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Author: Nicole Mazzarella
Publisher: Paraclete Press
ISBN: 9781557255082
Category : Fiction
Languages : en
Pages : 276
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Book Description
When Dottie Connell adopts her best friend's daughter out of a combination of spite and loyalty, she must confront her ideas on motherhood, sexuality, and God.
Author: Nicole Mazzarella
Publisher: Paraclete Press
ISBN: 9781557255082
Category : Fiction
Languages : en
Pages : 276
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Book Description
When Dottie Connell adopts her best friend's daughter out of a combination of spite and loyalty, she must confront her ideas on motherhood, sexuality, and God.
Author: Nicole Mazzarella
Publisher: Paraclete Press
ISBN: 1640603816
Category : Religion
Languages : en
Pages : 155
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Book Description
Strong, resilient, and deeply loyal, Dottie Connell farms her family’s three hundred acres in rural Ohio alone, having sacrificed love and family for land she does not own. A sudden, inexplicable event leaves the daughter of her childhood friend in her care. Pressured by her community to allow her former fiancé to raise the child, Dottie must face the past she has worked fifteen years to forget. Spanning a decade, This Heavy Silence explores the power of the vows we make to others, and, more binding, those we make to ourselves. Evoking the hardship, spring-fed beauty, and the complexities of community in the rural Midwest, this award-winning, beautifully observed novel leads us to question our ideas about motherhood, faith, and the debts we owe. "Like the land she inhabits and the people she attends, Nicole Mazzarella offers a subtle and enduring beauty, born of intense interiority, and vision both broad and deep." -Scott Cairns, author of Philokalia: New & Selected Poems
Author: Nicole Mazzarella
Publisher:
ISBN: 9781585477302
Category : Adopted children
Languages : en
Pages : 0
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Book Description
Author: Bernard G. Lord
Publisher: Xlibris Corporation
ISBN: 1462807542
Category : Fiction
Languages : en
Pages : 224
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Book Description
Bruce Hastie, a young, naive Scottish engineer, comes to live in a London flat while he works as a graduate apprentice in a turbine factory. It is 1958. He has two contrasting flat-mates, selected by a special agency, a disillusioned actor, Benjamin Garrick, and a rough, crude washing machine salesman, Edward Flunk, also known as Skunk. Bruce starts work at General Turbines Limited in the smoke, grime and heat of the foundry. One lunch-break he finds his chargehand boss, a huge, strong, Yorkshireman nicknamed Heavy, reading and enjoying some Dylan Thomas poetry. This is a paradox that mystifies the class-conscious Bruce whom Heavy brands as an intellectual snob. Heavy expounds on his soapbox that the arts have been kept away from the working class, that they and society at large need saving from rampant materialism and its attendant viciousness by a good dose of the spiritual values that only poetry, art, theatre and classical music can offer. Then follows two chapters that develop the character of Skunk and Benjamin. Skunk, a self-appointed sexual conqueror of women, has the tables turned on him when he encounters an educated, beautiful but unbalanced seductress when called to fix her washing machine that supposedly has electrocuted her dog. Benjamin is sent home sick from rehearsal, accompanied by fellow actor Sally Frinton-Jones. His malaise is psychological for he is disillusioned by the theatre and his performance in it. By this time, Heavy has Bruce believing in his ideas about the need to educate the common masses in the arts. Benjamin, also a convert to Heavy’s “renaissance” through Bruce’s dogmatism, cannot persuade Sally of the practicality of those ideas. Bruce goes into action by piping Beethoven’s 5th Symphony into the motor assembly shop at General Turbines where 300 women work. The music is well received but when his report on allowing the foundryworkers time off to listen to writers, actors and poets is read by the crass managing director, Mr. Crumhorn, Bruce is fired on the spot. Undaunted, Bruce, Benjamin and fifteen members of the arts world are smuggled into the factory and, along with Heavy, begin teaching the foundryworkers the elements and meaning of theatre, music and poetry. At a de-briefing after this first experiment it is deemed a total failure by all except Heavy who urges continuance and patience with what has been started. Bruce runs out of money and needs a job so he buys a taxi and pumps beer in a local pub. By now he is friendly with Sally, and one night, while driving her to rehearsal, they make a detour to track Skunk around Soho. He makes a subterranean disappearance into a strip joint. Bruce and Sally follow but only find Monique of the Louvre doing her erotic show. Bruce, as expected, registers his disgust but follows Monique to the dressing area and there finds Skunk who turns out to be the proprietor of the establishment. Bruce unbends a little and ends up taking Monique, real name Penelope Scragg, back to her seedy flat. As when he first found Heavy reading poetry in the foundry, he is surprised again when Monique plays him her favorite piece of music, Mozart’s Eine Kleine Nachtmusik. Bruce begins to see Penelope with different eyes and he and Heavy take her to a concert at the Royal Festival Hall. She learns of the Renaissance Group’s activities and is highly amused until Bruce wants her to join the group. He wants her and Skunk to soften the degrading aspects of the strip joint by requiring its customers to enter an adjoining room after the performance and receive “spiritual” renewal in the guise of poetry, music and art. Penelope laughs her head off but Skunk smells money in it and gives it a try. Love blooms between Sally and Benjamin, and they decide to get married. Bruce’s relationship with Penelope deepens, and all is going well with the artistic education of
Author: Edward Augustyn
Publisher:
ISBN:
Category : Choreography
Languages : en
Pages : 70
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Book Description
Author: Silvia Montiglio
Publisher: Princeton University Press
ISBN: 1400823765
Category : History
Languages : en
Pages : 327
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Book Description
In ancient Greece, the spoken word connoted power, whether in the free speech accorded to citizens or in the voice of the poet, whose song was thought to know no earthly bounds. But how did silence fit into the mental framework of a society that valued speech so highly? Here Silvia Montiglio provides the first comprehensive investigation into silence as a distinctive and meaningful phenomenon in archaic and classical Greece. Arguing that the notion of silence is not a universal given but is rather situated in a complex network of associations and values, Montiglio seeks to establish general principles for understanding silence through analyses of cultural practices, including religion, literature, and law. Unlike the silence of a Christian before an ineffable God, which signifies the uselessness of words, silence in Greek religion paradoxically expresses the power of logos--for example, during prayer and sacrifice, it serves as a shield against words that could offend the gods. Montiglio goes on to explore silence in the world of the epic hero, where words are equated with action and their absence signals paralysis or tension in power relationships. Her other examples include oratory, a practice in which citizens must balance their words with silence in very complex ways in order to show that they do not abuse their right to speak. Inquiries into lyric poetry, drama, medical writings, and historiography round out this unprecedented study, revealing silence as a force in its own right.
Author: Laura Powell
Publisher: Cargo Publishing
ISBN: 1910449601
Category : Fiction
Languages : en
Pages : 265
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Book Description
It's 1956 and fifteen-year-old Betty Broadbent has never left the Cornish fishing village of St Steele or ventured far beyond the walls of the boarding house run by her erratic mother. But when the London press pack descends to report on a series of gruesome murders of young women, Betty's world changes. In particular she is transfixed by mysterious and aloof reporter, Mr Gallagher. As the death toll rises, an unlikely friendship blossoms between Betty and Gallagher. But as their bond deepens, they find themselves entangled with the murders and each is forced to make a devastating choice, one that will shape their own lives - and the life of an innocent man - forever. Praise for The Unforgotten: 'Gripping from the first page, this is a remarkabke debut. I highly recommend it.' Katie Fforde, author of Going Dutch 'A quirky, vivid, original writer who catches the strangeness of time passing.' Maggie Gee, author of The White Family 'An eerie and sorrowful tale, beautifully-told: a hugely impressive debut.' Joanna Kavenna 'An unforgettable tale of love and loss.' Richard Skinner, author of The Mirror
Author: Wilhelm Hauff
Publisher: Good Press
ISBN:
Category : Family & Relationships
Languages : en
Pages : 13811
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Book Description
Good Press Publishing presents you this meticulously edited horror collection carefully selected gothic classics, greatest supernatural mysteries, ghost stories and macabre tales:_x000D_ Introduction: _x000D_ Supernatural Horror in Literature by H. P. Lovecraft_x000D_ Edgar Allan Poe:_x000D_ The Tell-Tale Heart _x000D_ The Murders in the Rue Morgue..._x000D_ Bram Stoker:_x000D_ Dracula_x000D_ The Jewel of Seven Stars..._x000D_ Mary Shelley:_x000D_ Frankenstein_x000D_ The Mortal Immortal..._x000D_ Gaston Leroux:_x000D_ The Phantom of the Opera_x000D_ Washington Irving:_x000D_ The Legend of Sleepy Hollow_x000D_ Rip Van Winkle..._x000D_ H. P. Lovecraft:_x000D_ The Call of Cthulhu_x000D_ The Dunwich Horror..._x000D_ Henry James:_x000D_ The Turn of the Screw..._x000D_ Arthur Conan Doyle:_x000D_ The Hound of the Baskervilles..._x000D_ Robert Louis Stevenson:_x000D_ Strange Case of Dr Jekyll and Mr Hyde..._x000D_ H. G. Wells:_x000D_ The Island of Doctor Moreau_x000D_ Matthew Gregory Lewis:_x000D_ The Monk_x000D_ Ann Radcliffe:_x000D_ The Mysteries of Udolpho_x000D_ Wilkie Collins:_x000D_ The Woman in White_x000D_ The Haunted Hotel_x000D_ The Dead Secret..._x000D_ Charles Dickens:_x000D_ The Mystery of Edwin Drood_x000D_ The Hanged Man's Bride_x000D_ The Haunted House..._x000D_ Oscar Wilde:_x000D_ The Picture of Dorian Gray..._x000D_ Richard Marsh:_x000D_ The Beetle_x000D_ Joseph Sheridan Le Fanu:_x000D_ Carmilla_x000D_ Uncle Silas..._x000D_ Nikolai Gogol:_x000D_ Dead Souls..._x000D_ Rudyard Kipling:_x000D_ The Phantom Rickshaw..._x000D_ James Malcolm Rymer:_x000D_ Sweeney Todd, the Demon Barber of Fleet Street_x000D_ Robert E. Howard:_x000D_ Cthulhu Mythos_x000D_ The Weird Menace Stories..._x000D_ M. R. James:_x000D_ Ghost Stories of an Antiquary_x000D_ A Thin Ghost and Others_x000D_ John Meade Falkner:_x000D_ The Nebuly Coat_x000D_ The Lost Stradivarius_x000D_ Nathaniel Hawthorne:_x000D_ Rappaccini's Daughter_x000D_ The Birth Mark..._x000D_ Lucy Maud Montgomery:_x000D_ The Closed Door_x000D_ The Red Room..._x000D_ Edith Nesbit:_x000D_ The Ebony Frame_x000D_ From the Dead_x000D_ Jane Austen:_x000D_ Northanger Abbey_x000D_ Charlotte Brontë:_x000D_ Jane Eyre_x000D_ Emily Brontë:_x000D_ Wuthering Heights_x000D_ Mary Louisa Molesworth:_x000D_ The Shadow in the Moonlight..._x000D_ John Buchan:_x000D_ The Wind in the Portico_x000D_ Witch Wood_x000D_ Cleveland Moffett:_x000D_ The Mysterious Card_x000D_ Possessed_x000D_ George W. M. Reynolds:_x000D_ Wagner, the Wehr-Wolf_x000D_ Lafcadio Hearn:_x000D_ A Ghost..._x000D_ Jerome K. Jerome:_x000D_ Told After Supper_x000D_ Catherine Crowe:_x000D_ Ghosts and Family Legends_x000D_ H. H. Munro:_x000D_ The Wolves of Cernogratz_x000D_ John Kendrick Bangs:_x000D_ Ghosts That Have Haunted Me_x000D_ Francis Marion Crawford:_x000D_ The Dead Smile..._x000D_ Frederick Marryat:_x000D_ The Were-Wolf...
Author:
Publisher:
ISBN:
Category : American periodicals
Languages : en
Pages : 1058
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Book Description
Author: Elie Wiesel
Publisher: Schocken
ISBN: 0805208267
Category : History
Languages : en
Pages : 146
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Book Description
In the fall of 1965 the Israeli newspaper Haaretz sent a young journalist named Elie Wiesel to the Soviet Union to report on the lives of Jews trapped behind the Iron Curtain. “I would approach Jews who had never been placed in the Soviet show window by Soviet authorities,” wrote Wiesel. “They alone, in their anonymity, could describe the conditions under which they live; they alone could tell whether the reports I had heard were true or false—and whether their children and their grandchildren, despite everything, still wish to remain Jews. From them I would learn what we must do to help . . . or if they want our help at all.” What he discovered astonished him: Jewish men and women, young and old, in Moscow, Kiev, Leningrad, Vilna, Minsk, and Tbilisi, completely cut off from the outside world, overcoming their fear of the ever-present KGB to ask Wiesel about the lives of Jews in America, in Western Europe, and, most of all, in Israel. They have scant knowledge of Jewish history or current events; they celebrate Jewish holidays at considerable risk and with only the vaguest ideas of what these days commemorate. “Most of them come [to synagogue] not to pray,” Wiesel writes, “but out of a desire to identify with the Jewish people—about whom they know next to nothing.” Wiesel promises to bring the stories of these people to the outside world. And in the home of one dissident, he is given a gift—a Russian-language translation of Night, published illegally by the underground. “‘My God,’ I thought, ‘this man risked arrest and prison just to make my writing available to people here!’ I embraced him with tears in my eyes.”
