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Author: Deborah W. Rooke
Publisher: Oxford University Press (UK)
ISBN: 0199279284
Category : Music
Languages : en
Pages : 279
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Book Description
Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
Author: Deborah W. Rooke
Publisher: Oxford University Press (UK)
ISBN: 0199279284
Category : Music
Languages : en
Pages : 279
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Book Description
Combining the insights of present-day biblical studies with those of Handelian studies, this book examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
Author: Ruth Smith
Publisher: Cambridge University Press
ISBN: 0521402654
Category : Music
Languages : en
Pages : 502
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Book Description
In this wide-r anging and challenging book, Ruth Smith claims that the words to Handel's oratorios reflect the events and ideas of their time and have far greater meaning than has hitherto been realised. She explores eighteenth-century literature, music, aesthetics, politics and religion to reveal Handel's texts as conduits for the thought and sensibility of their time. The book thus enriches our understanding of Handel, his times, and the close relationship between music and its intellectual contexts.
Author: Francisco-Javier Ruiz-Ortiz
Publisher: BRILL
ISBN: 9004337024
Category : Religion
Languages : en
Pages : 289
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Book Description
This volume offers a thematic study of an integral part of the Hebrew text of Esther, namely, violence. In The Dynamics of Violence and Revenge in the Hebrew Book of Esther, Francisco-Javier Ruiz-Ortiz makes the first ever monographic research on the topics of hostility and the mechanisms of revenge as expressed by the author of the Hebrew book of Esther. The present book is divided into two parts consisting of three chapters each. After an introductory chapter reviewing previous studies on the book of Esther, the author analyses the main vocabulary of violence and revenge in this biblical text before studying the narrative of Esther from the point of view of violence. The results of these two avenues of research are then applied on three pericopes which are representative of the dynamics of violence. Each of the chosen texts illustrates how violence and revenge are used by the author to express the message of survival and the importance of the Jewish people.
Author: Mary Ann Parker
Publisher: Routledge
ISBN: 113678358X
Category : Music
Languages : en
Pages : 488
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Book Description
Baroque composer George Frideric Handel easily ranks among the world's greatest composers. The first edition of this research guide on Handel appeared in 1988; since that time a great deal of scholarly work has been published on Handel and related areas, including the discovery of a hitherto unknown work. New general resources such as the New Grove Dictionary of Opera (1992), electronic resources such as the RISM libretto catalogue online, and the study of Handel's continuing popularity as evidenced by the new Handel House Museum in London and Handel practice around the world (e.g., Messiah and millennium celebrations in Tonga, singalong Messiahs etc.) are incorporated into this revised edition of the Handel guide.
Author: Marian Van Til
Publisher: WordPower Publishing
ISBN: 0979478502
Category : Composers
Languages : en
Pages : 372
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Book Description
The author presents a view of Handels life--his character, faith and music--as his contemporaries saw him.
Author: Blair Hoxby
Publisher: Oxford University Press
ISBN: 0191082406
Category : Literary Criticism
Languages : en
Pages : 656
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Book Description
Milton criticism often treats the poet as if he were the last of the Renaissance poets or a visionary prophet who remained misunderstood until he was read by the Romantics. At the same time, literary histories of the period often invoke a Long Eighteenth Century that reaches its climax with the French Revolution or the Reform Bill of 1832. What gets overlooked in such accounts is the rich story of Milton's relationship to his contemporaries and early eighteenth-century heirs. The essays in this collection demonstrate that some of Milton's earliest readers were more perceptive than Romantic and twentieth-century interpreters. The translations, editions, and commentaries produced by early eighteenth century men of letters emerge as the seedbed of modern criticism and the term 'neoclassical' is itself unmasked as an inadequate characterization of the literary criticism and poetry of the period—a period that could brilliantly define a Miltonic sublime, even as it supported and described all the varieties of parody and domestication found in the mock epic and the novel. These essays, which are written by a team of leading Miltonists and scholars of the Restoration and eighteenth century, cover a range of topics—from Milton's early editors and translators to his first theatrical producers; from Miltonic similes in Pope's Iliad to Miltonic echoes in Austen's Pride and Prejudice; from marriage, to slavery, to republicanism, to the heresy of Arianism. What they share in common is a conviction that the early eighteenth century understood Milton and that the Long Restoration cannot be understood without him.
Author: Lena-Sofia Tiemeyer
Publisher: Oxford University Press
ISBN: 0197637779
Category : Religion
Languages : en
Pages : 393
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Book Description
"This book analyses the character of Jonathan in 1 Sam 13-2 Sam 1 and in contemporary fiction. The first part of each chapter is devoted to the literary portrayal of Jonathan in the final form of the biblical text. It seeks to establish an interpretation that allows Jonathan to be read as a psychologically cohesive character. This part raises a series of questions. What kind of man is Jonathan who shows initiative, daring, and clear leadership ability (1 Sam 13-14), yet also is willing to lay down his crown before the usurper David's feet in humble submission (1 Sam 18-23)? What kind of son is Jonathan who rebels against Saul and takes David's part in the conflict between the two men, yet remains loyal to his father until the bitter end on Mount Gilboa? The second part of each chapter investigates the depictions of Jonathan in contemporary fiction, with focus on novels, short stories, and poetry. It explores how a wide range of modern retellings of the David saga highlight, transform, and subvert the biblical portrayal of Jonathan. This part responds to the series of questions raised in the first part. Together, the two parts demonstrate how fictional retellings both deepen and challenge the ways that scholars interpret the biblical text"--
Author: Deborah W. Rooke
Publisher:
ISBN: 9780191738050
Category : Bible
Languages : en
Pages : 256
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Book Description
Combining the insights of present-day biblical studies with those of Handelian studies, this text examines the libretti of ten of Handel's Israelite oratorios and evaluates the relationship between each libretto and the biblical story on which it is based.
Author: Matthew Gardner
Publisher: V&R Unipress
ISBN: 3862346617
Category : Music
Languages : en
Pages : 363
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Book Description
The Apollo Academy, a musical club founded in 1731 by Maurice Greene and his friend Michael Christian Festing, was the performance location of various oratorios, odes and masques produced by composers in Greene's circle of friends, colleagues and pupils. Many of the works performed both in and outside the academy meetings are based on subjects such as Jephtha, Deborah and the choice of Hercules which were well known in eighteenth-century England and also attracted the attention of Handel. This long-overdue study explores these works in terms of their intellectual contexts (political, religious, social and cultural), comparing them to Handel's compositions on the same or similar subjects. Additionally, detailed source information and musical analysis of the works is included as well as a discussion of the competition between Handel and his English contemporaries in order to provide a fuller picture of the diverse musical and cultural life in London during the first half of the eighteenth century.
Author: George Frideric Handel
Publisher:
ISBN:
Category : Oratorios
Languages : en
Pages : 212
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Book Description
