HERDER'S SHAKESPEARE--'AUTSATZ' IN ITS RELATION TO ENGLISH CRITICISM OF THE EIGHTEENTH CENTURY. PDF Download
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Author: CARL EDWIN BURKLUND
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
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Book Description
Author: CARL EDWIN BURKLUND
Publisher:
ISBN:
Category :
Languages : en
Pages : 476
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Book Description
Author: Xerox University Microfilms
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 872
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Book Description
Author: Xerox University Microfilms
Publisher:
ISBN:
Category : Dissertations, Academic
Languages : en
Pages : 1080
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Book Description
Author: David Nichol Smith
Publisher:
ISBN: 9780758144249
Category :
Languages : en
Pages : 358
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Book Description
Author: Joanna Gondris
Publisher: Fairleigh Dickinson Univ Press
ISBN: 9780838637128
Category : Drama
Languages : en
Pages : 428
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Book Description
Reading Readings brings together essays by eighteen critics and textual scholars on texts that play a crucially informative role in the history of Shakespeare reception: the eighteenth-century editions. These texts tell, in extraordinary detail, the response of the age that granted Shakespeare his canonical status. They show, too, the development of a new range of critical and bibliographical practices, and display the workings of influential eighteenth-century cultural and market forces.
Author: Johann Gottfried Herder
Publisher: Princeton University Press
ISBN: 1400828252
Category : Literary Criticism
Languages : en
Pages : 129
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Book Description
Without Johann Gottfried Herder (1744–1803), we simply would not understand Shakespeare in the way we do. In fact, much literature and art besides Shakespeare would neither look the same nor be the same without the influence of Herder's "Shakespeare" (1773). One of the most important and original works in the history of literary criticism, this passionate essay pioneered a new, historicist approach to cultural artifacts by arguing that they should be judged not by their conformity to a set of conventions imported from another time and place, but by the effectiveness of their response to their own historical and cultural context. Rejecting the authority of a dominant and stifling French neoclassicism that judged eighteenth-century plays by the criteria of Aristotle, Herder's "Shakespeare" signaled a break with the Enlightenment, the approach of Romanticism, and the arrival of a distinctly modern form of aesthetic appreciation. With a vivid new translation and a fascinating introduction by Gregory Moore, this edition of Herder's classic will speak to today's readers with undiminished power and persuasiveness.
Author: Robert Witbeck Babcock
Publisher:
ISBN:
Category : Criticism
Languages : en
Pages : 344
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Book Description
Author: M. M. Badawi
Publisher: Cambridge University Press
ISBN: 9780521136501
Category : Literary Criticism
Languages : en
Pages : 232
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Book Description
Coleridge's theories, insights and practical criticism underlie nearly all subsequent criticism in English. It was not only that he turned decisively away from eighteenth century views (clearly and usefully surveyed in the first chapter). His powerfully general theories of the imagination and of poetic language and structure provided permanent insights. He saw the plays as organic structures of poetic effects, the product of conscious artistry. These served Shakespeare's deep human insight, both psychological and moral. Dr Badawi provides a lucid analysis of the elements of Coleridge's criticism of Shakespeare, demonstrating the relationship with his criticism generally, and bringing out its originality, its validity and its influence on our concepts of poetic language, dramatic form and our response to the whole medium.
Author: sister Mary Justinian Warpeha
Publisher:
ISBN:
Category : Christianity and literature
Languages : en
Pages : 108
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Book Description
Author: Charles F. Johnson
Publisher:
ISBN: 9781330632444
Category : Literary Collections
Languages : en
Pages : 410
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Book Description
Excerpt from Shakespeare and His Critics The object of this book is to give an outline of the attitude of the English and American literary world towards the plays of William Shakespeare from the seventeenth century to the present time. The verdict of the world of playgoers, that some of the plays when well acted were far better worth seeing than those of any other dramatist, has been the same for all generations. But the estimate of the plays by professional writers, as reflected in literary criticism, has varied, or rather the views on which the estimate was based have varied, greatly. For a long time it was a matter of faith with most of them that Shakespeare was irregular, because his construction and method differed widely from that of the dramatists of Greece. Admitting that he was a unique genius, as shown in many passages of force and beauty, it was thought that the plays would be much better if they were less original and more imitative of the ancient models, and the poet had always kept to a certain dignity of diction and situation, and in particular had observed the formal rules which were supposed to be deduced from the plays of the ancient dramatists and were known as the three unities. English common sense continually rebelled against the contention that an English poet lacked taste and culture because he did not imitate the methods or style of the poets of another race, and the position was finally abandoned in the latter part of the eighteenth century. Coleridge barely alludes to it, and Lamb and Hazlitt of the early nineteenth century ignore it completely. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
