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Author: Richard J. Powell
Publisher: Univ of California Press
ISBN: 9780520212633
Category : Art
Languages : en
Pages : 212
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Book Description
Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.
Author: Richard J. Powell
Publisher: Univ of California Press
ISBN: 9780520212633
Category : Art
Languages : en
Pages : 212
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Book Description
Published to accompany exhibition held at the Hayward Gallery, London, 19/6 - 17/8 1997.
Author: Amy Helene Kirschke
Publisher: Univ. Press of Mississippi
ISBN: 1626742073
Category : Art
Languages : en
Pages : 311
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Book Description
Women artists of the Harlem Renaissance dealt with issues that were unique to both their gender and their race. They experienced racial prejudice, which limited their ability to obtain training and to be taken seriously as working artists. They also encountered prevailing sexism, often an even more serious barrier. Including seventy-two black-and-white illustrations, this book chronicles the challenges of women artists, who are in some cases unknown to the general public, and places their achievements in the artistic and cultural context of early twentieth-century America. Contributors to this first book on the women artists of the Harlem Renaissance proclaim the legacy of Edmonia Lewis, Meta Vaux Warrick Fuller, Augusta Savage, Selma Burke, Elizabeth Prophet, Lois Maillou Jones, Elizabeth Catlett, and many other painters, sculptors, and printmakers. In a time of more rigid gender roles, women artists faced the added struggle of raising families and attempting to gain support and encouragement from their often-reluctant spouses in order to pursue their art. They also confronted the challenge of convincing their fellow male artists that they, too, should be seen as important contributors to the artistic innovation of the era.
Author: Amy Helene Kirschke
Publisher: Univ. Press of Mississippi
ISBN: 9780878058006
Category : Art
Languages : en
Pages : 260
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Book Description
The only book about the premier visual artist of the Harlem Renaissance
Author: Smithsonian American Art Museum
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
"Drawn entirely from the Smithsonian American Art Museum's rich collection of African American art, the works include paintings by Benny Andrews, Jacob Lawrence, Thornton Dial Sr., Romare Bearden, Alma Thomas, and Lois Mailou Jones, and photographs by Roy DeCarava, Gordon Parks, Roland Freeman, Marilyn Nance, and James Van Der Zee. More than half of the artworks in the exhibition are being shown for the first time"--Publisher's website.
Author: Denise Jordan
Publisher: Heinemann-Raintree Library
ISBN: 9781588106490
Category : Juvenile Nonfiction
Languages : en
Pages : 68
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Book Description
Discusses the characteristics of the Harlem Renaissance art movement which flourished in Harlem, New York, in the 1920s and presents biographies of eleven artists.
Author: Wil Haygood
Publisher: Rizzoli Publications
ISBN: 0847863123
Category : Art
Languages : en
Pages : 250
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Book Description
Winner of the James A. Porter and David C. Driskell Book Award for African American Art History, I Too Sing America offers a major survey on the visual art and material culture of the groundbreaking movement one hundred years after the Harlem Renaissance emerged as a creative force at the close of World War I. It illuminates multiple facets of the era--the lives of its people, the art, the literature, the music, and the social history--through paintings, prints, photography, sculpture, and contemporary documents and ephemera. The lushly illustrated chronicle includes work by cherished artists such as Romare Bearden, Allan Rohan Crite, Palmer Hayden, William Johnson, Jacob Lawrence, Archibald Motley, and James Van Der Zee. The project is the culmination of decades of reflection, research, and scholarship by Wil Haygood, acclaimed biographer and preeminent historian on Harlem and its cultural roots. In thematic chapters, the author captures the range and breadth of the Harlem Reniassance, a sweeping movement which saw an astonishing array of black writers and artists and musicians gather over a period of a few intense years, expanding far beyond its roots in Harlem to unleashing a myriad of talents upon the nation. The book is published in conjunction with a major exhibition at the Columbus Museum of Art.
Author: David C. Driskell
Publisher: Abradale Press
ISBN:
Category : Art
Languages : en
Pages : 208
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Book Description
One hundred fifty works by Black artists in Harlem during the 1920s from the exhibition at the Studio Museum in Harlem.
Author: Alain Locke
Publisher: Courier Dover Publications
ISBN: 0486849163
Category : Literary Collections
Languages : en
Pages : 450
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Book Description
Widely regarded as the key text of the Harlem Renaissance, this landmark anthology of fiction, poetry, essays, drama, music, and illustration includes contributions by Langston Hughes, Zora Neale Hurston, Claude McKay, James Weldon Johnson, and other luminaries.
Author: Wendy Hart Beckman
Publisher: Enslow Publishing
ISBN: 9780766018341
Category : African American artists
Languages : en
Pages : 0
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Book Description
Examines the appeal of this era and highlights the important people who took part in it, including Zora Neale Hurston, Aaron Douglas, Duke Ellington and Bessie Smith.
Author: Joshua M. Murray
Publisher: Liverpool University Press
ISBN: 1949979563
Category : Literary Criticism
Languages : en
Pages : 312
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Book Description
In his introduction to the foundational 1925 text The New Negro, Alain Locke described the “Old Negro” as “a creature of moral debate and historical controversy,” necessitating a metamorphosis into a literary art that embraced modernism and left sentimentalism behind. This was the underlying theoretical background that contributed to the flowering of African American culture and art that would come to be called the Harlem Renaissance. While the popular period has received much scholarly attention, the significance of editors and editing in the Harlem Renaissance remains woefully understudied. Editing the Harlem Renaissance foregrounds an in-depth, exhaustive approach to relevant editing and editorial issues, exploring not only those figures of the Harlem Renaissance who edited in professional capacities, but also those authors who employed editorial practices during the writing process and those texts that have been discovered and/or edited by others in the decades following the Harlem Renaissance. Editing the Harlem Renaissance considers developmental editing, textual self-fashioning, textual editing, documentary editing, and bibliography. Chapters utilize methodologies of authorial intention, copy-text, manuscript transcription, critical edition building, and anthology creation. Together, these chapters provide readers with a new way of viewing the artistic production of one of the United States’ most important literary movements.
