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Author: Harlan Hubbard
Publisher: University Press of Kentucky
ISBN: 0813147646
Category : Biography & Autobiography
Languages : en
Pages : 216
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Book Description
Harlan Hubbard was Kentucky's Thoreau, and his journals are intimate records of a life lived in harmony with nature. For more than fifty years the artist, writer, and homesteader described daily activities and recorded keen observations as he sought to live simply and authentically. The third and climactic volume of his journals, Payne Hollow Journal, contains entries from the years he and his wife, Anna, lived at their Payne Hollow home along the Ohio River's Kentucky shore. There they mastered the arts of country life, building their own stone and timber house in 1952 and raising their own food. To live with nature was not a novel experience for the couple; earlier they had floated down the Ohio and Mississippi rivers to New Orleans on their homemade shantyboat. Hubbard described this journey in Shantyboat Journal, the basis for his Shantyboat and Shantyboat on the Bayous. By turns poetic and practical, Payne Hollow Journal celebrates nature's intense beauty and sometimes harsh realities as perhaps only an artist can see them. Here Hubbard reveals how dedication to work that provides sustenance -- gardening, wood chopping, fishing, foraging, and raising goats-can also be fulfilling. Don Wallis's arrangement of the Payne Hollow entries reflects the seasonal changes in Hubbard and his life as well as in the natural world around him. At the beginning of this volume Hubbard writes, "When we are away from Payne Hollow, that place does not seem real or possible.... It is hard to explain our situation, to give reasons for our living this way to people who have no understanding or sympathy." A visit to the Hubbards' home through Payne Hollow Journal is ample explanation for anyone who has yearned to lead a life of simplicity and purpose.
Author: Harlan Hubbard
Publisher: University Press of Kentucky
ISBN: 0813147646
Category : Biography & Autobiography
Languages : en
Pages : 216
Get Book
Book Description
Harlan Hubbard was Kentucky's Thoreau, and his journals are intimate records of a life lived in harmony with nature. For more than fifty years the artist, writer, and homesteader described daily activities and recorded keen observations as he sought to live simply and authentically. The third and climactic volume of his journals, Payne Hollow Journal, contains entries from the years he and his wife, Anna, lived at their Payne Hollow home along the Ohio River's Kentucky shore. There they mastered the arts of country life, building their own stone and timber house in 1952 and raising their own food. To live with nature was not a novel experience for the couple; earlier they had floated down the Ohio and Mississippi rivers to New Orleans on their homemade shantyboat. Hubbard described this journey in Shantyboat Journal, the basis for his Shantyboat and Shantyboat on the Bayous. By turns poetic and practical, Payne Hollow Journal celebrates nature's intense beauty and sometimes harsh realities as perhaps only an artist can see them. Here Hubbard reveals how dedication to work that provides sustenance -- gardening, wood chopping, fishing, foraging, and raising goats-can also be fulfilling. Don Wallis's arrangement of the Payne Hollow entries reflects the seasonal changes in Hubbard and his life as well as in the natural world around him. At the beginning of this volume Hubbard writes, "When we are away from Payne Hollow, that place does not seem real or possible.... It is hard to explain our situation, to give reasons for our living this way to people who have no understanding or sympathy." A visit to the Hubbards' home through Payne Hollow Journal is ample explanation for anyone who has yearned to lead a life of simplicity and purpose.
Author: Wendell Berry
Publisher: University Press of Kentucky
ISBN: 0813154804
Category : Biography & Autobiography
Languages : en
Pages : 157
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Book Description
By examining the life and work of celebrated painter, Harlan Hubbard, author Wendell Berry creates the perfect vehicle for emphasizing the themes of his other writings: the value of self-sufficiency, our responsibility to the environment, the holiness of everyday life, and the preference of simplicity over modern, mechanized life. Includes 20 color plates of Hubbard's own paintings, along with several photographs of Anna and Harlan Hubbard.
Author: Harlan Hubbard
Publisher: University Press of Kentucky
ISBN: 9780813113593
Category : Travel
Languages : en
Pages : 372
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Book Description
Shantyboat is the story of a leisurely journey down the Ohio and Mississippi rivers to New Orleans. For most people such a journey is the stuff that dreams are made of, but for Harlan and Anna Hubbard, it became a cherished reality. In their small river craft, the Hubbards became one with the flowing river and its changing weathers. This book mirrors a life that is simple and independent, strenuous at times, but joyous, with leisure for painting and music, for observation and contemplation.
Author: Harlan Hubbard
Publisher: University Press of Kentucky
ISBN: 0813153433
Category : Art
Languages : en
Pages : 250
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Book Description
Harlan Hubbard (1900–1988), a Kentucky writer, environmentalist, and artist, spent many years trying to rediscover and revive the vanishing language of landscape in his watercolor paintings. Known for their sense of drifting movement and their depiction of the natural way of life fondly associated with Hubbard, they inexplicably remain his least studied artworks, despite presenting some of the best evidence of Hubbard's place in the history of landscape painting. The Watercolors of Harlan Hubbard not only argues for Hubbard's place in the art historical canon but also highlights and analyzes the artist's own voice. In this unique collection, more than two hundred watercolors are interspersed with anecdotes from those who knew Hubbard or drew inspiration from his work, offering a personal meditation on a deeply influential artist and serving as an invitation to those who have yet to discover him.
Author: Harlan Hubbard
Publisher:
ISBN: 9780917788666
Category : Country life
Languages : en
Pages : 0
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Book Description
Nonfiction. Harlan Hubbard's PAYNE HOLLOW: LIFE ON THE FRINGE OF SOCIETY provides an account of a self-made alternative lifestyle in early 1950's America. Anna and Harlan Hubbard, refusing to adopt the industrial positioning provided, built a simple home at Payne Hollow and documented their "basic relationship of need to fulfillment within the carefully circumscribed wholeness of [their] honest, sensitive, extraordinary lives"--Edward Lueders. PAYNE HOLLOW creates its own self-referential world written as "a painter's prose" that fills its environment with a Thoreau-esque "ecstasy...expressed with sober simplicity"--The Louisville Courier-Journal.
Author: Mia Cunningham
Publisher: University Press of Kentucky
ISBN: 0813149444
Category : Biography & Autobiography
Languages : en
Pages : 248
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Book Description
Anna Eikenhout (1902-1986) was an honors graduate of Ohio State University, a fine-arts librarian, a skilled pianist, and an avid reader in three languages. Harlan Hubbard (1900-1988), a little-known painter and would-be shantyboater, seemed an unlikely husband, but together they lived a life out of the pages of Thoreau's Walden. Much of what is known about the Hubbards comes from Harlan's books and journals. Concerning the seasons and the landscape, his writing was rapturous, yet he was emotionally reticent when discussing human affairs in general or Anna in particular. Yet it was through her efforts that their life on the river was truly civilized. Visitors to Payne Hollow recall Anna as a generous, gracious hostess, whose intelligence and artistry made the small house seem grander than a mansion.
Author: Harlan Hubbard
Publisher: University Press of Kentucky
ISBN: 9780813130989
Category : History
Languages : en
Pages : 408
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Book Description
Kentucky is nationally renowned for horses, bourbon, rich natural resources, and unfortunately, hindered by a deficient educational system. Though its reputation is not always justified, in national rankings for grades K-12 and higher education, Kentucky consistently ranks among the lowest states in education funding, literacy, and student achievement. In A History of Education in Kentucky, William E. Ellis illuminates the successes and failures of public and private education in the commonwealth since its settlement. Ellis demonstrates how political leaders in the nineteenth century created a culture that devalued public education and refused to adequately fund it. He also analyzes efforts by teachers and policy makers to enact vital reforms and establish adequate, equal education, and discusses ongoing battles related to religious instruction, integration, and the Kentucky Education Reform Act (KERA). A History of Education in Kentucky is the only up-to-date, single-volume history of education in the commonwealth. Offering more than mere policy analysis, this comprehensive work tells the story of passionate students, teachers, and leaders who have worked for progress from the 1770s to the present day. Despite the prevailing pessimism about education in Kentucky, Ellis acknowledges signs of a vibrant educational atmosphere in the state. By advocating a better understanding of the past, Ellis looks to the future and challenges Kentuckians to avoid historic failures and build on their successes.
Author: Harlan Hubbard
Publisher: University Press of Kentucky
ISBN: 9780813118796
Category : Art
Languages : en
Pages : 176
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Book Description
" Hubbard was a gifted writer, but during his lifetime he was better known as an artist. He painted in both oil and watercolor, but over the years he also cut and printed approximately 170 woodcuts. It was in this medium that his potential as an artist was most full realized."
Author: Harlan Hubbard
Publisher: University Press of Kentucky
ISBN: 9780813127057
Category : Art
Languages : en
Pages : 170
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Book Description
Between 1802, when the young Kentucky artist William Edward West began to paint portraits while on a downriver journey, and 1920, when the last of Frank Duveneck's students worked in Louisville, a large number of notable portrait artists were active in Kentucky and the Ohio River Valley. In Lessons in Likeness: Portrait Painters in Kentucky and the Ohio River Valley, 1802-1920, Estill Curtis Pennington charts the course of those artists as they painted a variety of sitters drawn from both urban and rural society. The work is illustrated, when possible, from The Filson Historical Society collection of some four hundred portraits representing one of the most extensive holdings available for study in the region. Portraiture involves artists and subjects, known as sitters, and is an art that combines elements of biography, aesthetics, and cultural history. Private portraits often attract an oral history that enlivens the more colorful aspects of local tradition and culture. Public portraits of towering figures such as George Washington, Henry Clay, and Abraham Lincoln were often reproduced in printed format to satisfy popular demand and subsequently attained an iconic, timeless status. Lessons in Likeness is organized in two parts. Part One, the cultural chronology, serves as a backdrop to the biographies of the portrait artists. This section identifies stylistic sources and significant historical moments that influenced the artists and their milieus. Rather than working in isolation, portrait artists were connected to the world around them and influenced by prevailing trends in their trade. Early in the nineteenth century, for instance, Matthew Jouett journeyed to Boston for study with Gilbert Stuart, and upon his return to Kentucky painted in a style that subsequently influenced an entire generation. Later artists, notably Oliver Frazer and William Edward West, studied the lessons of Thomas Sully in Philadelphia. Sully popularized the lush, warmly colored, and highly flattering style of portraiture practiced by many of the itinerant artists whose careers were facilitated by the introduction of steam and rail travel. The Civil War provoked a dramatic shift in the cultural terrain, further augmented by the rise of photography and the emergence of academic art centers. Painters who had previously worked with a master painter, or learned on their own, were now able to study at established schools, especially in Cincinnati, which became one of the leading centers for the teaching of art in late nineteenth-century America. Several of the teachers there, Frank Duveneck and Thomas Satterwhite Noble in particular, had firsthand experience with avant-garde European styles, notably the realism and naturalism practiced in Munich and Paris in the last quarter of the nineteenth century and then taught in the art schools of New York and Philadelphia. Part Two profiles the artists from this area and period who have appeared in previous art historical literature and have an identifiable body of work represented in public and private collections. Individual biographies provide details of the artists' lives, sources for further study, and locations of works in public collections.
Author: David L. Good
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 480
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Book Description
The literature on political machines of American mayors is rich and varied. Essentially undiscovered, however, is "Orvie," the most flamboyant and original of them all-and, on his home turf, arguably the most powerful. David L. Good describes the public and private life of Orville L. Hubbard, a man whose remarkable political career overlapped the terms of seven presidents. Hubbard was mayor of Dearborn, Michigan, home of the Ford Motor Company, from 1942 to 1978, ranking him as the second-longest-tenured mayor in U.S. history. He became a model for successful suburban leaders, establishing a reputation for outstanding municipal services and low taxes-as well as for the most notorious racist rhetoric north of the Mason-Dixon line. During his reign, Hubbard was compared with nearly all the tyrants of the twentieth century and some before. At his peak of some 350 pounds, Orvie was a blimp-shaped dreadnaught who set up a government in exile in Canada because sheriff's deputies were waiting to arrest him back home; was pictured in the newspapers on his way to the Republican National Convention disguised in a clown mask; and ordered his fire chief to take an axe to the office door of Henry Ford II. Acquitted in a federal civil rights case, Hubbard showed his appreciation to the jury by taking them out to dinner. After the 1967 riots in Detroit, Orvie threatened to "shoot looters on sight." Hubbard took over a town-the town run by the American legend Henry Ford-without a traditional party organization, extensive patronage, or other trappings of a political machine. The "Hubbard machine" was essentially a one-man operation, consisting of Hubbard himself who prevailed on the sheer force of his personality. David L. Good, who reported on Hubbard for eighteen years, bases his book on personal observation, public and private records, and interviews with Hubbard and family members. Although the book reads like the stuff of novels, Orvie: The Dictator of Dearborn is a serious study of one of the most controversial figures in American municipal government.
