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Author: Alston W. Purvis
Publisher: Yale University Press
ISBN: 9780300102901
Category : Biography & Autobiography
Languages : en
Pages : 122
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Book Description
An extraordinary look at the work of a highly influential avant-garde designer, typographer, and printmaker Dutch designer and printmaker Hendrik Werkman (1882-1945) is best known for his innovative printing techniques and avant-garde typography. As publisher of De Blauwe Schuitt, a series of underground booklets produced by Jewish dissident poets and writers during the Nazi occupation of Holland, Werkman was imprisoned by German secret police in 1945 and executed without trial just three days before the country's liberation. This generously illustrated book is the first in English to focus on Werkman's remarkable graphic work and fascinating life. Werkman founded his own printmaking shop in 1908. His self-produced magazine The Next Call waspublished in 1923 and included typographical and other printmaking experiments as well as the designer's own Dadaist poems and texts. Werkman also developed a printmaking process he called "hot printing," a technique incorporating found materials that added repeated design elements directly onto the paper--all without the use of a printing press. Although much of his work was destroyed at the time of his execution, the remarkable examples that remain tell the story of a maverick designer and typographer whose graphic vision was playful, bold, experimental, and unwaveringly optimistic.
Author: Alston W. Purvis
Publisher: Yale University Press
ISBN: 9780300102901
Category : Biography & Autobiography
Languages : en
Pages : 122
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Book Description
An extraordinary look at the work of a highly influential avant-garde designer, typographer, and printmaker Dutch designer and printmaker Hendrik Werkman (1882-1945) is best known for his innovative printing techniques and avant-garde typography. As publisher of De Blauwe Schuitt, a series of underground booklets produced by Jewish dissident poets and writers during the Nazi occupation of Holland, Werkman was imprisoned by German secret police in 1945 and executed without trial just three days before the country's liberation. This generously illustrated book is the first in English to focus on Werkman's remarkable graphic work and fascinating life. Werkman founded his own printmaking shop in 1908. His self-produced magazine The Next Call waspublished in 1923 and included typographical and other printmaking experiments as well as the designer's own Dadaist poems and texts. Werkman also developed a printmaking process he called "hot printing," a technique incorporating found materials that added repeated design elements directly onto the paper--all without the use of a printing press. Although much of his work was destroyed at the time of his execution, the remarkable examples that remain tell the story of a maverick designer and typographer whose graphic vision was playful, bold, experimental, and unwaveringly optimistic.
Author: Alston W. Purvis
Publisher: Laurence King Publishing
ISBN: 9781856693899
Category : Design
Languages : en
Pages : 124
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Book Description
Hendrik Werkman, born in Groningen, Holland in 1882, was a printer, typographer, painter and printmaker. He is best known for his asymmetric typographic compositions and for his experimentation with letterpress printing techniques. He also printed without the press, a technique he called 'not printing'. In Graphic Design: A Concise History, Richard Hollis wrote: Werkman's uninhibited graphic invention has been an inspiration to graphic designers anxious to introduce an obviously 'creative' effect Like Piet Zwart, Werkman used type as collage. From 1923-26 Werkman created and printed an experimental typographic magazine, The Next Call. During the German occupation of Holland in World War II he ran an underground press and produced 40 issues of a subversive broadsheet. The Blue Barge. In 1945 he was executed by the Nazis, only two days before the liberation of Holland. Much of his work was destroyed at this time.
Author: David Ryan
Publisher: Pomegranate
ISBN: 9780764916151
Category : Architecture
Languages : en
Pages : 126
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Book Description
Letter Perfect explores the artistic facet of the style, arrangement, appearance, and recent accelerated evolution of typeset matter, primarily through the medium of posters.
Author: Alston W. Purvis
Publisher: Wiley
ISBN: 9780471284048
Category : Design
Languages : en
Pages : 234
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Book Description
Author: Peter Brooker
Publisher: Oxford Critical Cultural Histo
ISBN: 0199659583
Category : Art
Languages : en
Pages : 1527
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Book Description
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
Author: Andrea Codrington
Publisher: Laurence King Publishing
ISBN: 9781856693295
Category : Design
Languages : en
Pages : 120
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Book Description
This is a monograph on the work of American designer Kyle Cooper, one of the most significant creators of film titles since Saul Bass. His extraordinary title sequence for David Fincher's horror-thriller Seven (1995) is credited by many with bringing about a renaissance in innovative title design. Cooper is one of the founders of the Los Angeles-based company Imaginary Forces and has produced a succession of titles for such films as True Lies, The Island of Dr Moreau, Twister, Mimic, Donnie Brasco, Reindeer Games, Spider-Man and Arlington Road.
Author: Steven Heller
Publisher:
ISBN: 9780500420577
Category : Graphic arts
Languages : en
Pages : 0
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Book Description
Type Tells Tales focuses on typography that is integral to the message or story it is expressing. This is type that speaks - that is literally the voice of the narrator. And the narrator is the typographer. This can be quite literal, for example when letters come from the mouth of a person or thing, as in a comics balloon. It can be hand lettering, drawn with its own distinctive peculiarities that convey personality and mood. Precedents for contemporary work might be in Apollinaire's calligram 'Il pleut' or Kurt Schwitters' children's picture book The Scarecrow, or in Concrete Poetry, Futurist 'Words in Freedom' or Dadaist collage. Seeking out examples in the furthest reaches of graphic design, Steven Heller and Gail Anderson uncover work that reveals how type can be used to render a particular voice or multiple conversations, how letters can be used in various shapes and sizes to create a kind of typographic pantomime, and how type can become both content and illustration as in, for example Paul Rand's 'ROARRRRR'. Letters take the shape and form of other things, such as people, faces, animals, cars or planes. There are examples of how typographic blocks, paragraphs, sentences and blurbs can be used to guide the eye through dense information.
Author: Sheila D. Muller
Publisher: Routledge
ISBN: 1135495742
Category : Social Science
Languages : en
Pages : 664
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Book Description
An illustrated feast for the eye and intellect Dutch Art explores developments in art, art history, art criticism, and cultural history of the Netherlands from the artists' workshops for the Utrecht Dom in 1475 to the latest movements of the 1990s. it is lavishly illustrated with 147 black-and-white photographs and 16 pages in full color. More than 100 internationally recognized scholars, museum professionals, artists, and art critics contributed signed essays to this monumental work, including historians, sociologists, and literary historians.
Author: Jeroen Dewulf
Publisher: Camden House
ISBN: 157113493X
Category : History
Languages : en
Pages : 302
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Book Description
The first book to offer a complete story of the extraordinary proliferation of Dutch clandestine literature under the Nazi occupation. Clandestine literature was published in all countries under Nazi occupation, but nowhere else did it flourish as it did in the Netherlands. This raises important questions: What was the content of this literature? What were the risks of writing, printing, selling, and buying it? And why the Netherlands? Traditionally, the combative Dutch "spirit of resistance" has been cited, a reaction not only to German oppression but to German propaganda: while the Germans hoped to build bonds with their "Germanic" Dutch "brothers," clandestine literature insisted on their incompatibility. However, when reading clandestine literature, one should not forget that this "spirit of resistance" came rather late and did not prevent the transportation of seventy-three percent of the Netherlands' Jewish population to Nazi death camps -- the largest percentage in Western Europe. The Dutch case is complex: while the country proved to be remarkably resistant to Nazi propaganda, little was done to prevent the actual execution of Nazi policies. The complete story of Dutch clandestine literature therefore combines resistance and complicity, victory and defeat, pride and shame. Jeroen Dewulf is Queen Beatrix Professor of Dutch Studies in the Department of German at the University of California, Berkeley.
Author: Elizabeth James
Publisher: Routledge
ISBN: 1134271069
Category : Language Arts & Disciplines
Languages : en
Pages : 841
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Book Description
A comprehensive bibliography and exhibition chronology of the world's greatest museum of the decorative arts and design. The Victoria and Albert Museum, or South Kensington Museum as it used to be known, was founded by the British Government in 1852, out of the proceeds from the Great Exhibition of 1851. Like the Exhibition, it aimed to improve the expertise of designers, and the taste of the public, by exposing them to examples of good design from all countries and periods. 2,500 publications have to date been produced by, for, or in association with the V&A. The National Art Library, which is part of the Museum, has prepared this detailed catalogue, supplemented by a secondary list of 500 other books closely related to the V&A. The 1,500 exhibitions and displays recorded include those held in the main Museum and at its branches, the Bethnal Green Museum (now the National Museum of Childhood) and the Theatre Museum, Covent Garden, and additionally those it has organized at external venues, in Great Britain and abroad. The exhibitions and publications are fully cross-referenced, and there are name, title and subject indexes to the whole work, as well as an explanatory introduction.
