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Author: Henry Fielding
Publisher: Oxford University Press on Demand
ISBN: 9780199257904
Category : History
Languages : en
Pages : 865
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Book Description
This is the second of three volumes of plays by Henry Fielding, whose vibrant early career in theatre has been overshadowed by his later fame as the author of novels like Tom Jones. The edition makes his plays, and his rich gift for theatrical comedy, accessible for the first time in modern form.
Author: Henry Fielding
Publisher: Oxford University Press on Demand
ISBN: 9780199257904
Category : History
Languages : en
Pages : 865
Get Book Here
Book Description
This is the second of three volumes of plays by Henry Fielding, whose vibrant early career in theatre has been overshadowed by his later fame as the author of novels like Tom Jones. The edition makes his plays, and his rich gift for theatrical comedy, accessible for the first time in modern form.
Author: Thomas Lockwood
Publisher: Clarendon Press
ISBN: 019156902X
Category : History
Languages : en
Pages : 888
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Book Description
This is the second of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a classic novelist and the author of Tom Jones, but like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, and ballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off-stage. This volume presents nine plays from one of the most productive and successful periods of Fielding's theatre career. One of them, The Grub-Street Opera, is a ballad opera cheerfully mocking various public characters including the Prime Minister, Prince of Wales, and even King and Queen. Another, The Modern Husband, is a dark comedy attacking the cynical merchandising of sex, marriage, and influence among what passes for polite society in 1730s London. Most of the plays in this volume were major hits with long stage lives in repertory, including The Lottery, The Intriguing Chambermaid, and two of the great Molière adaptations of the century, The Mock Doctor and The Miser. Fielding wrote all four of those plays as star vehicles for the great Drury Lane musical actress Catherine Clive. The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.
Author: Nicholas J. Crowe
Publisher: Cambridge Scholars Publishing
ISBN: 1527525775
Category : Literary Collections
Languages : en
Pages : 305
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Book Description
The essays gathered here capture fresh perspectives on the literary environments of the eighteenth century. The core concern of this volume is culture – the ways in which it shapes literature and is in turn influenced by it: the “ways” of fiction. Especially commissioned from experts in the field, essays cover the whole of the century, embracing such themes as class, gender, nationhood, politics, and identity. Through scrutiny of familiar and less well-known authors alike, the collection forms a stimulating and provocative anthology. It will naturally appeal to scholars and students of the novel, as well as to historians of culture, and all those concerned with eighteenth-century studies. A broader readership will also find much here to enhance their appreciation of fiction as a cultural artefact. Responding to a growing fascination with this period in British history, these essays open vital new perspectives on the novel at a key moment in its development.
Author: Anne J. Cruz
Publisher: Taylor & Francis
ISBN: 1315438798
Category : Art
Languages : en
Pages : 235
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Book Description
10 Isabel Farnese and the Sexual Politics of the Spanish Court Theater -- Index
Author: Henry Fielding
Publisher:
ISBN: 0199257906
Category : Drama
Languages : en
Pages : 885
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Book Description
This is the second of three volumes representing the only modern edition of Fielding's dramatic works. Most of these plays have not appeared in print for a century, and never previously in fully-edited form. Fielding is best known as a classic novelist and the author of Tom Jones, but like his great model Cervantes, he came to novel-writing from an important first career in professional theatre. He wrote twenty-eight plays, including comedies, satiric extravaganzas, andballad operas. He was the leading playwright of his generation, an experimentalist and entrepreneur of dramatic form who sometimes also brought contemporary politics and public figures onto his stage with results even more dramatic off-stage.This volume presents nine plays from one of the most productive and successful periods of Fielding's theatre career. One of them, The Grub-Street Opera, is a ballad opera cheerfully mocking various public characters including the Prime Minister, Prince of Wales, and even King and Queen. Another, The Modern Husband, is a dark comedy attacking the cynical merchandising of sex, marriage, and influence among what passes for polite society in 1730s London. Most of the plays in thisvolume were major hits with long stage lives in repertory, including The Lottery, The Intriguing Chambermaid, and two of the great Molière adaptations of the century, The Mock Doctor and The Miser. Fielding wrote all four of those plays as star vehicles for the great Drury Lane musical actress Catherine Clive.The plays are given in critical unmodernized texts based on careful collation of the original editions, with explanatory notes and commentary on sources, stage history, and critical reception. All music is included, with appendices giving complete accounts of textual variation and bibliographic history for each play.
Author: Hannah Smith
Publisher: Oxford University Press
ISBN: 0192592998
Category : History
Languages : en
Pages : 359
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Book Description
Armies and Political Change in Britain, 1660 -1750 argues that armies had a profound impact on the major political events of late seventeenth- and early eighteenth-century Britain. Beginning with the controversial creation of a permanent army to protect the restored Stuart monarchy, this original and important study examines how armies defended or destroyed regimes during the Exclusion Crisis, Monmouth's Rebellion, the Revolution of 1688-1689, and the Jacobite rebellions and plots of the post-1714 period, including the '15 and '45. Hannah Smith explores the political ideas of 'common soldiers' and army officers and analyses their political engagements in a divisive, partisan world. The threat or hope of military intervention into politics preoccupied the era. Would a monarch employ the army to circumvent parliament and annihilate Protestantism? Might the army determine the succession to the throne? Could an ambitious general use armed force to achieve supreme political power? These questions troubled successive generations of men and women as the British army developed into a lasting and costly component of the state, and emerged as a highly successful fighting force during the War of the Spanish Succession. Armies and Political Change in Britain, 1660 - 1750 deploys an innovative periodization to explore significant continuities and developments across the reigns of seven monarchs spanning almost a century. Using a vivid and extensive array of archival, literary, and artistic material, the volume presents a striking new perspective on the political and military history of Britain.
Author: Evan R. Davis
Publisher: Modern Language Association
ISBN: 1603293817
Category : Language Arts & Disciplines
Languages : en
Pages : 437
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Book Description
This volume addresses the teaching of satire written in English over the past three hundred years. For instructors covering current satire, it suggests ways to enrich students' understanding of voice, irony, and rhetoric and to explore the questions of how to define satire and how to determine what its ultimate aims are. For instructors teaching older satire, it demonstrates ways to help students gain knowledge of historical context, medium, and audience, while addressing more specific literary questions of technique and form. Readers will discover ways to introduce students to authors such as Swift and Twain, to techniques such as parody and verbal irony, and to the difficult subject of satire's offensiveness and elitism. This volume also helps teachers of a wide variety of courses, from composition to gateway courses and surveys, think about how to use modern satire in conceiving and structuring them.
Author: Anaclara Castro-Santana
Publisher: Routledge
ISBN: 1351770462
Category : Literary Criticism
Languages : en
Pages : 433
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Book Description
Henry Fielding is most well-known for his monumental novel Tom Jones. Though not necessarily common knowledge, Henry Fielding started his literary career as a dramatist and eventually transitioned to writing novels. Though vastly different in their approach and subject, there is a common thread in Fielding’s work that spanned his career: marriage. Errors and Reconciliations: Marriage in the Plays and Novels of Henry Fielding explores this theme, focusing on Fielding’s fascination with matrimony and the ever-present paradoxical nature of marriage in the first half of the eighteenth-century, as a state easily attained but nearly impossible to escape.
Author: Simon Smith
Publisher: Bloomsbury Publishing
ISBN: 1474273246
Category : Literary Criticism
Languages : en
Pages : 401
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Book Description
Shakespeare | Sense explores the intersection of Shakespeare and sensory studies, asking what sensation can tell us about early modern drama and poetry, and, conversely, how Shakespeare explores the senses in his literary craft, his fictional worlds, and his stagecraft. 15 substantial new essays by leading Shakespeareans working in sensory studies and related disciplines interrogate every aspect of Shakespeare and sense, from the place of hearing, smell, sight, touch, and taste in early modern life, literature, and performance culture, through to the significance of sensation in 21st century engagements with Shakespeare on stage, screen and page. The volume explores and develops current methods for studying Shakespeare and sensation, reflecting upon the opportunities and challenges created by this emergent and influential area of scholarly enquiry. Many chapters develop fresh readings of particular plays and poems, from Hamlet, A Midsummer Night's Dream, King Lear, and The Tempest to less-studied works such as The Comedy of Errors, Venus and Adonis, Troilus and Cressida, and Cymbeline.
Author: Dwight Codr
Publisher: University of Virginia Press
ISBN: 0813937817
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
In Raving at Usurers, Dwight Codr explores the complex intersection of religion, economics, ethics, and literature in late seventeenth- and eighteenth-century England. Codr offers an alternative to the orthodox story of secular economic modernity's emergence in this key time and place, locating in early modern anti-usury literature an "ethic of uncertainty" that viewed economic transactions as ethical to the extent that their outcomes were uncertain. Codr’s development of an "anti-financial" reading practice reveals that the financial revolution might be said to have grown out of—rather than in spite of—early modern anti-usury and Protestant ethics. Beginning with the reconstruction of a major controversy provoked by the delivery of a sermon against usury in the financial heart of London, Codr goes on to show not only how the ethic at the core of the discourse surrounding usury in the eighteenth century was culturally mediated but also how that ethic may be used as a lens to better understand major works of eighteenth-century literature. Codr offers radically new perspectives on Daniel Defoe’s Robinson Crusoe and Henry Fielding’s Tom Jones, examining how these novels reacted to emergent financial ways of knowing and meaning as well as how the texts formally bear out the possibility of a truly open and uncertain future. By reading the eighteenth century in terms of risk rather than certainty, Raving at Usurers offers a reassessment of what has been called the financial revolution in England and provides a revisionist account of the intimate connection between risk, ethics, and economics in the period.
