Mozart, Haydn and Early Beethoven, 1781-1802 PDF Download
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Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393066340
Category : Biography & Autobiography
Languages : en
Pages : 876
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Book Description
A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence.
Author: Daniel Heartz
Publisher: W. W. Norton & Company
ISBN: 9780393066340
Category : Biography & Autobiography
Languages : en
Pages : 876
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Book Description
A vivid portrait of Mozart and Haydn's greatest achievements and young Beethoven's works under their influence.
Author: Charles Rosen
Publisher: W. W. Norton & Company
ISBN: 9780393040203
Category : Music
Languages : en
Pages : 564
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Book Description
Presents a detailed analysis of the musical styles and forms developed by Mozart, Haydn, and Beethoven.
Author: Glenn Stanley
Publisher: Cambridge University Press
ISBN: 1107494044
Category : Music
Languages : en
Pages : 268
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Book Description
This Companion, first published in 2000, provides a comprehensive view of Beethoven and his work. The first part of the book presents the composer as a private individual, as a professional, and at the work-place, discussing biographical problems, Beethoven's professional activities when not composing and his methods as a composer. In the heart of the book, individual chapters are devoted to all the major genres cultivated by Beethoven and to the elements of style and structure that cross all genres. The book concludes by looking at the ways that Beethoven and his music have been interpreted by performers, writers on music, and in the arts, literature, and philosophy. The essays in this volume, written by leading Beethoven specialists, maintain traditional emphases in Beethoven studies while incorporating other developments in musicology and theory.
Author: Philip G. Downs
Publisher: W W Norton & Company Incorporated
ISBN: 9780393951912
Category : Music
Languages : en
Pages : 697
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Book Description
He demonstrates the enormous diversity and constant change that characterized every aspect of music during this period. By dividing his text into twenty-year spans, Downs is able to trace the development of musical style. Within each span he looks at the social conditions and daily life of the musician, and the aesthetics and audience preferences in structures, performing combinations and styles. The lesser composers, or Kleinmeister, are observed, since they are the most accurate mirrors of their times. Haydn, Mozart and Beethoven receive full biographical scrutiny at each stage of their development. Copious music examples and abundant illustrations are also provided.
Author: Franz Joseph Haydn
Publisher: Alfred Music
ISBN: 9781457471162
Category : Music
Languages : en
Pages : 196
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Book Description
A collection of piano solos, composed by Franz Joseph Haydn, Wolfgang Amadeus Mozart and Ludwig van Beethoven.
Author: Charles Rosen
Publisher: W. W. Norton & Company
ISBN: 9780393006537
Category : Music
Languages : en
Pages : 484
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Book Description
The National Book Award-winning masterpiece by a world-class pianist and writer on music.
Author: William E. Caplin
Publisher: Oxford University Press
ISBN: 0199881758
Category : Music
Languages : en
Pages : 320
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Book Description
Building on ideas first advanced by Arnold Schoenberg and later developed by Erwin Ratz, this book introduces a new theory of form for instrumental music in the classical style. The theory provides a broad set of principles and a comprehensive methodology for the analysis of classical form, from individual ideas, phrases, and themes to the large-scale organization of complete movements. It emphasizes the notion of formal function, that is, the specific role a given formal unit plays in the structural organization of a classical work.
Author: Charles Rosen
Publisher: W. W. Norton & Company
ISBN: 9780393302196
Category : Music
Languages : en
Pages : 438
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Book Description
"Nobody writes better about music .... again and again, unerring insight into just the features that make the music special and fine."--The New York Review of Books
Author: Charles Rosen
Publisher: Yale University Press
ISBN: 030019613X
Category : Music
Languages : en
Pages : 331
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Book Description
Beethoven’s piano sonatas form one of the most important collections of works in the whole history of music. Spanning several decades of his life as a composer, the sonatas soon came to be seen as the first body of substantial serious works for piano suited to performance in large concert halls seating hundreds of people. In this comprehensive and authoritative guide, Charles Rosen places the works in context and provides an understanding of the formal principles involved in interpreting and performing this unique repertoire, covering such aspects as sonata form, phrasing, and tempo, as well as the use of pedal and trills. In the second part of his book, he looks at the sonatas individually, from the earliest works of the 1790s through the sonatas of Beethoven’s youthful popularity of the early 1800s, the subsequent years of mastery, the years of stress (1812†“1817), and the last three sonatas of the 1820s. Composed as much for private music-making as public recital, Beethoven’s sonatas have long formed a bridge between the worlds of the salon and the concert hall. For today’s audience, Rosen has written a guide that brings out the gravity, passion, and humor of these works and will enrich the appreciation of a wide range of readers, whether listeners, amateur musicians, or professional pianists. The book includes a CD of Rosen performing extracts from several of the sonatas, illustrating points made in the text.
Author: Jan Swafford
Publisher: HarperCollins
ISBN: 0062433598
Category : Biography & Autobiography
Languages : en
Pages : 832
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Book Description
From the acclaimed composer and biographer Jan Swafford comes the definitive biography of one of the most lauded musical geniuses in history, Wolfgang Amadeus Mozart. At the earliest ages it was apparent that Wolfgang Mozart’s singular imagination was at work in every direction. He hated to be bored and hated to be idle, and through his life he responded to these threats with a repertoire of antidotes mental and physical. Whether in his rabidly obscene mode or not, Mozart was always hilarious. He went at every piece of his life, and perhaps most notably his social life, with tremendous gusto. His circle of friends and patrons was wide, encompassing anyone who appealed to his boundless appetites for music and all things pleasurable and fun. Mozart was known to be an inexplicable force of nature who could rise from a luminous improvisation at the keyboard to a leap over the furniture. He was forever drumming on things, tapping his feet, jabbering away, but who could grasp your hand and look at you with a profound, searching, and melancholy look in his blue eyes. Even in company there was often an air about Mozart of being not quite there. It was as if he lived onstage and off simultaneously, a character in life’s tragicomedy but also outside of it watching, studying, gathering material for the fabric of his art. Like Jan Swafford’s biographies Beethoven and Johannes Brahms, Mozart is the complete exhumation of a genius in his life and ours: a man who would enrich the world with his talent for centuries to come and who would immeasurably shape classical music. As Swafford reveals, it’s nearly impossible to understand classical music’s origins and indeed its evolutions, as well as the Baroque period, without studying the man himself.
