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Author: Henry Purcell
Publisher: Clarendon Press
ISBN: 9780198164456
Category : Music
Languages : en
Pages : 528
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Book Description
While understanding the concept of all-sung opera, seventeenth-century English impresarios and their audiences also understood opera to mean spoken plays with a large amount of added music. The works have been given a variety of descriptive titles including `semi-operas', `ambigues', `multi-media spectaculars', and, most appropriately, `dramatick operas'. As well as four big dramatick operas, Henry Purcell also wrote a small all-sung masque, Dido and Aeneas, which is one of the few works of the century which fulfils a modern ideal of `opera'. The music of Purcell's operas has long been studied in detail, but it is only in recent years--and not by all scholars--that the operas have been taken seriously as dramatic entities. Consideration of the pieces have been hampered by the lack of availability of the texts of the operas, for while the music has long been edited and played, the sections of spoken dialogue have been almost entirely ignored. This volume, the first complete collection of the texts, redresses the balance. It presents to the reader the complete entertainment as prepared by the author on each occasion. Included are editions of both the 1689 libretto of Dido and Aeneas and its later incarnation as a series of masques in Shakespeare's Measure for Measure, together with the playtext, the original published texts of Dioclesian, King Arthur, and The Fairy-Queen, and a transcription of the manuscript of The Indian Queen. An appendix to the volumeshows the song texts as actually set by Purcell.
Author: Henry Purcell
Publisher: Clarendon Press
ISBN: 9780198164456
Category : Music
Languages : en
Pages : 528
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Book Description
While understanding the concept of all-sung opera, seventeenth-century English impresarios and their audiences also understood opera to mean spoken plays with a large amount of added music. The works have been given a variety of descriptive titles including `semi-operas', `ambigues', `multi-media spectaculars', and, most appropriately, `dramatick operas'. As well as four big dramatick operas, Henry Purcell also wrote a small all-sung masque, Dido and Aeneas, which is one of the few works of the century which fulfils a modern ideal of `opera'. The music of Purcell's operas has long been studied in detail, but it is only in recent years--and not by all scholars--that the operas have been taken seriously as dramatic entities. Consideration of the pieces have been hampered by the lack of availability of the texts of the operas, for while the music has long been edited and played, the sections of spoken dialogue have been almost entirely ignored. This volume, the first complete collection of the texts, redresses the balance. It presents to the reader the complete entertainment as prepared by the author on each occasion. Included are editions of both the 1689 libretto of Dido and Aeneas and its later incarnation as a series of masques in Shakespeare's Measure for Measure, together with the playtext, the original published texts of Dioclesian, King Arthur, and The Fairy-Queen, and a transcription of the manuscript of The Indian Queen. An appendix to the volumeshows the song texts as actually set by Purcell.
Author: Michael Burden
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 344
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Book Description
This book, published to coincide with the tercentenary of Purcell's death, is the first to be devoted to the performance of his music. The contributors--all leading scholars and performers--deal with issues of performance practice relating both to playing the music and staging the operas.
Author: Martin Adams
Publisher: Cambridge University Press
ISBN: 9780521431590
Category : Music
Languages : en
Pages : 408
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Book Description
Using a mix of broad stylistic observation and detailed analysis, Adams distinguishes between late-seventeenth-century English style in general and Purcell's style in particular, and chronicles the changes in the composer's approach to the main genres in which he worked, especially the newly emerging ode and English opera. As a result, Adams reveals that although Purcell went through a marked stylistic development, encompassing an unusually wide range of surface changes, special elements of his style remained constant.
Author: Ellen T. Harris
Publisher: Oxford University Press
ISBN: 0190271663
Category : History
Languages : en
Pages : 271
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Book Description
Purcell's Dido and Aeneas stands as the greatest operatic achievement of seventeenth-century England, and yet, despite its global renown, it remains cloaked in mystery. The date and place of its first performance cannot be fixed with precision, and the absolute accuracy of the surviving scores, which date from almost 100 years after the work was written, cannot be assumed. In this thirtieth-anniversary new edition of her book, Ellen Harris closely examines the many theories that have been proposed for the opera's origin and chronology, considering the opera both as political allegory and as a positive exemplar for young women. Her study explores the work's historical position in the Restoration theater, revealing its roots in seventeenth-century English theatrical and musical traditions, and carefully evaluates the surviving sources for the various readings they offer-of line designations in the text (who sings what), the vocal ranges of the soloists, the use of dance and chorus, and overall layout. It goes on to provide substantive analysis of Purcell's musical declamation and use of ground bass. In tracing the performance history of Dido and Aeneas, Harris presents an in-depth examination of the adaptations made by the Academy of Ancient Music at the end of the eighteenth century based on the surviving manuscripts. She then follows the growing interest in the creation of an "authentic" version in the nineteenth and early twentieth centuries through published editions and performance reviews, and considers the opera as an important factor in the so-called English Musical Renaissance. To a significant degree, the continuing fascination with Purcell's Dido and Aeneas rests on its apparent mutability, and Harris shows this has been inherent in the opera effectively from its origin.
Author: Henry Purcell
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
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Book Description
Author: C. A. Price
Publisher: Cambridge University Press
ISBN: 9780521238311
Category : Music
Languages : en
Pages : 414
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Book Description
This book was the first comprehensive survey of Purcell's dramatic music. It is concerned as much with the London theatre world - playhouses, poets, actors, singers, producers - as with the music itself. Purcell wrote music for more than fifty plays of various types, most of them produced at the Theatre Royal, Drury Lane, between 1690 and 1695. The songs, dialogues, choruses, act tunes and larger musical scenes are often active participants in the spoken drama, not simply grafted-on entertainments. The extraordinary semi-operas - Dioclesian, King Arthur, and The Fairy-Queen - are placed in the context of a theatre that thrived mainly on plays that, though less lavish, were no less musical. The traditional picture of a composer trapped within a degraded musical society, his natural predilection for opera ignored, is redrawn to show a consummate dramatist exploiting a remarkably musical theatre.
Author: Carol Kimball
Publisher: Hal Leonard Corporation
ISBN: 1617749974
Category : Music
Languages : en
Pages : 603
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Book Description
Carol Kimball's comprehensive survey of art song literature has been the principal one-volume American source on the topic. Now back in print after an absence of several years this newly revised edition includes biographies and discussions of the work of
Author: Jonathan Keates
Publisher: UPNE
ISBN: 9781555532871
Category : Biography & Autobiography
Languages : en
Pages : 332
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Book Description
Henry Purcell (1659-1695) is the greatest of all English composers and a pivotal figure in European musical history. In this rich and colorful biography, Jonathan Keates deftly traces Purcell's life and artistry against the backdrop of the turbulent political, religious, theatrical, and social movements of his time. Purcell's musical genius both embraced and transcended the variable moods and tensions of Restoration England, and gave the period and the culture an unforgettable voice. With great skill and historical understanding, Keates follows Purcell through his extraordinarily prolific career, from chorister at the Chapel Royal, to composer for the theater and the court, to writer of sacred music, chamber music, and the triumphant Dido and Aeneas, the first British opera. Keates considers Purcell's musical studies with Pelham Humfrey and John Blow as well as his adaptation of Matthew Locke's innovative and colorful style. He provides a superb critical appreciation of Purcell's music in all its forms. Keates also discusses the musical history of the period, including the influence of French and Italian composers, whose music blended with and modified native traditions.
Author: Franklin B. Zimmerman
Publisher: University of Pennsylvania Press
ISBN: 1512809098
Category : Biography & Autobiography
Languages : en
Pages : 512
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Book Description
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Author: Robert King
Publisher: Thames & Hudson
ISBN:
Category : Composers
Languages : en
Pages : 264
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Book Description
Of Purcell the man very little is known, and his personality has to be reconstructed through the age in which he lived, the circumstances of his professional life, the men and women who knew him, and above all through his music. Robert King weaves a masterly narrative, bringing together politics (always in the forefront of Purcell's fortunes), religion, society and the theater, relating all this to the state of music at the time - instruments, techniques, foreign influences, and formal innovations.
