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Author: Rhodri Lewis
Publisher: Princeton University Press
ISBN: 0691210926
Category : Literary Criticism
Languages : en
Pages : 390
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Book Description
An acclaimed new interpretation of Shakespeare's Hamlet Hamlet and the Vision of Darkness is a radical new interpretation of the most famous play in the English language. By exploring Shakespeare's engagements with the humanist traditions of early modern England and Europe, Rhodri Lewis reveals a Hamlet unseen for centuries: an innovative, coherent, and exhilaratingly bleak tragedy in which the governing ideologies of Shakespeare's age are scrupulously upended. Recovering a work of far greater magnitude than the tragedy of a young man who cannot make up his mind, Lewis shows that in Hamlet, as in King Lear, Shakespeare confronts his audiences with a universe that received ideas are powerless to illuminate—and where everyone must find their own way through the dark.
Author: Rhodri Lewis
Publisher: Princeton University Press
ISBN: 0691210926
Category : Literary Criticism
Languages : en
Pages : 390
Get Book Here
Book Description
An acclaimed new interpretation of Shakespeare's Hamlet Hamlet and the Vision of Darkness is a radical new interpretation of the most famous play in the English language. By exploring Shakespeare's engagements with the humanist traditions of early modern England and Europe, Rhodri Lewis reveals a Hamlet unseen for centuries: an innovative, coherent, and exhilaratingly bleak tragedy in which the governing ideologies of Shakespeare's age are scrupulously upended. Recovering a work of far greater magnitude than the tragedy of a young man who cannot make up his mind, Lewis shows that in Hamlet, as in King Lear, Shakespeare confronts his audiences with a universe that received ideas are powerless to illuminate—and where everyone must find their own way through the dark.
Author: Rhodri Lewis
Publisher: Princeton University Press
ISBN: 0691204519
Category : Drama
Languages : en
Pages : 390
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Book Description
'Hamlet and the Vision of Darkness' is a radical new interpretation of the most famous play in the English language. By exploring Shakespeare's engagements with the humanist traditions of early modern England and Europe, Rhodri Lewis reveals a 'Hamlet' unseen for centuries: an innovative, coherent, and exhilaratingly bleak tragedy in which the governing ideologies of Shakespeare's age are scrupulously upended.
Author: Paul A. Kottman
Publisher: JHU Press
ISBN: 0801895421
Category : Literary Criticism
Languages : en
Pages : 210
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Book Description
Paul A. Kottman offers a new and compelling understanding of tragedy as seen in four of Shakespeare’s mature plays—As You Like It, Hamlet, King Lear, and The Tempest. The author pushes beyond traditional ways of thinking about tragedy, framing his readings with simple questions that have been missing from scholarship of the past generation: Are we still moved by Shakespeare, and why? Kottman throws into question the inheritability of human relationships by showing how the bonds upon which we depend for meaning and worth can be dissolved. According to Kottman, the lives of Shakespeare's protagonists are conditioned by social bonds—kinship ties, civic relations, economic dependencies, political allegiances—that unravel irreparably. This breakdown means they can neither inherit nor bequeath a livable or desirable form of sociality. Orlando and Rosalind inherit nothing “but growth itself” before becoming refugees in the Forest of Arden; Hamlet is disinherited not only by Claudius’s election but by the sheer vacuity of the activities that remain open to him; Lear’s disinheritance of Cordelia bequeaths a series of events that finally leave the social sphere itself forsaken of heirs and forbearers alike. Firmly rooted in the philosophical tradition of reading Shakespeare, this bold work is the first sustained interpretation of Shakespearean tragedy since Stanley Cavell’s work on skepticism and A. C. Bradley’s century-old Shakespearean Tragedy.
Author: Stefan Herbrechter
Publisher: BRILL
ISBN: 900471135X
Category : Social Science
Languages : en
Pages : 337
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Book Description
This volume collects essays written over the last decade by one of the founders and leading figures of the theoretical movement of critical posthumanism. The readings of literary texts gathered here, from Shakespeare, Keats, Camus, Vittorini, Kundera, Haushofer, Atwood, Eagleman, Crace and DeLillo, focus on ‘posthumanist moments’ in which questions of postanthropocentrism and the nonhuman become prominent, are negotiated and ultimately foreclosed. They show how a deconstructively-minded way of reading humanistically-motivated texts can help making these texts relevant for our so-called ‘posthuman times’. In doing so, these critical posthumanist readings demonstrate that literature remains one of the privileged cultural institutions and practices from which solidarities both with and between the human and nonhuman can be formed and negotiated.
Author: Eric P. Levy
Publisher: Associated University Presse
ISBN: 9780838641392
Category : Drama
Languages : en
Pages : 262
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Book Description
Isolating the conceptual apparatus dominant in the world of the play, this book traces the play's origins, including those pertaining to Christian Humanism and the Aristotelian-Thomist synthesis with its assumption of 'the sovereignty of reason'.
Author: James Jaehoon Lee
Publisher: Northwestern University Press
ISBN: 0810139286
Category : Literary Criticism
Languages : en
Pages : 288
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Book Description
The Two-Soul’d Animal illuminates an early modern debate that recognized the troubling extent to which Christian thought had defined the human in terms of two incompatible models of soul. As the sixteenth century progressed, Christian and humanist thinkers began to realize that these two souls fundamentally contradicted each other. On the one hand, Christian theology had a great debt to Aristotle’s tripartite model of the soul based on three organic faculties: intellection, sensation, and nutrition. On the other, the Christian soul was defined by its immortal, immaterial, and transcendental substance. The sixteenth-century acknowledgement of the two souls provoked a great deal of anxiety, leading Christian thinkers to ask: How can we, as God’s perfect design, have two redundant and yet contradictory souls? And how could the core of the religious subject possibly be defined by a psychological paradox? As a result, the “soul” was an intrinsically unstable term being renegotiated in Renaissance culture. The English writers studied in The Two-Soul’d Animal place two prevailing interpretations of the soul’s faculties—one rhetorical on the plane of aesthetics, the other theological on the plane of ethics—into contact as a way to construct a new mode of Christian agency.
Author: Harold Bloom
Publisher: Infobase Publishing
ISBN: 1438129424
Category : Juvenile Nonfiction
Languages : en
Pages : 224
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Book Description
Presents a collection of critical essays on the works of William Shakespeare.
Author: Ronald Huebert
Publisher: University of Toronto Press
ISBN: 1442669535
Category : Drama
Languages : en
Pages : 353
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Book Description
For at least a generation, scholars have asserted that privacy barely existed in the early modern era. The divide between the public and private was vague, they say, and the concept, if it was acknowledged, was rarely valued. In Privacy in the Age of Shakespeare, Ronald Huebert challenges these assumptions by marshalling evidence that it was in Shakespeare’s time that the idea of privacy went from a marginal notion to a desirable quality. The era of transition begins with More’s Utopia (1516), in which privacy is forbidden. It ends with Milton’s Paradise Lost (1667), in which privacy is a good to be celebrated. In between come Shakespeare’s plays, paintings by Titian and Vermeer, devotional manuals, autobiographical journals, and the poetry of George Herbert and Robert Herrick, all of which Huebert carefully analyses in order to illuminate the dynamic and emergent nature of early modern privacy.
Author: Amir Khan
Publisher: Edinburgh University Press
ISBN: 1474409466
Category : Literary Criticism
Languages : en
Pages : 193
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Book Description
This bold new study uses counterfactual thinking to enable us to feel, rather than to explain, Shakespeare's tragedies.
Author: Raphael Lyne
Publisher: Cambridge University Press
ISBN: 1139501445
Category : Literary Criticism
Languages : en
Pages : 277
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Book Description
Raphael Lyne addresses a crucial Shakespearean question: why do characters in the grip of emotional crises deliver such extraordinarily beautiful and ambitious speeches? How do they manage to be so inventive when they are perplexed? Their dense, complex, articulate speeches at intensely dramatic moments are often seen as psychological - they uncover and investigate inwardness, character and motivation - and as rhetorical - they involve heightened language, deploying recognisable techniques. Focusing on A Midsummer Night's Dream, Othello, Cymbeline and the Sonnets, Lyne explores both the psychological and rhetorical elements of Shakespeare's language. In the light of cognitive linguistics and cognitive literary theory he shows how Renaissance rhetoric could be considered a kind of cognitive science, an attempt to map out the patterns of thinking. His study reveals how Shakespeare's metaphors and similes work to think, interpret and resolve, and how their struggle to do so results in extraordinary poetry.
