Herman Bahr as Critic of the Fin de Siecle PDF Download
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Author: Hugo Schmidt
Publisher:
ISBN:
Category :
Languages : en
Pages : 111
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Author: Hugo Schmidt
Publisher:
ISBN:
Category :
Languages : en
Pages : 111
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Author: Robert Edward Simmons
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
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Author: Donald G. Daviau
Publisher: Boston : Twayne Publishers
ISBN:
Category : Literary Criticism
Languages : en
Pages : 192
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Author: Egon W. Breckner
Publisher:
ISBN:
Category :
Languages : en
Pages : 730
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Author: Egon W. Breckner
Publisher:
ISBN:
Category : Europe
Languages : en
Pages : 702
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Author: Robert Jensen
Publisher: Princeton University Press
ISBN: 0691241953
Category : Art
Languages : en
Pages : 376
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In this fundamental rethinking of the rise of modernism from its beginnings in the Impressionist movement, Robert Jensen reveals that market discourses were pervasive in the ideological defense of modernism from its very inception and that the avant-garde actually thrived on the commercial appeal of anti-commercialism at the turn of the century. The commercial success of modernism, he argues, depended greatly on possession of historical legitimacy. The very development of modern art was inseparable from the commercialism many of its proponents sought to transcend. Here Jensen explores the economic, aesthetic, institutional, and ideological factors that led to its dominance in the international art world by the early 1900s. He emphasizes the role of the emerging dealer/gallery market and of modernist art historiographies in evaluating modern art and legitimizing it through the formation of a canon of modernist masters. In describing the canon-building of modern dealerships, Jensen considers the new "ideological dealer" and explores the commercial construction of artistic identity through such rhetorical concepts as temperament and "independent art" and through such institutional structures as the retrospective. His inquiries into the fate of the juste milieu, a group of dissidents who saw themselves as "true heirs" of Impressionism, and his look at a new form of art history emerging in Germany further expose a linear, dealer- oriented history of modernist art constructed by or through the modernists themselves.
Author: Mikulas Teich
Publisher: Cambridge University Press
ISBN: 9780521349154
Category : History
Languages : en
Pages : 360
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For many years the term fin de siècle has been used to imply a state of decadence which was thought to have pervaded 'civilised' European society in the years around 1900. This volume of essays, which draw on a very wide range of disciplines, argues that the period was in fact one of dramatic change, essentially positive and forward-looking in character. This was the period of the rise of the giant corporation, of mass production and mass consumption, and of the development of the generation and distribution of electrical energy. Novel social features such as mass politics, mass media, and mass sport involved the body of ordinary people and in the arts, complex reactions to contemporary social reality were aroused and expressed. This was also the period which gave birth to the study of quantum mechanics, relativity physics, mental processes and genetics. This volume forms part of a sequence of collections of essays which began with The Enlightenment in National Context (1981) and has continued with Romanticism in National Context (1988). They bring together comparative, national and interdisciplinary approaches to the history of great movements in the development of human thought and actions.
Author: Gregory B. Moynahan
Publisher: Anthem Press
ISBN: 085728343X
Category : Philosophy
Languages : en
Pages : 278
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Recovering a lost world of the politics of science in Imperial Germany, Gregory B. Moynahan approaches the life and work of the philosopher and historian Ernst Cassirer (1874–1945) from a revisionist perspective, using this framework to redefine the origins of twentieth-century critical historicism and critical theory. The only text in English to focus on the first half of the polymath Cassirer’s career and his role in the Marburg School, this volume illuminates one of the most important – and in English, least-studied – reform movements in Imperial Germany.
Author: Andrew C. Wisely
Publisher: Camden House
ISBN: 9781571130884
Category : Literary Criticism
Languages : en
Pages : 226
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An analysis of the scholarly criticism of the great Viennese writer up to the year 2000. Schnitzler, one of the most prolific Austrian writers of the 20th century, ruthlessly dissected his society's erotic posturing and phobias about sex and death. His most penetrating analyses include Lieutenant Gustl, the first stream-of-consciousness novella in German; Reigen, a devastating cycle of one-acts mapping the social limits of a sexual daisy-chain; and Der Weg ins Freie, a novel that combines a love story with a discussion ofthe roadblocks facing Austria's Jews. Today, his popularity is reflected by new editions and translations and by adaptations for theater, television, and film by artists such as Tom Stoppard and Stanley Kubrick. This book examinesSchnitzler reception up to 2000, beginning with the journalistic reception of the early plays. Before being suspended by a decade of Nazism, criticism in the 1920s and 30s emphasized Schnitzler's determinism and decadence. Not until the early 60s was humanist scholarship able to challenge this verdict by pointing out Schnitzler's ethical indictment of impressionism in the late novellas. During the same period, Schnitzler, whom Freud considered his literary "Doppelgänger," was often subjected to Freudian psychoanalytical criticism; but by the 80s, scholarship was citing his own thoroughgoing objections to such categories. Since the 70s, Schnitzler's remonstrance toward the Austrianestablishment has been examined by social historians and feminist critics alike, and the recently completed ten-volume edition of Schnitzler's diary has met with vibrant interest. Andrew C. Wisely is associate professor of German at Baylor University.
Author: Donald G. Daviau
Publisher:
ISBN:
Category :
Languages : en
Pages : 512
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