Author: Mirosława Buchholtz
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631629222
Category : Autobiography in literature
Languages : en
Pages : 0
Book Description
This study explores non-fiction of Henry James (1843-1916), including literary criticism, biographies, and autobiographies, while also interrogating the traditional formula of literary auto/biography. It attempts to piece together an image of James as a subject and object of biographical and autobiographical endeavors, including portraiture.
Henry James and the Art of Auto/biography
Author: Mirosława Buchholtz
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631629222
Category : Autobiography in literature
Languages : en
Pages : 0
Book Description
This study explores non-fiction of Henry James (1843-1916), including literary criticism, biographies, and autobiographies, while also interrogating the traditional formula of literary auto/biography. It attempts to piece together an image of James as a subject and object of biographical and autobiographical endeavors, including portraiture.
Publisher: Peter Lang Gmbh, Internationaler Verlag Der Wissenschaften
ISBN: 9783631629222
Category : Autobiography in literature
Languages : en
Pages : 0
Book Description
This study explores non-fiction of Henry James (1843-1916), including literary criticism, biographies, and autobiographies, while also interrogating the traditional formula of literary auto/biography. It attempts to piece together an image of James as a subject and object of biographical and autobiographical endeavors, including portraiture.
Fictions in Autobiography
Author: Paul John Eakin
Publisher: Princeton University Press
ISBN: 1400854792
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Investigating autobiographical writing of Mary McCarthy, Henry James, Jean-Paul Sartre, Saul Friedlander, and Maxine Hong Kingston, this book argues that autobiographical truth is not a fixed but an evolving content in a process of self-creation. Further, Paul John Eakin contends, the self at the center of all autobiography is necessarily fictive. Professor Eakin shows that the autobiographical impulse is simply a special form of reflexive consciousness: from a developmental viewpoint, the autobiographical act is a mode of self-invention always practiced first in living and only eventually, and occasionally, in writing. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Publisher: Princeton University Press
ISBN: 1400854792
Category : Literary Criticism
Languages : en
Pages : 300
Book Description
Investigating autobiographical writing of Mary McCarthy, Henry James, Jean-Paul Sartre, Saul Friedlander, and Maxine Hong Kingston, this book argues that autobiographical truth is not a fixed but an evolving content in a process of self-creation. Further, Paul John Eakin contends, the self at the center of all autobiography is necessarily fictive. Professor Eakin shows that the autobiographical impulse is simply a special form of reflexive consciousness: from a developmental viewpoint, the autobiographical act is a mode of self-invention always practiced first in living and only eventually, and occasionally, in writing. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Beloved Boy
Author: Henry James
Publisher: University of Virginia Press
ISBN: 9780813922706
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
The two men met on only six occasions, and never for more than a few days, so their friendship was almost entirely epistolary. The letters assembled here, nearly half of which are previously unpublished, exhibit a voice decidedly more vulnerable than that which we usually associate with James. They also shed new light on the writer's homoerotic leanings, as he approaches Andersen with a passion, as well as a tenderness, typically reserved for a lover.
Publisher: University of Virginia Press
ISBN: 9780813922706
Category : Biography & Autobiography
Languages : en
Pages : 240
Book Description
The two men met on only six occasions, and never for more than a few days, so their friendship was almost entirely epistolary. The letters assembled here, nearly half of which are previously unpublished, exhibit a voice decidedly more vulnerable than that which we usually associate with James. They also shed new light on the writer's homoerotic leanings, as he approaches Andersen with a passion, as well as a tenderness, typically reserved for a lover.
The Art of the Novel
Author: Henry James
Publisher: University of Chicago Press
ISBN: 0226392058
Category : Language Arts & Disciplines
Languages : en
Pages : 402
Book Description
This collection of prefaces, originally written for the 1909 multi-volume New York Edition of Henry James’s fiction, first appeared in book form in 1934 with an introduction by poet and critic R. P. Blackmur. In his prefaces, James tackles the great problems of fiction writing—character, plot, point of view, inspiration—and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, “criticism has never been more ambitious, nor more useful.” The latest edition of this influential work includes a foreword by bestselling author Colm Tóibín, whose critically acclaimed novel The Master is told from the point of view of Henry James. As a guide not only to James’s inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of James’s fiction and to aspiring writers.
Publisher: University of Chicago Press
ISBN: 0226392058
Category : Language Arts & Disciplines
Languages : en
Pages : 402
Book Description
This collection of prefaces, originally written for the 1909 multi-volume New York Edition of Henry James’s fiction, first appeared in book form in 1934 with an introduction by poet and critic R. P. Blackmur. In his prefaces, James tackles the great problems of fiction writing—character, plot, point of view, inspiration—and explains how he came to write novels such as The Portrait of a Lady and The American. As Blackmur puts it, “criticism has never been more ambitious, nor more useful.” The latest edition of this influential work includes a foreword by bestselling author Colm Tóibín, whose critically acclaimed novel The Master is told from the point of view of Henry James. As a guide not only to James’s inspiration and execution, but also to his frustrations and triumphs, this volume will be valuable both to students of James’s fiction and to aspiring writers.
The Notebooks of Henry James
Author: Henry James
Publisher: University of Chicago Press
ISBN: 0226511049
Category : Biography & Autobiography
Languages : en
Pages : 456
Book Description
"For other novelists the value of Henry James's Notebooks is immense and to brood over them a major experience. The glow of the great impresario is on the pages. They are occasionally readable and endlessly stimulating, often moving and are ocasionally relieved by a drop of gossip."—V. S. Pritchett, New Statesman "The Notebooks take us into his study, and here we can observe him, at last, in the very act of creation at his writing table."—Leon Edel, Atlantic Monthly "A document of prime importance."—Edmund Wilson, New Yorker
Publisher: University of Chicago Press
ISBN: 0226511049
Category : Biography & Autobiography
Languages : en
Pages : 456
Book Description
"For other novelists the value of Henry James's Notebooks is immense and to brood over them a major experience. The glow of the great impresario is on the pages. They are occasionally readable and endlessly stimulating, often moving and are ocasionally relieved by a drop of gossip."—V. S. Pritchett, New Statesman "The Notebooks take us into his study, and here we can observe him, at last, in the very act of creation at his writing table."—Leon Edel, Atlantic Monthly "A document of prime importance."—Edmund Wilson, New Yorker
Henry James at Work
Author: Theodora Bosanquet
Publisher: University of Michigan Press
ISBN: 9780472115716
Category : Biography & Autobiography
Languages : en
Pages : 180
Book Description
The delightful memoir by James's feisty and feminist secretary, with a biographical essay and excerpts from her diaries
Publisher: University of Michigan Press
ISBN: 9780472115716
Category : Biography & Autobiography
Languages : en
Pages : 180
Book Description
The delightful memoir by James's feisty and feminist secretary, with a biographical essay and excerpts from her diaries
Portrait of a Novel: Henry James and the Making of an American Masterpiece
Author: Michael Gorra
Publisher: W. W. Norton & Company
ISBN: 0871403285
Category : Literary Criticism
Languages : en
Pages : 496
Book Description
Finalist for the Pulitzer Prize Finalist for National Book Critics Circle Award (Biography) One of the Best Books of 2012: The New Yorker, Wall Street Journal, Guardian, The Millions, Kirkus Reviews, Boston Phoenix A revelatory biography of the American master as told through the lens of his greatest novel. Henry James (1843–1916) has had many biographers, but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism, and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra, an eminent literary critic, shows how this novel—the scandalous story of the expatriate American heiress Isabel Archer—came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James’s family, the European literary circles—George Eliot, Flaubert, Turgenev—in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand’s The Metaphysical Club and McCullough’s The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.
Publisher: W. W. Norton & Company
ISBN: 0871403285
Category : Literary Criticism
Languages : en
Pages : 496
Book Description
Finalist for the Pulitzer Prize Finalist for National Book Critics Circle Award (Biography) One of the Best Books of 2012: The New Yorker, Wall Street Journal, Guardian, The Millions, Kirkus Reviews, Boston Phoenix A revelatory biography of the American master as told through the lens of his greatest novel. Henry James (1843–1916) has had many biographers, but Michael Gorra has taken an original approach to this great American progenitor of the modern novel, combining elements of biography, criticism, and travelogue in re-creating the dramatic backstory of James’s masterpiece, Portrait of a Lady (1881). Gorra, an eminent literary critic, shows how this novel—the scandalous story of the expatriate American heiress Isabel Archer—came to be written in the first place. Traveling to Florence, Rome, Paris, and England, Gorra sheds new light on James’s family, the European literary circles—George Eliot, Flaubert, Turgenev—in which James made his name, and the psychological forces that enabled him to create this most memorable of female protagonists. Appealing to readers of Menand’s The Metaphysical Club and McCullough’s The Greater Journey, Portrait of a Novel provides a brilliant account of the greatest American novel of expatriate life ever written. It becomes a piercing detective story on its own.
Touching the World
Author: Paul John Eakin
Publisher: Princeton University Press
ISBN: 1400820642
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
Paul John Eakin's earlier work Fictions in Autobiography is a key text in autobiography studies. In it he proposed that the self that finds expression in autobiography is in fundamental ways a kind of fictive construct, a fiction articulated in a fiction. In this new book Eakin turns his attention to what he sees as the defining assumption of autobiography: that the story of the self does refer to a world of biographical and historical fact. Here he shows that people write autobiography not in some private realm of the autonomous self but rather in strenuous engagement with the pressures that life in culture entails. In so demonstrating, he offers fresh readings of autobiographies by Roland Barthes, Nathalie Sarraute, William Maxwell, Henry James, Ronald Fraser, Richard Rodriguez, Henry Adams, Patricia Hampl, John Updike, James McConkey, and Lillian Hellman. In the introduction Eakin makes a case for reopening the file on reference in autobiography, and in the first chapter he establishes the complexity of the referential aesthetic of the genre, the intricate interplay of fact and fiction in such texts. In subsequent chapters he explores some of the major contexts of reference in autobiography: the biographical, the social and cultural, the historical, and finally, underlying all the rest, the somatic and temporal dimensions of the lived experience of identity. In his discussion of contemporary theories of the self, Eakin draws especially on cultural anthropology and developmental psychology.
Publisher: Princeton University Press
ISBN: 1400820642
Category : Literary Criticism
Languages : en
Pages : 259
Book Description
Paul John Eakin's earlier work Fictions in Autobiography is a key text in autobiography studies. In it he proposed that the self that finds expression in autobiography is in fundamental ways a kind of fictive construct, a fiction articulated in a fiction. In this new book Eakin turns his attention to what he sees as the defining assumption of autobiography: that the story of the self does refer to a world of biographical and historical fact. Here he shows that people write autobiography not in some private realm of the autonomous self but rather in strenuous engagement with the pressures that life in culture entails. In so demonstrating, he offers fresh readings of autobiographies by Roland Barthes, Nathalie Sarraute, William Maxwell, Henry James, Ronald Fraser, Richard Rodriguez, Henry Adams, Patricia Hampl, John Updike, James McConkey, and Lillian Hellman. In the introduction Eakin makes a case for reopening the file on reference in autobiography, and in the first chapter he establishes the complexity of the referential aesthetic of the genre, the intricate interplay of fact and fiction in such texts. In subsequent chapters he explores some of the major contexts of reference in autobiography: the biographical, the social and cultural, the historical, and finally, underlying all the rest, the somatic and temporal dimensions of the lived experience of identity. In his discussion of contemporary theories of the self, Eakin draws especially on cultural anthropology and developmental psychology.
Notes of a Son and Brother
Author: Henry James
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 339
Book Description
"Notes of a Son and Brother" is the autobiography of American born British author, Henry James. James is a recipient of the Order of Merit and is considered by many to be among the greatest novelists in the English language. Though born in New York, his family moved frequently throughout Europe as his father Henry James Sr. pursued a publishing career. He begins with their stay in the French-Swiss border, where his parents had moved for his and his sibling's schooling. James observes that, "I puzzle it out to-day that my parents had simply said to themselves, in serious concern, that I read too many novels, or at least read them too attentively..."
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 339
Book Description
"Notes of a Son and Brother" is the autobiography of American born British author, Henry James. James is a recipient of the Order of Merit and is considered by many to be among the greatest novelists in the English language. Though born in New York, his family moved frequently throughout Europe as his father Henry James Sr. pursued a publishing career. He begins with their stay in the French-Swiss border, where his parents had moved for his and his sibling's schooling. James observes that, "I puzzle it out to-day that my parents had simply said to themselves, in serious concern, that I read too many novels, or at least read them too attentively..."
The Middle Years
Author: Henry James
Publisher:
ISBN: 9781662719165
Category :
Languages : en
Pages : 94
Book Description
"The Middle Years" is a short story by Henry James, first published in Scribner's Magazine in 1893. It may be the most affecting and profound of James's stories about writers. The novelist in the tale speculates that he has spent his whole life learning how to write, so a second life would make sense, "to apply the lesson." Second lives aren't usually available, so the novelist says of himself and his fellow artists: "We work in the dark-we do what we can-we give what we have. Our doubt is our passion and our passion is our task. The rest is the madness of art." Dencombe, a novelist who has been seriously ill, is convalescing at the English seaside town of Bournemouth. He is sitting near the water and reading his latest book entitled, of course, The Middle Years. A young physician named Dr. Hugh comes over to Dencombe and begins to talk about his admiration for the novel, though he doesn't realize that he's speaking to the book's author. The weakened Dencombe suddenly loses consciousness. When he revives, he finds that Dr. Hugh has recognized him, and that the physician is also attending a wealthy woman referred to only as the Countess. Over the next few days Dr. Hugh pays more attention to Dencombe than to the Countess, and he is warned about this by the wealthy woman's companion, Miss Vernham. A few days later Dencombe relapses. Dr. Hugh tells Dencombe that the Countess has died and left him nothing in her will. Close to death Dencombe whispers to Dr. Hugh the eloquent words quoted above. The tale's final sentence tells how Dencombe's first and only chance at life and art has ended.
Publisher:
ISBN: 9781662719165
Category :
Languages : en
Pages : 94
Book Description
"The Middle Years" is a short story by Henry James, first published in Scribner's Magazine in 1893. It may be the most affecting and profound of James's stories about writers. The novelist in the tale speculates that he has spent his whole life learning how to write, so a second life would make sense, "to apply the lesson." Second lives aren't usually available, so the novelist says of himself and his fellow artists: "We work in the dark-we do what we can-we give what we have. Our doubt is our passion and our passion is our task. The rest is the madness of art." Dencombe, a novelist who has been seriously ill, is convalescing at the English seaside town of Bournemouth. He is sitting near the water and reading his latest book entitled, of course, The Middle Years. A young physician named Dr. Hugh comes over to Dencombe and begins to talk about his admiration for the novel, though he doesn't realize that he's speaking to the book's author. The weakened Dencombe suddenly loses consciousness. When he revives, he finds that Dr. Hugh has recognized him, and that the physician is also attending a wealthy woman referred to only as the Countess. Over the next few days Dr. Hugh pays more attention to Dencombe than to the Countess, and he is warned about this by the wealthy woman's companion, Miss Vernham. A few days later Dencombe relapses. Dr. Hugh tells Dencombe that the Countess has died and left him nothing in her will. Close to death Dencombe whispers to Dr. Hugh the eloquent words quoted above. The tale's final sentence tells how Dencombe's first and only chance at life and art has ended.