Author: Joseph Haydn
Publisher:
ISBN:
Category : Masses
Languages : en
Pages : 80
Book Description
Third Mass
Author: Joseph Haydn
Publisher:
ISBN:
Category : Masses
Languages : en
Pages : 80
Book Description
Publisher:
ISBN:
Category : Masses
Languages : en
Pages : 80
Book Description
Haydn's Imperial Or Third Mass in D.
Author:
Publisher:
ISBN:
Category : Masses
Languages : en
Pages : 57
Book Description
Publisher:
ISBN:
Category : Masses
Languages : en
Pages : 57
Book Description
Haydn's Third service (The imperial mass) in D. minor
Author:
Publisher:
ISBN:
Category : Masses
Languages : un
Pages : 97
Book Description
Publisher:
ISBN:
Category : Masses
Languages : un
Pages : 97
Book Description
Haydn's third (or imperial) mass
Author: Joseph Haydn
Publisher:
ISBN:
Category : Masses
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Masses
Languages : en
Pages :
Book Description
Haydn's Imperial Or Third Mass
Author: Joseph Haydn
Publisher:
ISBN:
Category : Masses
Languages : en
Pages : 72
Book Description
Publisher:
ISBN:
Category : Masses
Languages : en
Pages : 72
Book Description
Mass No. 3 in D Minor (Lord Nelson or Imperial Mass)
Author: Franz Joseph Haydn
Publisher: Alfred Music
ISBN: 9781457481819
Category : Music
Languages : en
Pages : 84
Book Description
Haydn wrote his Mass No. 3, also known as "Missa in Angustiis," and also as the "Lord Nelson Mass," during Austrian wartime turmoil in 1798. Lord Nelson�۪s name became associated with the Mass because of his victory against Napolean, the news of which coincided with the work�۪s premier performance in September, 1798. This score presents the choral portion of the Mass in Latin and English, with each voice on a separate staff, including solos and an organ reduction of the orchestral portion for accompaniment or rehearsal. Includes: * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei
Publisher: Alfred Music
ISBN: 9781457481819
Category : Music
Languages : en
Pages : 84
Book Description
Haydn wrote his Mass No. 3, also known as "Missa in Angustiis," and also as the "Lord Nelson Mass," during Austrian wartime turmoil in 1798. Lord Nelson�۪s name became associated with the Mass because of his victory against Napolean, the news of which coincided with the work�۪s premier performance in September, 1798. This score presents the choral portion of the Mass in Latin and English, with each voice on a separate staff, including solos and an organ reduction of the orchestral portion for accompaniment or rehearsal. Includes: * Kyrie * Gloria * Credo * Sanctus * Benedictus * Agnus Dei
Haydn's Imperial or Third mass, in D, in vocal score. With Latin and English words, and with accompaniment for the organ, harmonium, or pianoforte. Edited, and English words adapted, by W. H. Birch
Author: Joseph Haydn
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Haydn's Third Mass (The Imperial)
Author: Vincent Novello
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Mozart's Ghosts
Author: Mark Everist
Publisher: Oxford University Press
ISBN: 0199344221
Category : Music
Languages : en
Pages :
Book Description
Mozart's Ghosts traces the many lives of this great composer that emerged following his early death in 1791. Crossing national boundaries and traversing two hundred years-worth of interpretation and reception, author Mark Everist investigates how Mozart's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer, examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America. Modern reverence for the composer is conditioned by earlier responses to his music, and Everist argues that such earlier responses are more complex than allowed by a simple "reception studies" model. Closely linking nine case studies in an innovative cultural and theoretical framework, the book approaches the developing reputation of the composer from death to the present day along three paths: "Phantoms of the Opera" deals with stage music, "Holy Spirits" addresses the trope of the sacred, and "Specters at the Feast" considers the impact of Mozart's music in literature and film. Mozart's Ghosts adeptly moves the study of Mozart reception away from hagiography and closer to cultural and historical criticism, and will be avidly read by Mozart scholars and students of eighteenth-century music history, as well as literary critics, historians of philosophy and aesthetics, and cultural historians in general.
Publisher: Oxford University Press
ISBN: 0199344221
Category : Music
Languages : en
Pages :
Book Description
Mozart's Ghosts traces the many lives of this great composer that emerged following his early death in 1791. Crossing national boundaries and traversing two hundred years-worth of interpretation and reception, author Mark Everist investigates how Mozart's past status can be understood as part of today's veneration. Everist forges new paths to reach the composer, examining a number of ways in which Western culture has absorbed the idea of Mozart, how various cultural agents have appropriated, deployed, and exploited Mozart toward both authoritarian and subversive ends, and how the figure of Mozart and his impact illuminate the cultural history of the last two centuries in Europe, England, and America. Modern reverence for the composer is conditioned by earlier responses to his music, and Everist argues that such earlier responses are more complex than allowed by a simple "reception studies" model. Closely linking nine case studies in an innovative cultural and theoretical framework, the book approaches the developing reputation of the composer from death to the present day along three paths: "Phantoms of the Opera" deals with stage music, "Holy Spirits" addresses the trope of the sacred, and "Specters at the Feast" considers the impact of Mozart's music in literature and film. Mozart's Ghosts adeptly moves the study of Mozart reception away from hagiography and closer to cultural and historical criticism, and will be avidly read by Mozart scholars and students of eighteenth-century music history, as well as literary critics, historians of philosophy and aesthetics, and cultural historians in general.
Dwight's Journal of Music
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 846
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 846
Book Description