Hat gesagt bleibt's nicht dabei

Hat gesagt bleibt's nicht dabei PDF Author: Richard Strauss
Publisher:
ISBN:
Category : Knaben Wunderhorn
Languages : en
Pages : 14

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Hat gesagt bleibt's nicht dabei

Hat gesagt bleibt's nicht dabei PDF Author: Richard Strauss
Publisher:
ISBN:
Category : Knaben Wunderhorn
Languages : en
Pages : 14

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Book Description


Song

Song PDF Author: Carol Kimball
Publisher: Hal Leonard Corporation
ISBN: 9781423412809
Category : Music
Languages : en
Pages : 604

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Book Description
Naslagwerk van de liedkunst en de literatuur hierover.

Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office

Catalogue of Title-entries of Books and Other Articles Entered in the Office of the Librarian of Congress, at Washington, Under the Copyright Law ... Wherein the Copyright Has Been Completed by the Deposit of Two Copies in the Office PDF Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : American drama
Languages : en
Pages : 1218

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School of Music Programs

School of Music Programs PDF Author: University of Michigan. School of Music
Publisher:
ISBN:
Category : Concert programs
Languages : en
Pages : 396

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Index to Poetry in Music

Index to Poetry in Music PDF Author: Carol June Bradley
Publisher: Routledge
ISBN: 1135381275
Category : Music
Languages : en
Pages : 1418

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Book Description
First Published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

German Lieder in the Nineteenth Century

German Lieder in the Nineteenth Century PDF Author: Rufus Hallmark
Publisher: Routledge
ISBN: 1135854580
Category : Art
Languages : en
Pages : 457

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Book Description
German Lieder in the Nineteenth-Century provides a detailed introduction to the German lied. Beginning with its origin in the literary and musical culture of Germany in the nineteenth-century, the book covers individual composers, including Shubert, Schumann, Brahms, Strauss, Mahler and Wolf, the literary sources of lieder, the historical and conceptual issues of song cycles, and issues of musical technique and style in performance practice. Written by eminent music scholars in the field, each chapter includes detailed musical examples and analysis. The second edition has been revised and updated to include the most recent research of each composer and additional musical examples.

The Nineteenth-Century German Lied

The Nineteenth-Century German Lied PDF Author: Lorraine Gorrell
Publisher: Hal Leonard Corporation
ISBN: 9781574671230
Category : Music
Languages : en
Pages : 404

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Book Description
The development of the piano, together with changes in culture and society, led to the transformation of song into a major musical genre. This study of the great lieder of 19th-century composers Schubert, Schumann, Brahms, and Hugo Wolf also includes lesser-known composers, such as Louis Spohr and Robert Franz, plus significant contributions from women composers and performers.

Catalog of Copyright Entries

Catalog of Copyright Entries PDF Author: Library of Congress. Copyright Office
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 688

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Catalog of Copyright Entries

Catalog of Copyright Entries PDF Author:
Publisher:
ISBN:
Category : Copyright
Languages : en
Pages : 860

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The Cambridge Companion to the Lied

The Cambridge Companion to the Lied PDF Author: James Parsons
Publisher: Cambridge University Press
ISBN: 9780521804714
Category : Music
Languages : en
Pages : 446

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Book Description
Beginning several generations before Schubert, the Lied first appears as domestic entertainment. In the century that follows it becomes one of the primary modes of music-making. By the time German song comes to its presumed conclusion with Richard Strauss's 1948 Vier letzte Lieder, this rich repertoire has moved beyond the home and keyboard accompaniment to the symphony hall. This is a 2004 introductory chronicle of this fascinating genre. In essays by eminent scholars, this Companion places the Lied in its full context - at once musical, literary, and cultural - with chapters devoted to focal composers as well as important issues, such as the way in which the Lied influenced other musical genres, its use as a musical commodity, and issues of performance. The volume is framed by a detailed chronology of German music and poetry from the late 1730s to the present and also contains a comprehensive bibliography.