Author: Henry Watterson
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 370
Book Description
"Marse Henry"
Author: Henry Watterson
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 370
Book Description
Publisher:
ISBN:
Category : Autobiography
Languages : en
Pages : 370
Book Description
Henry Watterson and the New South
Author: Daniel S. Margolies
Publisher:
ISBN: 9780813134970
Category : Journalists
Languages : en
Pages : 340
Book Description
Henry Watterson (1840-1921), editor of the Louisville Courier-Journal from the 1860s through WWI, was one of the most important and widely read newspaper editors in American history. An influential New South supporter of sectional reconciliation and economic development, Watterson was also the nation's premier advocate of free trade and globalization. Watterson's vision of a prosperous and independent South within an expanding American empire was unique among prominent Southerners and Democrats. He helped articulate the bipartisan embrace of globalization that accompanied America's rise to unm.
Publisher:
ISBN: 9780813134970
Category : Journalists
Languages : en
Pages : 340
Book Description
Henry Watterson (1840-1921), editor of the Louisville Courier-Journal from the 1860s through WWI, was one of the most important and widely read newspaper editors in American history. An influential New South supporter of sectional reconciliation and economic development, Watterson was also the nation's premier advocate of free trade and globalization. Watterson's vision of a prosperous and independent South within an expanding American empire was unique among prominent Southerners and Democrats. He helped articulate the bipartisan embrace of globalization that accompanied America's rise to unm.
Henry Watterson and the New South
Author: Daniel Margolies
Publisher: University Press of Kentucky
ISBN: 0813171571
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
Henry Watterson, editor of the Louisville Courier-Journal during the tumultuous decades between the Civil War and World War I, was one of the most influential and widely read journalists in American history. At the height of his fame in the early twentieth century, Watterson was so well known that his name and image were used to sell cigars and whiskey. A major player in American politics for more than fifty years, Watterson personally knew nearly every president from Andrew Jackson to Woodrow Wilson. Though he always refused to run, the renowned editor was frequently touted as a candidate for the U.S. Senate, the Kentucky governor’s office, and even the White House. Shortly after his arrival in Louisville in 1868, Watterson merged competing interests and formed the Courier-Journal, quickly establishing it as the paper of record in Kentucky, a central promoter of economic development in the New South, and a prominent voice on the national political stage. An avowed Democrat in an era when newspapers were openly aligned with political parties, Watterson adopted a defiant independence within the Democratic Party and challenged the Democrats’ consensus opinions as much as he reinforced them. In the first new study of Watterson’s historical significance in more than fifty years, Daniel S. Margolies traces the development of Watterson’s political and economic positions and his transformation from a strident Confederate newspaper editor into an admirer of Lincoln, a powerful voice of sectional reconciliation, and the nation’s premier advocate of free trade. Henry Watterson and the New South provides the first study of Watterson’s unique attempt to guide regional and national discussions of foreign affairs. Margolies details Watterson’s quest to solve the sovereignty problems of the 1870s and to quell the economic and social upheavals of the 1890s through an expansive empire of free trade. Watterson’s political and editorial contemporaries variously advocated free silverism, protectionism, and isolationism, but he rejected their narrow focus and maintained that the best way to improve the South’s fortunes was to expand its economic activities to a truly global scale. Watterson’s New Departure in foreign affairs was an often contradictory program of decentralized home rule and overseas imperialism, but he remained steadfast in his vision of a prosperous and independent South within an American economic empire of unfettered free trade. Watterson thus helped to bring about the eventual bipartisan embrace of globalization that came to define America’s relationship with the rest of the world in the twentieth century. Margolies’ groundbreaking analysis shows how Watterson’s authoritative command of the nation’s most divisive issues, his rhetorical zeal, and his willingness to stand against the tide of conventional wisdom made him a national icon.
Publisher: University Press of Kentucky
ISBN: 0813171571
Category : Biography & Autobiography
Languages : en
Pages : 354
Book Description
Henry Watterson, editor of the Louisville Courier-Journal during the tumultuous decades between the Civil War and World War I, was one of the most influential and widely read journalists in American history. At the height of his fame in the early twentieth century, Watterson was so well known that his name and image were used to sell cigars and whiskey. A major player in American politics for more than fifty years, Watterson personally knew nearly every president from Andrew Jackson to Woodrow Wilson. Though he always refused to run, the renowned editor was frequently touted as a candidate for the U.S. Senate, the Kentucky governor’s office, and even the White House. Shortly after his arrival in Louisville in 1868, Watterson merged competing interests and formed the Courier-Journal, quickly establishing it as the paper of record in Kentucky, a central promoter of economic development in the New South, and a prominent voice on the national political stage. An avowed Democrat in an era when newspapers were openly aligned with political parties, Watterson adopted a defiant independence within the Democratic Party and challenged the Democrats’ consensus opinions as much as he reinforced them. In the first new study of Watterson’s historical significance in more than fifty years, Daniel S. Margolies traces the development of Watterson’s political and economic positions and his transformation from a strident Confederate newspaper editor into an admirer of Lincoln, a powerful voice of sectional reconciliation, and the nation’s premier advocate of free trade. Henry Watterson and the New South provides the first study of Watterson’s unique attempt to guide regional and national discussions of foreign affairs. Margolies details Watterson’s quest to solve the sovereignty problems of the 1870s and to quell the economic and social upheavals of the 1890s through an expansive empire of free trade. Watterson’s political and editorial contemporaries variously advocated free silverism, protectionism, and isolationism, but he rejected their narrow focus and maintained that the best way to improve the South’s fortunes was to expand its economic activities to a truly global scale. Watterson’s New Departure in foreign affairs was an often contradictory program of decentralized home rule and overseas imperialism, but he remained steadfast in his vision of a prosperous and independent South within an American economic empire of unfettered free trade. Watterson thus helped to bring about the eventual bipartisan embrace of globalization that came to define America’s relationship with the rest of the world in the twentieth century. Margolies’ groundbreaking analysis shows how Watterson’s authoritative command of the nation’s most divisive issues, his rhetorical zeal, and his willingness to stand against the tide of conventional wisdom made him a national icon.
Visual Art and the Urban Evolution of the New South
Author: Deborah C. Pollack
Publisher: Univ of South Carolina Press
ISBN: 1611174333
Category : Art
Languages : en
Pages : 371
Book Description
Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.
Publisher: Univ of South Carolina Press
ISBN: 1611174333
Category : Art
Languages : en
Pages : 371
Book Description
Visual Art and the Urban Evolution of the New South recounts the enormous influence of artists in the evolution of six southern cities—Atlanta, Charleston, New Orleans, Louisville, Austin, and Miami—from 1865 to 1950. In the decades following the Civil War, painters, sculptors, photographers, and illustrators in these municipalities employed their talents to articulate concepts of the New South, aestheticism, and Gilded Age opulence and to construct a visual culture far beyond providing pretty pictures in public buildings and statues in city squares. As Deborah C. Pollack investigates New South proponents such as Henry W. Grady of Atlanta and other regional leaders, she identifies "cultural strivers"—philanthropists, women's organizations, entrepreneurs, writers, architects, politicians, and dreamers—who united with visual artists to champion the arts both as a means of cultural preservation and as mechanisms of civic progress. Aestheticism, made popular by Oscar Wilde's southern tours during the Gilded Age, was another driving force in art creation and urban improvement. Specific art works occasionally precipitated controversy and incited public anger, yet for the most part artists of all kinds were recognized as providing inspirational incentives for self-improvement, civic enhancement and tourism, art appreciation, and personal fulfillment through the love of beauty. Each of the six New South cities entered the late nineteenth century with fractured artistic heritages. Charleston and Atlanta had to recover from wartime devastation. The infrastructures of New Orleans and Louisville were barely damaged by war, but their social underpinnings were shattered by the end of slavery and postwar economic depression. Austin was not vitalized until after the Civil War and Miami was a post-Civil War creation. Pollack surveys these New South cities with an eye to understanding how each locale shaped its artistic and aesthetic self-perception across a spectrum of economic, political, gender, and race issues. She also discusses Lost Cause imagery, present in all the studied municipalities. While many art history volumes concerning the South focus on sultry landscapes outside the urban grid, Visual Art and the Urban Evolution of the New South explores the art belonging to its cities, whether exhibited in its museums, expositions, and galleries, or reflective of its parks, plazas, marketplaces, industrial areas, gardens, and universities. It also identifies and celebrates the creative urban humanity who helped build the cultural and social framework for the modern southern city.
Origins of the New South, 1877–1913
Author: C. Vann Woodward
Publisher: LSU Press
ISBN: 9780807100196
Category : History
Languages : en
Pages : 676
Book Description
Winner of the Bancroft Prize After more than two decades, Origins of the New South is still recognized both as a classic in regional historiography and as the most perceptive account yet written on the period which spawned the New South. Historian Sheldon Hackney recently summed it up this way: “The pyramid still stands. Origins of the New South has survived relatively untarnished through twenty years of productive scholarship, including the eras of consensus and of the new radicalism. . . . Woodward recognizes both the likelihood of failure and the necessity of struggle. It is this profound ambiguity which makes his work so interesting. Like the myth of Sisyphus, Origins of the New South still speaks to our condition.” This enlarged edition contains a new preface by the author and a critical essay on recent works by Charles B. Dew.
Publisher: LSU Press
ISBN: 9780807100196
Category : History
Languages : en
Pages : 676
Book Description
Winner of the Bancroft Prize After more than two decades, Origins of the New South is still recognized both as a classic in regional historiography and as the most perceptive account yet written on the period which spawned the New South. Historian Sheldon Hackney recently summed it up this way: “The pyramid still stands. Origins of the New South has survived relatively untarnished through twenty years of productive scholarship, including the eras of consensus and of the new radicalism. . . . Woodward recognizes both the likelihood of failure and the necessity of struggle. It is this profound ambiguity which makes his work so interesting. Like the myth of Sisyphus, Origins of the New South still speaks to our condition.” This enlarged edition contains a new preface by the author and a critical essay on recent works by Charles B. Dew.
Oratory in the New South
Author: Waldo W. Braden
Publisher: LSU Press
ISBN: 9780807125168
Category : History
Languages : en
Pages : 304
Book Description
The thirty years prior to the Civil War were flamboyant and fiery times for the South. People had a passion for political issues and an ear for the lusty oratory that could be heard at any gathering, social or political. In Oratory in the Old South, Waldo Braden and his associates looked past the popular myths of that era and uncovered the true nature of the oratory of the times.In this sequel to that earlier volume, Braden and seven other speech scholars examine the oratory of accommodation that dominated the southern forum in the post-Civil War years. Speakers of this era, they find, had to overcome problems of spirit and morale; their challenge was to build up the political and personal confidence of a people who were defeated. By the same token, these speakers had to adapt their oratory to outside influences that had the power to exert military pressure, withhold funds, and employ negative political coercion. The eight essays of the book are developed topically, and the issues of racism, women's rights, states' rights, industrialization, and education are delineated as they weave into the developing story of the New South. Among the topics dealt with are the promotion of cultural myths, the tactics of Henry W. Grady as a propagandist for the New South, the oratory of the United Confederate Veterans, and the emergence of women as speakers for reform.The oft-repeated myths and encouragements of the orators helped giver southerners the distinction they thought lost, a sense of nationalism. Once created, this cohesive regionalism wrought a power, pride, and prestige so strong that they defied challenge and made many southerners impervious to change and progress until well after 1950. Oratory in the New South reveals many sources of the South's modern self-concept and stands as a unique account of this formative period.
Publisher: LSU Press
ISBN: 9780807125168
Category : History
Languages : en
Pages : 304
Book Description
The thirty years prior to the Civil War were flamboyant and fiery times for the South. People had a passion for political issues and an ear for the lusty oratory that could be heard at any gathering, social or political. In Oratory in the Old South, Waldo Braden and his associates looked past the popular myths of that era and uncovered the true nature of the oratory of the times.In this sequel to that earlier volume, Braden and seven other speech scholars examine the oratory of accommodation that dominated the southern forum in the post-Civil War years. Speakers of this era, they find, had to overcome problems of spirit and morale; their challenge was to build up the political and personal confidence of a people who were defeated. By the same token, these speakers had to adapt their oratory to outside influences that had the power to exert military pressure, withhold funds, and employ negative political coercion. The eight essays of the book are developed topically, and the issues of racism, women's rights, states' rights, industrialization, and education are delineated as they weave into the developing story of the New South. Among the topics dealt with are the promotion of cultural myths, the tactics of Henry W. Grady as a propagandist for the New South, the oratory of the United Confederate Veterans, and the emergence of women as speakers for reform.The oft-repeated myths and encouragements of the orators helped giver southerners the distinction they thought lost, a sense of nationalism. Once created, this cohesive regionalism wrought a power, pride, and prestige so strong that they defied challenge and made many southerners impervious to change and progress until well after 1950. Oratory in the New South reveals many sources of the South's modern self-concept and stands as a unique account of this formative period.
New Women of the New South
Author: Marjorie Spruill Wheeler
Publisher: Oxford University Press
ISBN: 0195359577
Category : History
Languages : en
Pages : 317
Book Description
There is currently a great deal of interest in the Southern suffrage movement, but until now historians have had no comprehensive history of the woman suffrage movement in the South, the region where suffragists had the hardest fight and the least success. This important new book focuses on eleven of the movement's most prominent leaders at the regional and national levels, exploring the range of opinions within this group, with particular emphasis on race and states' rights. Wheeler insists that the suffragists were motivated primarily by the desire to secure public affirmation of female equality and to protect the interests of women, children, and the poor in the tradition of noblesse oblige in a New South they perceived as misgoverned by crass and materialistic men. A vigorous suffrage movement began in the South in the 1890s, however, because suffragists believed offering woman suffrage as a way of countering black voting strength gave them an "expediency" argument that would succeed--even make the South lead the nation in the adoption of woman suffrage. When this strategy failed, the movement flagged, until the Progressive Movement provided a new rationale for female enfranchisement. Wheeler also emphasizes the relationship between the Northern and Southern leaders, which was one of mutual influence. This pioneering study of the Southern suffrage movement will be essential to students of the history of woman suffrage, American women, the South, the Progressive Era, and American reform movements.
Publisher: Oxford University Press
ISBN: 0195359577
Category : History
Languages : en
Pages : 317
Book Description
There is currently a great deal of interest in the Southern suffrage movement, but until now historians have had no comprehensive history of the woman suffrage movement in the South, the region where suffragists had the hardest fight and the least success. This important new book focuses on eleven of the movement's most prominent leaders at the regional and national levels, exploring the range of opinions within this group, with particular emphasis on race and states' rights. Wheeler insists that the suffragists were motivated primarily by the desire to secure public affirmation of female equality and to protect the interests of women, children, and the poor in the tradition of noblesse oblige in a New South they perceived as misgoverned by crass and materialistic men. A vigorous suffrage movement began in the South in the 1890s, however, because suffragists believed offering woman suffrage as a way of countering black voting strength gave them an "expediency" argument that would succeed--even make the South lead the nation in the adoption of woman suffrage. When this strategy failed, the movement flagged, until the Progressive Movement provided a new rationale for female enfranchisement. Wheeler also emphasizes the relationship between the Northern and Southern leaders, which was one of mutual influence. This pioneering study of the Southern suffrage movement will be essential to students of the history of woman suffrage, American women, the South, the Progressive Era, and American reform movements.
Kentucky’s Rebel Press
Author: Berry Craig
Publisher: University Press of Kentucky
ISBN: 0813174600
Category : History
Languages : en
Pages : 245
Book Description
Throughout the Civil War, the influence of the popular press and its skillful use of propaganda was extremely significant in Kentucky. Union and Confederate sympathizers were scattered throughout the border slave state, and in 1860, at least twenty-eight of the commonwealth's approximately sixty newspapers were pro-Confederate, making the secessionist cause seem stronger in Kentucky than it was in reality. In addition, the impact of these "rebel presses" reached beyond the region to readers throughout the nation. In this compelling and timely study, Berry Craig analyzes the media's role in both reflecting and shaping public opinion during a critical time in US history. Craig begins by investigating the 1860 secession crisis, which occurred at a time when most Kentuckians considered themselves ardent Unionists in support of the state's political hero, Henry Clay. But as secessionist arguments were amplified throughout the country, so were the voices of pro-Confederate journalists in the state. By January 1861, the Hickman Courier, Columbus Crescent, and Henderson Reporter steadfastly called for Kentucky to secede from the Union. Kentucky's Rebel Press also showcases journalists who supported the Confederate cause, including editor Walter N. Haldeman, who fled the state after Kentucky's most recognized Confederate paper, the Louisville Daily Courier, was shut down by Union forces. Exploring an intriguing and overlooked part of Civil War history, this book reveals the importance of the partisan press to the Southern cause in Kentucky.
Publisher: University Press of Kentucky
ISBN: 0813174600
Category : History
Languages : en
Pages : 245
Book Description
Throughout the Civil War, the influence of the popular press and its skillful use of propaganda was extremely significant in Kentucky. Union and Confederate sympathizers were scattered throughout the border slave state, and in 1860, at least twenty-eight of the commonwealth's approximately sixty newspapers were pro-Confederate, making the secessionist cause seem stronger in Kentucky than it was in reality. In addition, the impact of these "rebel presses" reached beyond the region to readers throughout the nation. In this compelling and timely study, Berry Craig analyzes the media's role in both reflecting and shaping public opinion during a critical time in US history. Craig begins by investigating the 1860 secession crisis, which occurred at a time when most Kentuckians considered themselves ardent Unionists in support of the state's political hero, Henry Clay. But as secessionist arguments were amplified throughout the country, so were the voices of pro-Confederate journalists in the state. By January 1861, the Hickman Courier, Columbus Crescent, and Henderson Reporter steadfastly called for Kentucky to secede from the Union. Kentucky's Rebel Press also showcases journalists who supported the Confederate cause, including editor Walter N. Haldeman, who fled the state after Kentucky's most recognized Confederate paper, the Louisville Daily Courier, was shut down by Union forces. Exploring an intriguing and overlooked part of Civil War history, this book reveals the importance of the partisan press to the Southern cause in Kentucky.
"Origins of the New South" Fifty Years Later
Author: John B. Boles
Publisher: LSU Press
ISBN: 9780807129203
Category : History
Languages : en
Pages : 324
Book Description
In this thoughtful, sophisticated book, John B. Boles and Bethany L. Johnson piece together the intricate story of historian C. Vann Woodward’s 1951 masterpiece, Origins of the New South, 1877–1913, published as Volume IX of LSU Press’s venerable series A History of the South. Sixteen reviews and articles by prominent southern historians of the past fifty years here offer close consideration of the creation, reception, and enduring influence of that classic work of history. It is rare for an academic book to dominate its field half a century later as Woodward’s Origins does southern history. Although its explanations are not accepted by all, the volume remains the starting point for every work examining the South in the era between Reconstruction and World War I. In writing Origins, Woodward deliberately set out to subvert much of the historical orthodoxy he had been taught during the 1930s, and he expected to be lambasted. But the revisionist movement was already afoot among white southern historians by 1951 and the book was hailed. Woodward’s work had an enormous interpretative impact on the historical academy and encapsulated the new trend of historiography of the American South, an approach that guided both black and white scholars through the civil rights movement and beyond. This easily accessible collection comprises four reviews of Origins from 1952 to 1978; “Origin of Origins,” a chapter from Woodward’s 1986 book Thinking Back: The Perils of Writing History that explains and reconsiders the context in which Origins was written; five articles from a fiftieth anniversary retrospective symposium on Origins; and three commentaries presented at the symposium and here published for the first time. A combination of trenchant commentary and recent reflections on Woodward’s seminal study along with insight into Woodward as a teacher and scholar, Fifty Years Later in effect traces the creation and development of the modern field of southern history.
Publisher: LSU Press
ISBN: 9780807129203
Category : History
Languages : en
Pages : 324
Book Description
In this thoughtful, sophisticated book, John B. Boles and Bethany L. Johnson piece together the intricate story of historian C. Vann Woodward’s 1951 masterpiece, Origins of the New South, 1877–1913, published as Volume IX of LSU Press’s venerable series A History of the South. Sixteen reviews and articles by prominent southern historians of the past fifty years here offer close consideration of the creation, reception, and enduring influence of that classic work of history. It is rare for an academic book to dominate its field half a century later as Woodward’s Origins does southern history. Although its explanations are not accepted by all, the volume remains the starting point for every work examining the South in the era between Reconstruction and World War I. In writing Origins, Woodward deliberately set out to subvert much of the historical orthodoxy he had been taught during the 1930s, and he expected to be lambasted. But the revisionist movement was already afoot among white southern historians by 1951 and the book was hailed. Woodward’s work had an enormous interpretative impact on the historical academy and encapsulated the new trend of historiography of the American South, an approach that guided both black and white scholars through the civil rights movement and beyond. This easily accessible collection comprises four reviews of Origins from 1952 to 1978; “Origin of Origins,” a chapter from Woodward’s 1986 book Thinking Back: The Perils of Writing History that explains and reconsiders the context in which Origins was written; five articles from a fiftieth anniversary retrospective symposium on Origins; and three commentaries presented at the symposium and here published for the first time. A combination of trenchant commentary and recent reflections on Woodward’s seminal study along with insight into Woodward as a teacher and scholar, Fifty Years Later in effect traces the creation and development of the modern field of southern history.
The New South Creed
Author: Paul M. Gaston
Publisher: NewSouth Books
ISBN: 1603061444
Category : History
Languages : en
Pages : 312
Book Description
First published in 1970, The New South Creed has lost none of its usefulness to anyone examining the dream of a "New South" -- prosperous, powerful, racially harmonious -- that developed in the three decades after the Civil War, and the transformation of that dream into widely accepted myths, shielding and perpetuating a conservative, racist society. Many young moderates of the period created a philosophy designed to enrich the region -- attempting to both restore the power and prestige and to lay the race question to rest. In spite of these men and their efforts, their dream of a New South joined the Antebellum illusion as a genuine social myth, with a controlling power over the way in which their followers, in both North and South, perceived reality.
Publisher: NewSouth Books
ISBN: 1603061444
Category : History
Languages : en
Pages : 312
Book Description
First published in 1970, The New South Creed has lost none of its usefulness to anyone examining the dream of a "New South" -- prosperous, powerful, racially harmonious -- that developed in the three decades after the Civil War, and the transformation of that dream into widely accepted myths, shielding and perpetuating a conservative, racist society. Many young moderates of the period created a philosophy designed to enrich the region -- attempting to both restore the power and prestige and to lay the race question to rest. In spite of these men and their efforts, their dream of a New South joined the Antebellum illusion as a genuine social myth, with a controlling power over the way in which their followers, in both North and South, perceived reality.