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Author: Lydia L. Moland
Publisher:
ISBN: 0190847328
Category : Philosophy
Languages : en
Pages : 353
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Book Description
Hegel's Aesthetics is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. It gives a new analysis of his notorious "end of art" thesis, shows the indispensability of his aesthetics to his philosophy generally, and argues for his theory's relevance today.
Author: Lydia L. Moland
Publisher:
ISBN: 0190847328
Category : Philosophy
Languages : en
Pages : 353
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Book Description
Hegel's Aesthetics is the first comprehensive interpretation of Hegel's philosophy of art in English in thirty years. It gives a new analysis of his notorious "end of art" thesis, shows the indispensability of his aesthetics to his philosophy generally, and argues for his theory's relevance today.
Author: William Maker
Publisher: SUNY Press
ISBN: 9780791445525
Category : Philosophy
Languages : en
Pages : 244
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Book Description
Hegel's Lectures on Aesthetics present a systematic and historical overview of the nature and development of art in light of its meaning and philosophical significance. This book considers Hegel's aesthetics from a variety of perspectives. With a strong and clear introduction by William Maker, the individual essays address Hegel's treatment of music, painting, comedy, and architecture, as well as his earlier writings on art, his relations to Schiller and to Schlegel, his treatment of romanticism, the place of aesthetics in the system, and his controversial claims about the overcoming of art. Several perspectives focus specifically on the contemporary relevance of Hegel's aesthetics in light of developments in art since his time, and especially in connection with modernism, postmodernism, and deconstruction.
Author: Georg Wilhelm Friedrich Hegel
Publisher: OUP UK
ISBN: 0198238169
Category : Philosophy
Languages : en
Pages : 634
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Book Description
This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.
Author: William Desmond
Publisher: State University of New York Press
ISBN: 1438400926
Category : Philosophy
Languages : en
Pages : 246
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Book Description
Art and the Absolute restores Hegel's aesthetics to a place of central importance in the Hegelian system. In so doing, it brings Hegel into direct relation with the central thrust of contemporary philosophy. The book draws on the astonishing scope and depths of Hegel's Lectures on Aesthetics, exploring the multifaceted issue of art and the absolute. Why does Hegel ascribe absoluteness to art? What can such absoluteness mean? How does it relate to religion and philosophy? How does Hegel's view of art illuminate the contemporary absence of the absolute? Art and the Absolute argues that these aesthetic questions are not mere theoretical conundrums for abstract analysis. It argues that Hegel's understanding of art can provide an indispensable hermeneutic relevant to current controversies. Art and the Absolute explores the intricacies of Hegel's aesthetic thought, communicating its contemporary relevance. It shows how for Hegel art illuminates the other areas of significant human experience such as history, religion, politics, literature. Against traditional, closed views, the result is a challenge to re-read Hegel's aesthetic philosophy.
Author: Jack Kaminsky
Publisher: Pickle Partners Publishing
ISBN: 1789124328
Category : Art
Languages : en
Pages : 294
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Book Description
Professor Kaminsky’s lucid exposition is, surprisingly, the first attempt in English to deal extensively and critically with Hegel’s views on art, as outlined in his difficult volumes on that subject. Hegel on Art thus performs a needed service for those interested in either the philosophy or the history of the fine arts. Hegel’s idealistic metaphysics was the last European endeavor to construct a universal philosophical system on the traditional pattern, and to modern readers it can easily appear more imposing than useful. But in his examination of art, according to Professor Kaminsky, the German philosopher became “the most empirical of the empiricists,” and his observations can be valuable to us quite independent of our commitment to his metaphysics. Moreover, as Professor Kaminsky shows, Hegel’s metaphysical framework does give him an advantage not available under the rigorous skepticism of today’s positivist or symbolist: he can recognize that art mirrors the world of action, and so can provide it with objective validity. As the author concludes in Hegel’s defense: “It may well be that only art can be used to communicate the important episodes that happen to us or others....Without art, we lose one of our great sources of information as to who we are and what we ought to do.” “[Kaminsky] succeeds in the difficult task of summarizing Hegel’s aesthetics in a clear, well-balanced text which follows the historical lines set down by the philosopher. His work is the most extensive study of the subject available in English.”—Library Journal
Author: Benjamin Rutter
Publisher: Cambridge University Press
ISBN: 113948978X
Category : Philosophy
Languages : en
Pages :
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Book Description
Debates over the 'end of art' have tended to obscure Hegel's work on the arts themselves. Benjamin Rutter opens this study with a defence of art's indispensability to Hegel's conception of modernity; he then seeks to reorient discussion toward the distinctive values of painting, poetry, and the novel. Working carefully through Hegel's four lecture series on aesthetics, he identifies the expressive possibilities particular to each medium. Thus, Dutch genre scenes animate the everyday with an appearance of vitality; metaphor frees language from prose; and Goethe's lyrics revive the banal routines of love with imagination and wit. Rutter's important study reconstructs Hegel's view not only of modern art but of modern life and will appeal to philosophers, literary theorists, and art historians alike.
Author: Georg Wilhelm Friedrich Hegel
Publisher:
ISBN:
Category : Aesthetics
Languages : en
Pages : 330
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Book Description
Author: Georg Wilhelm Friedrich Hegel
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120814738
Category : Philosophy
Languages : en
Pages : 648
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Book Description
wide criticism both from Western and Eastern scholars.
Author: Frederick C. Beiser
Publisher: Cambridge University Press
ISBN: 1139824953
Category : Philosophy
Languages : en
Pages : 530
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Book Description
Few thinkers are more controversial in the history of philosophy than Hegel. He has been dismissed as a charlatan and obscurantist, but also praised as one of the greatest thinkers in modern philosophy. No one interested in philosophy can afford to ignore him. This volume considers all the major aspects of Hegel's work: epistemology, logic, ethics, political philosophy, aesthetics, philosophy of history, philosophy of religion. Special attention is devoted to problems in the interpretation of Hegel: the unity of the Phenomenology of Spirit; the value of the dialectical method; the status of his logic; the nature of his politics. A final group of chapters treats Hegel's complex historical legacy: the development of Hegelianism and its growth into a left and right-wing school; the relation of Hegel and Marx; and the subtle connections between Hegel and contemporary analytic philosophy.
Author: Karen Ng
Publisher: Oxford University Press
ISBN: 0190947640
Category : Philosophy
Languages : en
Pages : 337
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Book Description
Karen Ng sheds new light on Hegel's famously impenetrable philosophy. She does so by offering a new interpretation of Hegel's idealism and by foregrounding Hegel's Science of Logic, revealing that Hegel's theory of reason revolves around the concept of organic life. Beginning with the influence of Kant's Critique of Judgment on Hegel, Ng argues that Hegel's key philosophical contributions concerning self-consciousness, freedom, and logic all develop around the idea of internal purposiveness, which appealed to Hegel deeply. She charts the development of the purposiveness theme in Kant's third Critique, and argues that the most important innovation from that text is the claim that the purposiveness of nature opens up and enables the operation of the power of judgment. This innovation is essential for understanding Hegel's philosophical method in the Differenzschrift (1801) and Phenomenology of Spirit (1807), where Hegel, developing lines of thought from Fichte and Schelling, argues against Kant that internal purposiveness constitutes cognition's activity, shaping its essential relation to both self and world. From there, Ng defends a new and detailed interpretation of Hegel's Science of Logic, arguing that Hegel's Subjective Logic can be understood as Hegel's version of a critique of judgment, in which life comes to be understood as opening up the possibility of intelligibility. She makes the case that Hegel's theory of judgment is modelled on reflective and teleological judgments, in which something's species or kind provides the objective context for predication. The Subjective Logic culminates in the argument that life is a primitive or original activity of judgment, one that is the necessary presupposition for the actualization of self-conscious cognition. Through bold and ambitious new arguments, Ng demonstrates the ongoing dialectic between life and self-conscious cognition, providing ground-breaking ways of understanding Hegel's philosophical system.
