: Odile Jacob
ISBN: 2738180078
Category :
Languages : en
Pages : 369
Book Description
Publisher: Odile Jacob
ISBN: 2738180078
Category :
Languages : en
Pages : 369
Book Description
Le Trésor Du Bibliophile Romantique Et Moderne, 1801-1875
Author: Léopold Carteret
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Books
Languages : en
Pages : 224
Book Description
Contemporary French Cinema
Author: Guy Austin
Publisher: Manchester University Press
ISBN: 9780719046117
Category : Performing Arts
Languages : en
Pages : 204
Book Description
Examines popular French film of the last 25 years. Charts recent developments in all genres since the New Wave, including the heritage film, the thriller, the war film, `cinema du look'. Other topics include: representations of sexuality; the work of women film-makers. Includes a filmography.
Publisher: Manchester University Press
ISBN: 9780719046117
Category : Performing Arts
Languages : en
Pages : 204
Book Description
Examines popular French film of the last 25 years. Charts recent developments in all genres since the New Wave, including the heritage film, the thriller, the war film, `cinema du look'. Other topics include: representations of sexuality; the work of women film-makers. Includes a filmography.
Flaubert
Author: Michel Winock
Publisher: Harvard University Press
ISBN: 0674737954
Category : Biography & Autobiography
Languages : en
Pages : 576
Book Description
Michel Winock’s biography situates Gustave Flaubert’s life and work in France’s century of great democratic transition. Flaubert did not welcome the egalitarian society predicted by Tocqueville. Wary of the masses, he rejected the universal male suffrage hard won by the Revolution of 1848, and he was exasperated by the nascent socialism that promoted the collective to the detriment of the individual. But above all, he hated the bourgeoisie. Vulgar, ignorant, obsessed with material comforts, impervious to beauty, the French middle class embodied for Flaubert every vice of the democratic age. His loathing became a fixation—and a source of literary inspiration. Flaubert depicts a man whose personality, habits, and thought are a stew of paradoxes. The author of Madame Bovary and Sentimental Education spent his life inseparably bound to solitude and melancholy, yet he enjoyed periodic escapes from his “hole” in Croisset to pursue a variety of pleasures: fervent friendships, society soirées, and a whirlwind of literary and romantic encounters. He prided himself on the impersonality of his writing, but he did not hesitate to use material from his own life in his fiction. Nowhere are Flaubert’s contradictions more evident than in his politics. An enemy of power who held no nostalgia for the monarchy or the church, he was nonetheless hostile to collectivist utopias. Despite declarations of the timelessness and sacredness of Art, Flaubert could not transcend the era he abominated. Rejecting the modern world, he paradoxically became its celebrated chronicler and the most modern writer of his time.
Publisher: Harvard University Press
ISBN: 0674737954
Category : Biography & Autobiography
Languages : en
Pages : 576
Book Description
Michel Winock’s biography situates Gustave Flaubert’s life and work in France’s century of great democratic transition. Flaubert did not welcome the egalitarian society predicted by Tocqueville. Wary of the masses, he rejected the universal male suffrage hard won by the Revolution of 1848, and he was exasperated by the nascent socialism that promoted the collective to the detriment of the individual. But above all, he hated the bourgeoisie. Vulgar, ignorant, obsessed with material comforts, impervious to beauty, the French middle class embodied for Flaubert every vice of the democratic age. His loathing became a fixation—and a source of literary inspiration. Flaubert depicts a man whose personality, habits, and thought are a stew of paradoxes. The author of Madame Bovary and Sentimental Education spent his life inseparably bound to solitude and melancholy, yet he enjoyed periodic escapes from his “hole” in Croisset to pursue a variety of pleasures: fervent friendships, society soirées, and a whirlwind of literary and romantic encounters. He prided himself on the impersonality of his writing, but he did not hesitate to use material from his own life in his fiction. Nowhere are Flaubert’s contradictions more evident than in his politics. An enemy of power who held no nostalgia for the monarchy or the church, he was nonetheless hostile to collectivist utopias. Despite declarations of the timelessness and sacredness of Art, Flaubert could not transcend the era he abominated. Rejecting the modern world, he paradoxically became its celebrated chronicler and the most modern writer of his time.
The Nation
Author:
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 842
Book Description
Publisher:
ISBN:
Category : Literature
Languages : en
Pages : 842
Book Description