Hip Hop's Amnesia

Hip Hop's Amnesia PDF Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739174932
Category : Social Science
Languages : en
Pages : 386

Get Book Here

Book Description
What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? How did black popular music and black popular culture between 1900 and the 1950s influence white youth culture, especially the Lost Generation and the Beat Generation, in ways that mirror rap music and hip hop culture’s influence on contemporary white youth music, culture, and politics? In Hip Hop’s Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture. Hip Hop’s Amnesia is a study about aesthetics and politics, music and social movements, as well as the ways in which African Americans’ unique history and culture has consistently led them to create musics that have served as the soundtracks for their socio-political aspirations and frustrations, their socio-political organizations and nationally-networked movements. The musics of the major African American social and political movements of the 1950s, 1960s, and 1970s were based and ultimately built on earlier forms of “African American movement music.” Therefore, in order to really and truly understand rap music and hip hop culture we must critically examine both classical African American musics and the classical African American movements that these musics served as soundtracks for. This book is primarily preoccupied with the ways in which post-enslavement black popular music and black popular culture frequently served as a soundtrack for and reflected the grassroots politics of post-enslavement African American social and political movements. Where many Hip Hop Studies scholars have made clever allusions to the ways that rap music and hip hop culture are connected to and seem to innovatively evolve earlier forms of black popular music and black popular culture, Hip Hop’s Amnesia moves beyond anecdotes and witty allusions and earnestly endeavors a full-fledged critical examination and archive-informed re-evaluation of “hip hop’s inheritance” from the major African American musics and movements of the first half of the twentieth century: classic blues, ragtime, classic jazz, swing, bebop, the Black Women’s Club Movement, the New Negro Movement, the Harlem Renaissance, the Bebop Movement, the Hipster Movement, and the Black Muslim Movement.

Hip Hop's Amnesia

Hip Hop's Amnesia PDF Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739174932
Category : Social Science
Languages : en
Pages : 386

Get Book Here

Book Description
What did rap music and hip hop culture inherit from the spirituals, classic blues, ragtime, classic jazz, and bebop? What did rap music and hip hop culture inherit from the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Hipster Movement, and Black Muslim Movement? How did black popular music and black popular culture between 1900 and the 1950s influence white youth culture, especially the Lost Generation and the Beat Generation, in ways that mirror rap music and hip hop culture’s influence on contemporary white youth music, culture, and politics? In Hip Hop’s Amnesia award-winning author, spoken-word artist, and multi-instrumentalist Reiland Rabaka answers these questions by rescuing and reclaiming the often-overlooked early twentieth century origins and evolution of rap music and hip hop culture. Hip Hop’s Amnesia is a study about aesthetics and politics, music and social movements, as well as the ways in which African Americans’ unique history and culture has consistently led them to create musics that have served as the soundtracks for their socio-political aspirations and frustrations, their socio-political organizations and nationally-networked movements. The musics of the major African American social and political movements of the 1950s, 1960s, and 1970s were based and ultimately built on earlier forms of “African American movement music.” Therefore, in order to really and truly understand rap music and hip hop culture we must critically examine both classical African American musics and the classical African American movements that these musics served as soundtracks for. This book is primarily preoccupied with the ways in which post-enslavement black popular music and black popular culture frequently served as a soundtrack for and reflected the grassroots politics of post-enslavement African American social and political movements. Where many Hip Hop Studies scholars have made clever allusions to the ways that rap music and hip hop culture are connected to and seem to innovatively evolve earlier forms of black popular music and black popular culture, Hip Hop’s Amnesia moves beyond anecdotes and witty allusions and earnestly endeavors a full-fledged critical examination and archive-informed re-evaluation of “hip hop’s inheritance” from the major African American musics and movements of the first half of the twentieth century: classic blues, ragtime, classic jazz, swing, bebop, the Black Women’s Club Movement, the New Negro Movement, the Harlem Renaissance, the Bebop Movement, the Hipster Movement, and the Black Muslim Movement.

The Hip Hop Movement

The Hip Hop Movement PDF Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739181173
Category : Social Science
Languages : en
Pages : 432

Get Book Here

Book Description
The Hip Hop Movement offers a critical theory and alternative history of rap music and hip hop culture by examining their roots in the popular musics and popular cultures of the Civil Rights Movement and Black Power Movement. Connecting classic rhythm & blues and rock & roll to the Civil Rights Movement, and classic soul and funk to the Black Power Movement, The Hip Hop Movement explores what each of these musics and movements contributed to rap, neo-soul, hip hop culture, and the broader Hip Hop Movement. Ultimately, this book’s remixes (as opposed to chapters) reveal that black popular music and black popular culture have always been more than merely “popular music” and “popular culture” in the conventional sense and reflect a broader social, political, and cultural movement. With this in mind, sociologist and musicologist Reiland Rabaka critically reinterprets rap and neo-soul as popular expressions of the politics, social visions, and cultural values of a contemporary multi-issue movement: the Hip Hop Movement. Rabaka argues that rap music, hip hop culture, and the Hip Hop Movement are as deserving of critical scholarly inquiry as previous black popular musics, such as the spirituals, blues, ragtime, jazz, rhythm & blues, rock & roll, soul, and funk, and previous black popular movements, such as the Black Women’s Club Movement, New Negro Movement, Harlem Renaissance, Civil Rights Movement, Black Power Movement, Black Arts Movement, and Black Women’s Liberation Movement. This volume, equal parts alternative history of hip hop and critical theory of hip hop, challenges those scholars, critics, and fans of hip hop who lopsidedly over-focus on commercial rap, pop rap, and gangsta rap while failing to acknowledge that there are more than three dozen genres of rap music and many other socially and politically progressive forms of hip hop culture beyond DJing, MCing, rapping, beat-making, break-dancing, and graffiti-writing.

Hip Hop's Inheritance

Hip Hop's Inheritance PDF Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 0739164821
Category : Music
Languages : en
Pages : 267

Get Book Here

Book Description
Hip Hop's Inheritance arguably offers the first book-length treatment of what hip hop culture has, literally, 'inherited' from the Harlem Renaissance, the Black Arts movement, the Feminist Art movement, and 1980s and 1990s postmodern aesthetics. By comparing and contrasting the major motifs of the aforementioned cultural aesthetic traditions with those of hip hop culture, all the while critically exploring the origins and evolution of black popular culture from antebellum America through to 'Obama's America,' Hip Hop's Inheritance demonstrates that the Hip Hop generation is not the first generation of young black folk preoccupied with spirituality and sexuality, race and religion, entertainment and athletics, or ghetto culture and bourgeois culture.

From Bomba to Hip-hop

From Bomba to Hip-hop PDF Author: Juan Flores
Publisher: Columbia University Press
ISBN: 9780231110778
Category : Arts, Puerto Rican
Languages : en
Pages : 280

Get Book Here

Book Description
Flores investigates the historical experience of Puerto Ricans in New York, reflecting their varied areas of cultural expression in the diaspora against the background of contemporary debates in Puerto Rico and recent developments in cultural theory. Close studies of urban space and performance, popular musical styles, and Nuyorican literature highlight the complexities and contradictions of Latino identity.

Civil Rights Music

Civil Rights Music PDF Author: Reiland Rabaka
Publisher: Lexington Books
ISBN: 1498531792
Category : Social Science
Languages : en
Pages : 273

Get Book Here

Book Description
While there have been a number of studies that have explored African American “movement culture” and African American “movement politics,” rarely has the mixture of black music and black politics or, rather, black music an as expression of black movement politics, been explored across several genres of African American “movement music,” and certainly not with a central focus on the major soundtracks of the Civil Rights Movement: gospel, freedom songs, rhythm & blues, and rock & roll. Here the mixture of music and politics emerging out of the Civil Rights Movement is critically examined as an incredibly important site and source of spiritual rejuvenation, social organization, political education, and cultural transformation, not simply for the non-violent civil rights soldiers of the 1950s and 1960s, but for organic intellectual-artist-activists deeply committed to continuing the core ideals and ethos of the Civil Rights Movement in the twenty-first century. Civil Rights Music: The Soundtracks of the Civil Rights Movement is primarily preoccupied with that liminal, in-between, and often inexplicable place where black popular music and black popular movements meet and merge. Black popular movements are more than merely social and political affairs. Beyond social organization and political activism, black popular movements provide much-needed spaces for cultural development and artistic experimentation, including the mixing of musical and other aesthetic traditions. “Movement music” experimentation has historically led to musical innovation, and musical innovation in turn has led to new music that has myriad meanings and messages—some social, some political, some cultural, some spiritual and, indeed, some sexual. Just as black popular movements have a multiplicity of meanings, this book argues that the music that emerges out of black popular movements has a multiplicity of meanings as well.

Know What I Mean?

Know What I Mean? PDF Author: Michael Eric Dyson
Publisher: ReadHowYouWant.com
ISBN: 1458776131
Category : Music
Languages : en
Pages : 202

Get Book Here

Book Description
Whether along race, class or generational lines, hip-hop music has been a source of controversy since the beats got too big and the voices too loud for the block parties that spawned them. America has condemned and commended this music and the culture that inspires it. Dubbed ''the Hip-Hop Intellectual' by critics and fans for his pioneering explorations of rap music in the academy and beyond, Michael Eric Dyson is uniquely situated to probe the most compelling and controversial dimensions of hip-hop culture. Know What I Mean? addresses salient issues within hip hop: the creative expression of degraded youth that has garnered them global exposure; the vexed gender relations that have made rap music a lightning rod for pundits; the commercial explosion that has made an art form a victim of its success; the political elements that have been submerged in the most popular form of hip hop; and the intellectual engagement with some of hip hops most influential figures. In spite of changing trends, both in the music industry and among the intelligentsia, Dyson has always supported and interpreted this art that bloomed un watered, and in many cases, unwanted from our inner cities. For those who wondered what all the fuss is about in hip hop, Dysons bracing and brilliant book breaks it all down.

Hip-hop Revolution

Hip-hop Revolution PDF Author: Jeffrey Ogbonna Green Ogbar
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 256

Get Book Here

Book Description
As hip-hop artists constantly struggle to "keep it real," this fascinating study examines the debates over the core codes of hip-hop authenticity--as it reflects and reacts to problematic black images in popular culture--placing hip-hop in its proper cultural, political, and social contexts.

Convenient Amnesia

Convenient Amnesia PDF Author: Donald Vincent
Publisher: Broadstone Books
ISBN: 9781937968656
Category :
Languages : en
Pages : 96

Get Book Here

Book Description
Poetry. African & African American Studies. An old movie theme song once observed, "What's too painful to remember, we simply choose to forget." That sort of convenient amnesia is at the heart of this incandescent first poetry collection from Donald Vincent. Incandescent, because that's the sort of light produced by heat, and there's a righteous heat raging in these pages, producing a brilliance that illuminates a legacy of racism and violence and appropriation and disenfranchisement and, and...all those things we'd like to forget, ignore, disown. All that pain. This is, then, a document on the subject of getting woke. And what an awakening! Vincent is by his own description "Prankster and intelligent gangster all-in-one," and that phrase captures perfectly the tone, and charm, of this book. But beware that beguiling charm, because it's dangerous. Indeed, "Lucky Charm" is the first poem, where he declares, "I inherited the bop in my walk from my great, / great grandpa's lashings on the farm." That's a hard-won bop, indeed, and in case we're inclined to forget, conveniently, that those lashings are not just a thing of the past, he doubles down a few lines later with the incendiary reminder, "I want to whistle whimsical feelings to white women, / Emmett Till's charm." Vincent identifies himself with Till again a few poems later, and laments that black children are born as "a small, black imprint / forced into a blank, / white world." Elsewhere, he declares, "they built me / to be filthy / black & ugly / and forever / guilty." He won't let us forget how that feels, how that works, even if it would be convenient to do so. Vincent scrutinizes the aftermath of this legacy on stages large and small, and after a first section devoted to more political poems, in the second he tightens his focus on a more domestic scale. The title poem examines an all-too-familiar scene of troubled marriage, the husband "stumbling through the garage / entrance, smelling of Wild Irish Rose," his wife demanding "What happened to us?" His answer: "I forgot. / I don't know. Dear, I forgot. / Just give me one more chance." Yes, it's a melodramatic stereotype, but it's also a sad reality for too many families, a product of too many generations of denied opportunity, even to form stable families and communities. How many chances do we have left? (But lest this sound too unremittingly gloomy, this section also contains some whimsical "Dating Advice from Married Women," along with unabashedly romantic poems.) In the final section, the "intelligent gangster" is most evident, as Vincent interrogates, responds to, and riffs off works by authors and artists as various as Baraka and Emerson, Angelou and Dickinson, Degas and Basquiat. This is no mere display of erudition, however, but more a declaration that a fully formed culture, a truly humane world, must be open to all, accepting of all, and incorporate all that has come before us. Nothing can be forgotten. Even what's too painful.

Rhythm and Blues, Rap, and Hip-hop

Rhythm and Blues, Rap, and Hip-hop PDF Author: Frank W. Hoffmann
Publisher: Infobase Publishing
ISBN: 0816069808
Category : Juvenile Nonfiction
Languages : en
Pages : 353

Get Book Here

Book Description
Presents brief entries covering the history, significant artists, styles and influence of rhythm and blues, rap, and hip-hop music.

When Chickenheads Come Home to Roost

When Chickenheads Come Home to Roost PDF Author: Joan Morgan
Publisher: Simon and Schuster
ISBN: 1439127409
Category : Social Science
Languages : en
Pages : 272

Get Book Here

Book Description
“Morgan has given an entire generation of Black feminists space and language to center their pleasures alongside their politics.” —Janet Mock, New York Times bestselling author of Redefining Realness “All that and then some, Chickenheads informs and educates, confronts and charms, raises the bar high by getting down low, and, to steal my favorite Joan Morgan phrase, bounced me out of the room.” —Marlon James, Man Booker Prize–winning author of A Brief History of Seven Killings Still as fresh, funny, and ferociously honest as ever, this piercing meditation on the fault lines between hip-hop and feminism captures the most intimate thoughts of the post-Civil Rights, post-feminist, post-soul generation. Award-winning journalist Joan Morgan offers a provocative and powerful look into the life of the modern Black woman: a complex world in which feminists often have not-so-clandestine affairs with the most sexist of men, where women who treasure their independence frequently prefer men who pick up the tab, where the deluge of babymothers and babyfathers reminds Black women who long for marriage that traditional nuclear families are a reality for less than forty percent of the population, and where Black women are forced to make sense of a world where truth is no longer black and white but subtle, intriguing shades of gray.