Harnessing the Technicolor Rainbow

Harnessing the Technicolor Rainbow PDF Author: Scott Higgins
Publisher: University of Texas Press
ISBN: 0292779526
Category : Performing Arts
Languages : en
Pages : 313

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Book Description
Like Dorothy waking up over the rainbow in the Land of Oz, Hollywood discovered a vivid new world of color in the 1930s. The introduction of three-color Technicolor technology in 1932 gave filmmakers a powerful tool with which to guide viewers' attention, punctuate turning points, and express emotional subtext. Although many producers and filmmakers initially resisted the use of color, Technicolor designers, led by the legendary Natalie Kalmus, developed an aesthetic that complemented the classical Hollywood filmmaking style while still offering innovative novelty. By the end of the 1930s, color in film was thoroughly harnessed to narrative, and it became elegantly expressive without threatening the coherence of the film's imaginary world. Harnessing the Technicolor Rainbow is the first scholarly history of Technicolor aesthetics and technology, as well as a thoroughgoing analysis of how color works in film. Scott Higgins draws on extensive primary research and close analysis of well-known movies, including Becky Sharp, A Star Is Born, Adventures of Robin Hood, and Gone with the Wind, to show how the Technicolor films of the 1930s forged enduring conventions for handling color in popular cinema. He argues that filmmakers and designers rapidly worked through a series of stylistic modes based on the demonstration, restraint, and integration of color—and shows how the color conventions developed in the 1930s have continued to influence filmmaking to the present day. Higgins also formulates a new vocabulary and a method of analysis for capturing the often-elusive functions and effects of color that, in turn, open new avenues for the study of film form and lay a foundation for new work on color in cinema.

Harnessing the Technicolor Rainbow

Harnessing the Technicolor Rainbow PDF Author: Scott Higgins
Publisher: University of Texas Press
ISBN: 0292779526
Category : Performing Arts
Languages : en
Pages : 313

Get Book Here

Book Description
Like Dorothy waking up over the rainbow in the Land of Oz, Hollywood discovered a vivid new world of color in the 1930s. The introduction of three-color Technicolor technology in 1932 gave filmmakers a powerful tool with which to guide viewers' attention, punctuate turning points, and express emotional subtext. Although many producers and filmmakers initially resisted the use of color, Technicolor designers, led by the legendary Natalie Kalmus, developed an aesthetic that complemented the classical Hollywood filmmaking style while still offering innovative novelty. By the end of the 1930s, color in film was thoroughly harnessed to narrative, and it became elegantly expressive without threatening the coherence of the film's imaginary world. Harnessing the Technicolor Rainbow is the first scholarly history of Technicolor aesthetics and technology, as well as a thoroughgoing analysis of how color works in film. Scott Higgins draws on extensive primary research and close analysis of well-known movies, including Becky Sharp, A Star Is Born, Adventures of Robin Hood, and Gone with the Wind, to show how the Technicolor films of the 1930s forged enduring conventions for handling color in popular cinema. He argues that filmmakers and designers rapidly worked through a series of stylistic modes based on the demonstration, restraint, and integration of color—and shows how the color conventions developed in the 1930s have continued to influence filmmaking to the present day. Higgins also formulates a new vocabulary and a method of analysis for capturing the often-elusive functions and effects of color that, in turn, open new avenues for the study of film form and lay a foundation for new work on color in cinema.

Harnessing the Rainbow for You

Harnessing the Rainbow for You PDF Author: E.I. du Pont de Nemours & Company. Organic Chemicals Department
Publisher:
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 8

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Book Description


Harnessing the Rainbow

Harnessing the Rainbow PDF Author: Scott P. Higgins
Publisher:
ISBN:
Category : Color cinematography
Languages : en
Pages : 522

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Vassar Quarterly

Vassar Quarterly PDF Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 818

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Harnessing the Rainbow

Harnessing the Rainbow PDF Author: E.I. du Pont de Nemours & Company. Organic Chemicals Department
Publisher:
ISBN:
Category : Colorfastness (Textiles)
Languages : en
Pages : 4

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Journey to Rainbow Island

Journey to Rainbow Island PDF Author: Christie Hsiao
Publisher: BenBella Books, Inc.
ISBN: 1939529247
Category : Juvenile Fiction
Languages : en
Pages : 402

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Book Description
New York Times Bestseller Yu-ning thinks her perfect life on Rainbow Island will never end—until a nasty dragon called the Obsidigon returns from beyond the grave. Now her beloved island is in flames, her best friend has been kidnapped, and the island’s Sacred Crystals have been stolen. To make matters worse, she must venture into the dark corners of the world to uncover secrets best ignored, find a weapon thought long destroyed, and recapture seven sacred stones—without being burned to a crisp by a very angry dragon. With the help of her master teacher, Metatron, Yu-ning embarks on a dangerous journey to overcome not only the darkness attacking her home, but also the scars of sadness that mark her own heart. And while most people just see a normal kid, Metatron—and a few other unlikely allies—pledge their lives to the dark-eyed little girl with a magic bow and a crooked grin.

Color Trade Journal

Color Trade Journal PDF Author:
Publisher:
ISBN:
Category : Dyes and dyeing
Languages : en
Pages : 466

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Electrical World

Electrical World PDF Author:
Publisher:
ISBN:
Category : Electric engineering
Languages : en
Pages : 1526

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Color and the Moving Image

Color and the Moving Image PDF Author: Simon Brown
Publisher: Routledge
ISBN: 1136307885
Category : Performing Arts
Languages : en
Pages : 338

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Book Description
This new AFI Film Reader is the first comprehensive collection of original essays on the use of color in film. Contributors from diverse film studies backgrounds consider the importance of color throughout the history of the medium, assessing not only the theoretical implications of color on the screen, but also the ways in which developments in cinematographic technologies transformed the aesthetics of color and the nature of film archiving and restoration. Color and the Moving Image includes new writing on key directors whose work is already associated with color—such as Hitchcock, Jarman and Sirk—as well as others whose use of color has not yet been explored in such detail—including Eric Rohmer and the Coen Brothers. This volume is an excellent resource for a variety of film studies courses and the global film archiving community at large.

Color It True

Color It True PDF Author: Murray Pomerance
Publisher: Bloomsbury Publishing USA
ISBN: 1501383094
Category : Performing Arts
Languages : en
Pages : 360

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Book Description
This often-startlingly original book introduces a new way of thinking about color in film as distinct from existing approaches which tend to emphasize either technical processes and/or histories of film coloration, or the meaning(s) of color as metaphor or symbol, or else part of a broader signifying system. Murray Pomerance's latest meditation on cinema has the author embed himself in various ways of thinking about color; not ways of framing it as a production trick or a symbolic language but ways of wondering how the color effect onscreen can work in the act of viewing. Pomerance examines many issues, including acuity, dreaming, interrelationships, saturations, color contrasts, color and performance (color as a performance aid or even performance substitute), and more. The lavender of the photographer's seamless in Antonioni's Blow-Up taken in itself as an explosion of color worked into form, and then considered both as part of the story and part of our experience. The 14 chapters of this book each discuss a single primary color as regards to our experience of cinema. After opening the idea of such an exploration in terms of the history of our apperception and the variation in our experience that color germinates, Color it True takes form.