Author: George Frideric Handel
Publisher:
ISBN:
Category : Oratorios
Languages : en
Pages : 256
Book Description
Handel's Oratorio Belshazzar
Author: George Frideric Handel
Publisher:
ISBN:
Category : Oratorios
Languages : en
Pages : 256
Book Description
Publisher:
ISBN:
Category : Oratorios
Languages : en
Pages : 256
Book Description
Handel's Oratorio
Author: Edward Cuthbert Bairstow
Publisher: London : Oxford University Press ; H. Milford
ISBN:
Category :
Languages : en
Pages : 66
Book Description
Publisher: London : Oxford University Press ; H. Milford
ISBN:
Category :
Languages : en
Pages : 66
Book Description
Handel's Israelite Oratorio Libretti
Author: Deborah W. Rooke
Publisher: Oxford University Press (UK)
ISBN: 0199279284
Category : Music
Languages : en
Pages : 279
Book Description
Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
Publisher: Oxford University Press (UK)
ISBN: 0199279284
Category : Music
Languages : en
Pages : 279
Book Description
Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
Handel's Oratorio, Samson
Author: George Frideric Handel
Publisher:
ISBN:
Category : Oratorios
Languages : en
Pages : 16
Book Description
Publisher:
ISBN:
Category : Oratorios
Languages : en
Pages : 16
Book Description
A History of the Oratorio
Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 0807837768
Category : Music
Languages : en
Pages : 420
Book Description
Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio offers a synthesis and critical appraisal so exhaustive and reliable that the serious student of the oratorio will be compelled to look to these volumes as an indispensable source. No work on the history of the oratorio has yet appeared in the English language that is comparable in scope and treatment with Howard Smither's comprehensive four-volume work. The first part of volume 2 examines in depth the antecedents and origins of the oratorio in Protestant Germany in the seventeenth century. It includes discussions of the Lutheran Historia, sacred dramatic dialogues, and the Lubeck Abendmusiken of Buxtehude. The second part treats the oratorio in Protestant Germany in the early eighteenth century and examines Handel, Reinhard Keiser, and J.S. Bach. The third part considers primarily the English oratorios of Handel. In most sections of A History of the Oratorio, the author has selected for special attention a few oratorios that are representative of each geographical area and period. An exception to this procedure is in the section on Handel in this volume, where all of the composer's English oratorios are treated fully with particular reference to recent specialized Handel studies. Volume 1, The Oratorio in the Baroque Era: Italy, Vienna, Paris, and Volume 3, The Oratorio in the classical Era, expand and continue the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Publisher: UNC Press Books
ISBN: 0807837768
Category : Music
Languages : en
Pages : 420
Book Description
Written by an eminent scholar in a style that represents American musicological writing at its communicative best, A History of the Oratorio offers a synthesis and critical appraisal so exhaustive and reliable that the serious student of the oratorio will be compelled to look to these volumes as an indispensable source. No work on the history of the oratorio has yet appeared in the English language that is comparable in scope and treatment with Howard Smither's comprehensive four-volume work. The first part of volume 2 examines in depth the antecedents and origins of the oratorio in Protestant Germany in the seventeenth century. It includes discussions of the Lutheran Historia, sacred dramatic dialogues, and the Lubeck Abendmusiken of Buxtehude. The second part treats the oratorio in Protestant Germany in the early eighteenth century and examines Handel, Reinhard Keiser, and J.S. Bach. The third part considers primarily the English oratorios of Handel. In most sections of A History of the Oratorio, the author has selected for special attention a few oratorios that are representative of each geographical area and period. An exception to this procedure is in the section on Handel in this volume, where all of the composer's English oratorios are treated fully with particular reference to recent specialized Handel studies. Volume 1, The Oratorio in the Baroque Era: Italy, Vienna, Paris, and Volume 3, The Oratorio in the classical Era, expand and continue the study of oratorio history. Although this series was originally announced as a three-volume study, Smither will conclude with a fourth volume. Originally published in 1977. A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Handel's Oratorios and Eighteenth-Century Thought
Author: Ruth Smith
Publisher: Cambridge University Press
ISBN: 0521402654
Category : Music
Languages : en
Pages : 502
Book Description
In this wide-r anging and challenging book, Ruth Smith claims that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realised. She explores eighteenth-century literature, music, aesthetics, politics and religion to reveal Handel's texts as conduits for the thought and sensibility of their time. The book thus enriches our understanding of Handel, his times, and the close relationship between music and its intellectual contexts.
Publisher: Cambridge University Press
ISBN: 0521402654
Category : Music
Languages : en
Pages : 502
Book Description
In this wide-r anging and challenging book, Ruth Smith claims that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realised. She explores eighteenth-century literature, music, aesthetics, politics and religion to reveal Handel's texts as conduits for the thought and sensibility of their time. The book thus enriches our understanding of Handel, his times, and the close relationship between music and its intellectual contexts.
A History of the Oratorio: The oratoria in the baroque era: Protestant Germany and England
Author: Howard E. Smither
Publisher: UNC Press Books
ISBN: 9780807812945
Category : Music
Languages : en
Pages : 420
Book Description
History of the Oratorio: Vol. 2: the Oratorio in the Baroque Era: Protestant Germany and England
Publisher: UNC Press Books
ISBN: 9780807812945
Category : Music
Languages : en
Pages : 420
Book Description
History of the Oratorio: Vol. 2: the Oratorio in the Baroque Era: Protestant Germany and England
Handel's Messiah and His English Oratorios
Author: Ben Finane
Publisher: Continuum
ISBN:
Category : Music
Languages : en
Pages : 152
Book Description
This is Handel's massive drama of human redemption and the most popular oratorio in the history of Western music. After 250 years (1741), it has the power to move listeners spiritually and musically. Drawing from both Testaments, Handel's Messiah has spawned groups of listeners dedicated to its performance. Musically, Messiah ranges from madrigal to aria, with an unvarying transparency of expression, imbued with humility and grace.
Publisher: Continuum
ISBN:
Category : Music
Languages : en
Pages : 152
Book Description
This is Handel's massive drama of human redemption and the most popular oratorio in the history of Western music. After 250 years (1741), it has the power to move listeners spiritually and musically. Drawing from both Testaments, Handel's Messiah has spawned groups of listeners dedicated to its performance. Musically, Messiah ranges from madrigal to aria, with an unvarying transparency of expression, imbued with humility and grace.
The Musical World
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 870
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 870
Book Description
Handel
Author: Donald Burrows
Publisher: OUP USA
ISBN: 0199737363
Category : Biography & Autobiography
Languages : en
Pages : 652
Book Description
Handel was a defining figure of the late Baroque era, perhaps best known for bringing the oratorio form to an English-speaking audience. This insightful study brings to life the glory of his artistry, his elusive personality and the flavour of his time.
Publisher: OUP USA
ISBN: 0199737363
Category : Biography & Autobiography
Languages : en
Pages : 652
Book Description
Handel was a defining figure of the late Baroque era, perhaps best known for bringing the oratorio form to an English-speaking audience. This insightful study brings to life the glory of his artistry, his elusive personality and the flavour of his time.