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Author: Anita Strezova
Publisher: ANU Press
ISBN: 1925021858
Category : Art
Languages : en
Pages : 328
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Book Description
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.” Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University
Author: Anita Strezova
Publisher: ANU Press
ISBN: 1925021858
Category : Art
Languages : en
Pages : 328
Get Book Here
Book Description
“Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.” Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University
Author: Anita Strezova
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
2Although many of the iconographic traditions in Byzantine art formed in the early centuries of Christianity, they were not petrified within a time warp. Subtle changes and refinements in Byzantine theology did find reflection in changes to the iconographic and stylistic conventions of Byzantine art. This is a brilliant and innovative book in which Dr Anita Strezova argues that a religious movement called Hesychasm, especially as espoused by the great Athonite monk St Gregory Palamas, had a profound impact on the iconography and style of Byzantine art, including that of the Slav diaspora, of the late Byzantine period. While many have been attracted to speculate on such a connection, none until now has embarked on proving such a nexus. The main stumbling blocks have included the need for a comprehensive knowledge of Byzantine theology; a training in art history, especially iconological, semiotic and formalist methodologies; extensive fieldwork in Macedonia, Bulgaria, Serbia, Greece, Turkey and Russia, and a working knowledge of Greek, Old Church Slavonic, Macedonian, Russian, Serbian, Latin as well as several modern European languages, French, German, Russian and Italian. These are some of the skills which Dr Strezova has brought to her topic.3 Professor Sasha Grishin AM, FAHA Adjunct Professor of Art History School of Literature, Languages and Linguistics The Australian National University.
Author: Anita Strezova
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 930
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Book Description
The aim of this research is to explore the possible relationship between the religious movement of hesychasm and the development of new artistic trends in Byzantine and Slavic lands during the Palaeologan period (1261-1453). This research also investigates the background currents, circumstances and persons which impelled the outbreak of the hesychast controversy. It further examines the doctrinal views of both hesychasts and humanists and considers the iconographical and stylistic changes in the Christian art of 14th and 15th centuries. Three compositions depicting three major feasts, the Transfiguration, the Anastasis and the Trinity, are selected as case studies to illustrate the transformations of art that occurred during the Palaeologan period. Combined methods of analysis are used in this thesis, including broader sociological and theological methods, with emphasis on several key issues, such as the cultural context, the thematic content, the aesthetic status and the theological role of images within theological discourse. However, formal and iconographical analyses are the principal means for study of the qualities, nature and history of the selected compositions.
Author: Lara Chadd
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 98
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Book Description
Author: Bernadette Dieker
Publisher:
ISBN: 9781887752459
Category : Hesychasm
Languages : en
Pages : 0
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Book Description
This profound work introduces the West to Eastern Christian spirituality through the lens of Thomas Merton, as practiced from the time of the Desert Fathers. Contributors to this volume present the riches of Christian contemplative methods and experience dating back to their original Christian source.
Author: Rachel Mary Kathleen Huckstep
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 100
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Book Description
Author: George Kordis
Publisher:
ISBN: 9781935317098
Category : Icon painting
Languages : en
Pages : 102
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Book Description
Author: Ruth E. Berg
Publisher:
ISBN:
Category : Hesychasm
Languages : en
Pages : 340
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Book Description
Author: Jenifer M. Dye
Publisher:
ISBN:
Category : Art, Byzantine
Languages : en
Pages : 90
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Book Description
Author: Léonide Ouspensky
Publisher: St Vladimir's Seminary Press
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
This is the most comprehensive introduction available to the history and theology of the icon, and is the standard text upon which most modern studies of iconography are based. It includes more than the basic theory of the transfiguration of beauty and the sanctification of art. It is a fundamental element in the entire body of Orthodox Tradition. n this two-volume work, author Leonid Ouspensky provides the reader with a deep and serious approach to the mystery of the sacred image. He surveys the development of the sacred art of the Christian East from its beginnings in catacomb art through the iconoclastic controversy of the eighth and ninth century. Drawing especially on the Russian Orthodox tradition, the author studies a large number of texts with care and in great detail. He includes an analysis of the flowering of early Russian iconography, tracing its later development and the state of the art today. The 51 black and white photo illustrations, along with the four-panel foldout and six color plates, will enable the reader to appreciate the Orthodox icon with an informed mind and open heart. Volume I, originally published in 1978, has been updated by the author and contains large sections of new material [Publisher description]