Author: Antonina Harbus
Publisher: DS Brewer
ISBN: 9780859916257
Category : Biography & Autobiography
Languages : en
Pages : 230
Book Description
St Helena, mother of Constantine the Great and legendary finder of the True Cross, was appropriated in the middle ages as a British saint. The rise and persistence of this legend harnessed Helena's imperial and sacred status to portray her as a romance heroine, source of national pride, and a legitimising link to imperial Rome. This study is the first to examine the origins, development, political exploitation and decline of this legend, tracing its momentum and adaptive power from Anglo-Saxon England to the twentieth century. Using Latin, English, and Welsh texts, as well as church dedications and visual arts, the author examines the positive effect of the British legend on the cult of St Helena and the reasons for its wide appeal and durability in both secular and religious contexts. Two previously unpublished vitae of St Helena are included in the volume: a Middle English verse vita from the South English Legendary, and a Latin prose vita by the twelfth-century hagiographer, Jocelin of Furness. Antonina Harbus is Professor in the Department of English at Macquarie University, Sydney, Australia.
Helena of Britain in Medieval Legend
Cross and Culture in Anglo-Norman England
Author: John Munns
Publisher: Boydell & Brewer
ISBN: 1783271264
Category : Art
Languages : en
Pages : 362
Book Description
An examination of the passion and crucifixion of Christ as depicted in the visual and religious culture of Anglo-Norman England. The twelfth century has long been recognised as a period of unusual vibrancy and importance, witnessing seminal changes in the inter-related spheres of theology, devotional practice, and iconography, especially with regard to thecross and the crucifixion of Christ. However, the visual arts of the period have been somewhat neglected, scholarly activity tending to concentrate on its textual and intellectual heritage. This book explores this extraordinarily rich and vibrant visual and religious culture, offering new and exciting insights into its significance, and studying the dynamic relationships between ideas and images in England between 1066 and the first decades of the thirteenth century. In addition to providing the first extensive survey of surviving Passion imagery from the period, it explores those images' contexts: intellectual, cultural, religious, and art-historical. It thus not only enhances our understanding of the place of the cross in Anglo-Norman culture; it also demonstrates how new image theories and patterns of agency shaped the life of the later medieval church. John Munns is a Fellow of MagdaleneCollege, Cambridge.
Publisher: Boydell & Brewer
ISBN: 1783271264
Category : Art
Languages : en
Pages : 362
Book Description
An examination of the passion and crucifixion of Christ as depicted in the visual and religious culture of Anglo-Norman England. The twelfth century has long been recognised as a period of unusual vibrancy and importance, witnessing seminal changes in the inter-related spheres of theology, devotional practice, and iconography, especially with regard to thecross and the crucifixion of Christ. However, the visual arts of the period have been somewhat neglected, scholarly activity tending to concentrate on its textual and intellectual heritage. This book explores this extraordinarily rich and vibrant visual and religious culture, offering new and exciting insights into its significance, and studying the dynamic relationships between ideas and images in England between 1066 and the first decades of the thirteenth century. In addition to providing the first extensive survey of surviving Passion imagery from the period, it explores those images' contexts: intellectual, cultural, religious, and art-historical. It thus not only enhances our understanding of the place of the cross in Anglo-Norman culture; it also demonstrates how new image theories and patterns of agency shaped the life of the later medieval church. John Munns is a Fellow of MagdaleneCollege, Cambridge.
Constantine
Author: Paul Stephenson
Publisher: Abrams
ISBN: 1468303007
Category : History
Languages : en
Pages : 374
Book Description
This “knowledgeable account” of the emperor who brought Christianity to Rome “provides valuable insight into Constantine’s era” (Kirkus Reviews). “By this sign conquer.” So began the reign of Constantine. In 312 A.D. a cross appeared in the sky above his army as he marched on Rome. In answer, Constantine bade his soldiers to inscribe the cross on their shield, and so fortified, they drove their rivals into the Tiber and claimed Rome for themselves. Constantine led Christianity and its adherents out of the shadow of persecution. He united the western and eastern halves of the Roman Empire, raising a new city center in the east. When barbarian hordes consumed Rome itself, Constantinople remained as a beacon of Roman Christianity. Constantine is a fascinating survey of the life and enduring legacy of perhaps the greatest and most unjustly ignored of the Roman emperors—written by a richly gifted historian. Paul Stephenson offers a nuanced and deeply satisfying account of a man whose cultural and spiritual renewal of the Roman Empire gave birth to the idea of a unified Christian Europe underpinned by a commitment to religious tolerance. “Successfully combines historical documents, examples of Roman art, sculpture, and coinage with the lessons of geopolitics to produce a complex biography of the Emperor Constantine.” —Publishers Weekly
Publisher: Abrams
ISBN: 1468303007
Category : History
Languages : en
Pages : 374
Book Description
This “knowledgeable account” of the emperor who brought Christianity to Rome “provides valuable insight into Constantine’s era” (Kirkus Reviews). “By this sign conquer.” So began the reign of Constantine. In 312 A.D. a cross appeared in the sky above his army as he marched on Rome. In answer, Constantine bade his soldiers to inscribe the cross on their shield, and so fortified, they drove their rivals into the Tiber and claimed Rome for themselves. Constantine led Christianity and its adherents out of the shadow of persecution. He united the western and eastern halves of the Roman Empire, raising a new city center in the east. When barbarian hordes consumed Rome itself, Constantinople remained as a beacon of Roman Christianity. Constantine is a fascinating survey of the life and enduring legacy of perhaps the greatest and most unjustly ignored of the Roman emperors—written by a richly gifted historian. Paul Stephenson offers a nuanced and deeply satisfying account of a man whose cultural and spiritual renewal of the Roman Empire gave birth to the idea of a unified Christian Europe underpinned by a commitment to religious tolerance. “Successfully combines historical documents, examples of Roman art, sculpture, and coinage with the lessons of geopolitics to produce a complex biography of the Emperor Constantine.” —Publishers Weekly
Women and Gender in Medieval Europe
Author: Margaret C. Schaus
Publisher: Routledge
ISBN: 1135459673
Category : History
Languages : en
Pages : 986
Book Description
From women's medicine and the writings of Christine de Pizan to the lives of market and tradeswomen and the idealization of virginity, gender and social status dictated all aspects of women's lives during the middle ages. A cross-disciplinary resource, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE, i.e., from the fall of the Roman Empire to the discovery of the Americas. Moving beyond biographies of famous noble women of the middles ages, the scope of this important reference work is vast and provides a comprehensive understanding of medieval women's lives and experiences. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Entries that range from 250 words to 4,500 words in length thoroughly explore topics in the following areas: · Art and Architecture · Countries, Realms, and Regions · Daily Life · Documentary Sources · Economics · Education and Learning · Gender and Sexuality · Historiography · Law · Literature · Medicine and Science · Music and Dance · Persons · Philosophy · Politics · Political Figures · Religion and Theology · Religious Figures · Social Organization and Status Written by renowned international scholars, Women and Gender in Medieval Europe is the latest in the Routledge Encyclopedias of the Middle Ages. Easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be an invaluable resource on women in Medieval Europe.
Publisher: Routledge
ISBN: 1135459673
Category : History
Languages : en
Pages : 986
Book Description
From women's medicine and the writings of Christine de Pizan to the lives of market and tradeswomen and the idealization of virginity, gender and social status dictated all aspects of women's lives during the middle ages. A cross-disciplinary resource, Women and Gender in Medieval Europe examines the daily reality of medieval women from all walks of life in Europe between 450 CE and 1500 CE, i.e., from the fall of the Roman Empire to the discovery of the Americas. Moving beyond biographies of famous noble women of the middles ages, the scope of this important reference work is vast and provides a comprehensive understanding of medieval women's lives and experiences. Masculinity in the middle ages is also addressed to provide important context for understanding women's roles. Entries that range from 250 words to 4,500 words in length thoroughly explore topics in the following areas: · Art and Architecture · Countries, Realms, and Regions · Daily Life · Documentary Sources · Economics · Education and Learning · Gender and Sexuality · Historiography · Law · Literature · Medicine and Science · Music and Dance · Persons · Philosophy · Politics · Political Figures · Religion and Theology · Religious Figures · Social Organization and Status Written by renowned international scholars, Women and Gender in Medieval Europe is the latest in the Routledge Encyclopedias of the Middle Ages. Easily accessible in an A-to-Z format, students, researchers, and scholars will find this outstanding reference work to be an invaluable resource on women in Medieval Europe.
Renaissance Drama on the Edge
Author: Lisa Hopkins
Publisher: Routledge
ISBN: 1317066588
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Recurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.
Publisher: Routledge
ISBN: 1317066588
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
Recurring to the governing idea of her 2005 study Shakespeare on the Edge, Lisa Hopkins expands the parameters of her investigation beyond England to include the Continent, and beyond Shakespeare to include a number of dramatists ranging from Christopher Marlowe to John Ford. Hopkins also expands her notion of liminality to explore not only geographical borders, but also the intersection of the material and the spiritual more generally, tracing the contours of the edge which each inhabits. Making a journey of its own by starting from the most literally liminal of physical structures, walls, and ending with the wholly invisible and intangible, the idea of the divine, this book plots the many and various ways in which, for the Renaissance imagination, metaphysical overtones accrued to the physically liminal.
English Readers of Catholic Saints
Author: Judy Ann Ford
Publisher: Routledge
ISBN: 1000062333
Category : History
Languages : en
Pages : 197
Book Description
In 1484, William Caxton, the first publisher of English-language books, issued The Golden Legend, a translation of the most well-known collection of saints’ lives in Europe. This study analyzes the molding of the Legenda aurea into a book that powerfully attracted the English market. Modifications included not only illustrations and changes in the arrangement of chapters, but also the addition of lives of British saints and translated excerpts from the Bible, showing an appetite for vernacular scripture and stories about England’s past. The publication history of Caxton’s Golden Legend reveals attitudes towards national identity and piety within the context of English print culture during the half century prior to the Henrician Reformation.
Publisher: Routledge
ISBN: 1000062333
Category : History
Languages : en
Pages : 197
Book Description
In 1484, William Caxton, the first publisher of English-language books, issued The Golden Legend, a translation of the most well-known collection of saints’ lives in Europe. This study analyzes the molding of the Legenda aurea into a book that powerfully attracted the English market. Modifications included not only illustrations and changes in the arrangement of chapters, but also the addition of lives of British saints and translated excerpts from the Bible, showing an appetite for vernacular scripture and stories about England’s past. The publication history of Caxton’s Golden Legend reveals attitudes towards national identity and piety within the context of English print culture during the half century prior to the Henrician Reformation.
The Oxford Dictionary of the Christian Church
Author: Andrew Louth
Publisher: Oxford University Press
ISBN: 0192638157
Category : Religion
Languages : en
Pages : 4486
Book Description
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
Publisher: Oxford University Press
ISBN: 0192638157
Category : Religion
Languages : en
Pages : 4486
Book Description
Uniquely authoritative and wide-ranging in its scope, The Oxford Dictionary of the Christian Church is the indispensable reference work on all aspects of the Christian Church. It contains over 6,500 cross-referenced A-Z entries, and offers unrivalled coverage of all aspects of this vast and often complex subject, from theology; churches and denominations; patristic scholarship; and the bible; to the church calendar and its organization; popes; archbishops; other church leaders; saints; and mystics. In this new edition, great efforts have been made to increase and strengthen coverage of non-Anglican denominations (for example non-Western European Christianity), as well as broadening the focus on Christianity and the history of churches in areas beyond Western Europe. In particular, there have been extensive additions with regards to the Christian Church in Asia, Africa, Latin America, North America, and Australasia. Significant updates have also been included on topics such as liturgy, Canon Law, recent international developments, non-Anglican missionary activity, and the increasingly important area of moral and pastoral theology, among many others. Since its first appearance in 1957, the ODCC has established itself as an essential resource for ordinands, clergy, and members of religious orders, and an invaluable tool for academics, teachers, and students of church history and theology, as well as for the general reader.
Poetry, Publishing, and Visual Culture from Late Modernism to the Twenty-first Century
Author: Natalie Pollard
Publisher: Oxford University Press
ISBN: 019259396X
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.
Publisher: Oxford University Press
ISBN: 019259396X
Category : Literary Criticism
Languages : en
Pages : 331
Book Description
This is a book about contemporary literary and artistic entanglements: word and image, media and materiality, inscription and illustration. It proposes a vulnerable, fugitive mode of reading poetry, which defies disciplinary categorisations, embracing the open-endedness and provisionality of forms. This manifests itself interactively in the six case studies, which have been chosen for their distinctness and diversity across the long twentieth century: the book begins with the early twentieth-century work of writer and artist Djuna Barnes, exploring her re-animation of sculptural and dramatic sources. It then turns to the late modernist artist and poet David Jones considering his use of the graphic and plastic arts in The Anathemata, and next, to the underappreciated mid-century poet F.T. Prince, whose work uncannily re-activates Michelangelo's poetry and sculpture. The second half of the book explores the collaborations of the canonical poet Ted Hughes with the publisher and artist Leonard Baskin during the 1970s; the innovative late twentieth-century poetry of Denise Riley who uses page space and embodied sound as a form of address; and, finally, the contemporary poet Paul Muldoon who has collaborated with photographers and artists, as well as ventriloquising nonhuman phenomena. The resulting unique study offers contemporary writers and readers a new understanding of literary, artistic, and nonhuman practices and shows the cultural importance of engaging with their messy co-dependencies. The book challenges critical methodologies that make a sharp division between the textual work and the extra-literary, and raises urgent questions about the status and autonomy of art and its social role.
The Cambridge Companion to the Age of Constantine
Author: Noel Emmanuel Lenski
Publisher: Cambridge University Press
ISBN: 9780521521574
Category : Art
Languages : en
Pages : 546
Book Description
The Cambridge Companion to the Age of Constantine offers students a comprehensive one-volume survey of this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, religion, social and economic history, art, and foreign relations during the reign of Constantine, who steered the Roman Empire on a course parallel with his own personal development.
Publisher: Cambridge University Press
ISBN: 9780521521574
Category : Art
Languages : en
Pages : 546
Book Description
The Cambridge Companion to the Age of Constantine offers students a comprehensive one-volume survey of this pivotal emperor and his times. Richly illustrated and designed as a readable survey accessible to all audiences, it also achieves a level of scholarly sophistication and a freshness of interpretation that will be welcomed by the experts. The volume is divided into five sections that examine political history, religion, social and economic history, art, and foreign relations during the reign of Constantine, who steered the Roman Empire on a course parallel with his own personal development.
The Crusades and Visual Culture
Author: LauraJ Whatley
Publisher: Routledge
ISBN: 1351545256
Category : Art
Languages : en
Pages : 338
Book Description
The crusades, whether realized or merely planned, had a profound impact on medieval and early modern societies. Numerous scholars in the fields of history and literature have explored the influence of crusading ideas, values, aspirations and anxieties in both the Latin States and Europe. However, there have been few studies dedicated to investigating how the crusading movement influenced and was reflected in medieval visual cultures. Written by scholars from around the world working in the domains of art history and history, the essays in this volume examine the ways in which ideas of crusading were realized in a broad variety of media (including manuscripts, cartography, sculpture, mural paintings, and metalwork). Arguing implicitly for recognition of the conceptual frameworks of crusades that transcend traditional disciplinary boundaries, the volume explores the pervasive influence and diverse expression of the crusading movement from the twelfth through the fifteenth centuries.
Publisher: Routledge
ISBN: 1351545256
Category : Art
Languages : en
Pages : 338
Book Description
The crusades, whether realized or merely planned, had a profound impact on medieval and early modern societies. Numerous scholars in the fields of history and literature have explored the influence of crusading ideas, values, aspirations and anxieties in both the Latin States and Europe. However, there have been few studies dedicated to investigating how the crusading movement influenced and was reflected in medieval visual cultures. Written by scholars from around the world working in the domains of art history and history, the essays in this volume examine the ways in which ideas of crusading were realized in a broad variety of media (including manuscripts, cartography, sculpture, mural paintings, and metalwork). Arguing implicitly for recognition of the conceptual frameworks of crusades that transcend traditional disciplinary boundaries, the volume explores the pervasive influence and diverse expression of the crusading movement from the twelfth through the fifteenth centuries.