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Author: Herbert Spencer
Publisher: MIT Press
ISBN: 9780262693035
Category : Architecture
Languages : en
Pages : 172
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Book Description
A revised edition of the standard guide to the avant-garde origins of modern graphic design and typography, illustrated with many iconic examples.
Author: Herbert Spencer
Publisher: MIT Press
ISBN: 9780262693035
Category : Architecture
Languages : en
Pages : 172
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Book Description
A revised edition of the standard guide to the avant-garde origins of modern graphic design and typography, illustrated with many iconic examples.
Author: Peter Brooker
Publisher: Oxford Critical Cultural Histo
ISBN: 0199659583
Category : Art
Languages : en
Pages : 1527
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Book Description
A study of the role of 'little magazines' and their contribution to the making of artistic modernism and the avant-garde across Europe, this volume is a major scholarly achievement of immense value to those interested in material culture of the 20th century.
Author: Christopher Burke
Publisher: Hyphen Press
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 344
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Book Description
Illustrated throughout, this book explores the modernist typographer Tschichold, and discusses the work seen in the context of his life and the times in which he lived. The book is introduced with a short essay by Robin Kinross, discussing Tschichold's present reputation.
Author: Jeremy Aynsley
Publisher: Univ of California Press
ISBN: 0520227964
Category : Commercial art
Languages : en
Pages : 254
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Book Description
A sweeping and comprehensive catalogue of the graphic arts in Germany from 1890 through World War II, this handsome oversized volume also deals with the methodology of art as a medium of persuasion.
Author:
Publisher:
ISBN:
Category : German literature
Languages : de
Pages : 1474
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Book Description
Author: Laura Fólica
Publisher: John Benjamins Publishing Company
ISBN: 9027260591
Category : Language Arts & Disciplines
Languages : en
Pages : 411
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Book Description
While translation history, literary translation, and periodical publications have been extensively analyzed within the fields of Translation Studies, Comparative Literature, and Communication Sciences, the relationship between these three topics remains underexplored. Literary Translation in Periodicals argues that there is a pressing need for an analytical focus on translation in periodicals, a collaborative network of researchers, and a transnational and interdisciplinary approach. The book pursues two goals: (1) to highlight the innovative theoretical and methodological issues intrinsic to analyzing literary translation in periodical publications on a small and large scale, and (2) to contribute to a developing field by providing several case studies on translation in periodicals over a wide range of areas and periods (Europe, Latin America, and Asia in the 19th and 20th centuries) that go beyond the more traditional focus on national and European periodicals and translations. Combining qualitative and quantitative methods of analysis, as well as hermeneutical and sociological approaches, this book reviews conceptual and methodological tools and proposes innovative techniques, such as social network analysis, big data, and large-scale analysis, for tracing the history and evolution of literary translation in periodical publications.
Author: Kathleen James-Chakraborty
Publisher: Routledge
ISBN: 1000584283
Category : Art
Languages : en
Pages : 267
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Book Description
Bringing together an international team of scholars, this book offers new perspectives on the impact that the Bauhaus and its teaching had on a wide range of artistic practices. Three of the fields in which the Bauhaus generated immediately transformative effects were housing, typography, and photography. Contributors go further to chart the surprising relation of the school to contemporary developments in hairstyling and shop window display in unprecedented detail. New scholarship has detailed the degree to which Bauhaus faculty and students set off around the world, but it has seldom paid attention to its impact in communist East Germany or in countries like Ireland where no Bauhäusler settled. This wide-ranging collection makes clear that a century after its founding, many new stories remain to be told about the influence of the twentieth century’s most innovative arts institution. The book will be of interest to scholars working in art history, design history, photography, and architectural history.
Author: Jan Tschichold
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 288
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Book Description
"Probably the most important work on typography and graphic design in the twentieth century."--Carl Zahn, The Museum of Fine Arts, Boston
Author: Die deutsche Nationalbibliothek
Publisher:
ISBN:
Category :
Languages : de
Pages : 830
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Book Description
Author: Patrick Rössler
Publisher: Routledge
ISBN: 1136222103
Category : Business & Economics
Languages : en
Pages : 342
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Book Description
This innovative study considers one of the most important art and design movements of the 20th century, the Bauhaus, in conjunction with current research in public relations and organizational communication, elaborating on the mechanisms of internal and external communication available to influence the stakeholders in politics, society, industry, and the art world. In a movement where a substantial share of productivity ran in measures to highlight the public value of the institution funded by the taxpayer, the directors, and other persons in charge, the Bauhaus developed comprehensive strategies to communicate their messages to a variety of target groups such as politicians and economic leaders, intellectuals and other artists, current and prospective students, and the general public. To achieve this goal, the Bauhaus anticipated many instruments of modern public relations and corporate communications, including press releases, staging of events, media publications, community building, lobbying, and the creation of nationwide public presence. Rössler argues that as an organization, the Bauhaus cultivated corporate behavior and, most prominently, a corporate design which unfolded revolutionary power. The basic achievements of new typography (a label coined at the Bauhaus) determine visual communication to this day, while the Bauhaus moved from an institutional organization to a community. Beginning with an overview of the Bauhaus’ corporate identity and a close examination of the respective directors’ roles for internal and external communication, this book visits exhibitions, events, and the media attention they evoked in newspapers and contemporary periodicals, along with media products designed at the Bauhaus such as magazines, books, and bank notes.
