Author: Nadine Schibille
Publisher: Routledge
ISBN: 1317124146
Category : Art
Languages : en
Pages : 399
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Book Description
Paramount in the shaping of early Byzantine identity was the construction of the church of Hagia Sophia in Constantinople (532-537 CE). This book examines the edifice from the perspective of aesthetics to define the concept of beauty and the meaning of art in early Byzantium. Byzantine aesthetic thought is re-evaluated against late antique Neoplatonism and the writings of Pseudo-Dionysius that offer fundamental paradigms for the late antique attitude towards art and beauty. These metaphysical concepts of aesthetics are ultimately grounded in experiences of sensation and perception, and reflect the ways in which the world and reality were perceived and grasped, signifying the cultural identity of early Byzantium. There are different types of aesthetic data, those present in the aesthetic object and those found in aesthetic responses to the object. This study looks at the aesthetic data embodied in the sixth-century architectural structure and interior decoration of Hagia Sophia as well as in literary responses (ekphrasis) to the building. The purpose of the Byzantine ekphrasis was to convey by verbal means the same effects that the artefact itself would have caused. A literary analysis of these rhetorical descriptions recaptures the Byzantine perception and expectations, and at the same time reveals the cognitive processes triggered by the Great Church. The central aesthetic feature that emerges from sixth-century ekphraseis of Hagia Sophia is that of light. Light is described as the decisive element in the experience of the sacred space and light is simultaneously associated with the notion of wisdom. It is argued that the concepts of light and wisdom are interwoven programmatic elements that underlie the unique architecture and non-figurative decoration of Hagia Sophia. A similar concern for the phenomenon of light and its epistemological dimension is reflected in other contemporary monuments, testifying to the pervasiveness of these aesthetic values in early Byzantium.
Author: Bissera V
Publisher: Penn State Press
ISBN: 0271035846
Category : Art
Languages : en
Pages : 346
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Book Description
"Explores the Byzantine aesthetic of fugitive appearances by placing and filming art objects in spaces of changing light, and by uncovering the shifting appearances expressed in poetry, descriptions of art, and liturgical performance"--Provided by publisher.
Author: Patrick Balfour Baron Kinross
Publisher:
ISBN:
Category : Architecture, Byzantine
Languages : en
Pages : 176
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Book Description
Author: Emilie M. van Opstall
Publisher: BRILL
ISBN: 9004369007
Category : Architecture
Languages : en
Pages : 390
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Book Description
Sacred Thresholds. The Door to the Sanctuary in Late Antiquity offers a far-reaching account of boundaries within pagan and Christian sanctuaries: gateways in a precinct, outer doors of a temple or church, inner doors of a cella. The study of these liminal spaces within Late Antiquity – itself a key period of transition during the spread of Christianity, when cultural paradigms were redefined – demands an approach that is both interdisciplinary and diachronic. Emilie van Opstall brings together both upcoming and noted scholars of Greek and Latin literature and epigraphy, archaeology, art history, philosophy, and religion to discuss the experience of those who crossed from the worldly to the divine, both physically and symbolically. What did this passage from the profane to the sacred mean to them, on a sensory, emotive and intellectual level? Who was excluded, and who was admitted? The articles each offer a unique perspective on pagan and Christian sanctuary doors in the Late Antique Mediterranean.
Author: Robert G. Ousterhout
Publisher:
ISBN: 0190272732
Category : Architecture
Languages : en
Pages : 810
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Book Description
The rich and diverse architectural traditions of the Eastern Mediterranean and adjacent regions are the subject of this book, including the social and cultural developments of the Byzantine Empire, the Caucasus, the Balkans, and Russia, as well as parallel developments in Crusader and early Islamic architecture.
Author: Andrew Mellas
Publisher: Cambridge University Press
ISBN: 1108487599
Category : History
Languages : en
Pages : 219
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Book Description
Emotions in Byzantium came to life through hymnody, which invited the faithful to step into a liturgical world of compunction.
Author: Vladimir Ivanovici
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110418185
Category : Religion
Languages : en
Pages : 289
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Book Description
Using light as fil rouge reuniting theology and ritual with the architecture, decoration, and iconography of cultic spaces, the present study argues that the mise-en-scène of fifth-century baptism and sixth-century episcopal liturgy was meant to reproduce the luminous atmosphere of heaven. Analysing the material culture of the two sacraments against common ritual expectations and Christian theology, we evince the manner in which the luminous effect was reached through a combination of constructive techniques and perceptual manipulation. One nocturnal and one diurnal, the two ceremonials represented different scenarios, testifying to the capacity of church builders and willingness of Late Antique bishops to stage the ritual experience in order to offer God to the senses.
Author:
Publisher: BRILL
ISBN: 9004527982
Category : Art
Languages : en
Pages : 389
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Book Description
Inside Christian churches, natural light has been harnessed to underscore theological, symbolic, and ideological statements. This volume explores how the study of sunlight can reveal aspects of the design, decoration, and function of sacred spaces in the Middle Ages.
Author: Liz James
Publisher: Cambridge University Press
ISBN: 1108508596
Category : Art
Languages : en
Pages : 1748
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Book Description
In this book, Liz James offers a comprehensive history of wall mosaics produced in the European and Islamic middle ages. Taking into account a wide range of issues, including style and iconography, technique and material, and function and patronage, she examines mosaics within their historical context. She asks why the mosaic was such a popular medium and considers how mosaics work as historical 'documents' that tell us about attitudes and beliefs in the medieval world. The book is divided into two part. Part I explores the technical aspects of mosaics, including glass production, labour and materials, and costs. In Part II, James provides a chronological history of mosaics, charting the low and high points of mosaic art up until its abrupt end in the late middle ages. Written in a clear and engaging style, her book will serve as an essential resource for scholars and students of medieval mosaics.
Author: Anthony Kaldellis
Publisher: Oxford University Press
ISBN: 0197549322
Category : Byzantine Empire
Languages : en
Pages : 1169
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Book Description
"This is the first comprehensive, single-author history of the eastern Roman empire (or Byzantium) to appear in over a generation. It begins with the foundation of Constantinople in 324 AD and ends with the fall of the empire to the Ottoman Turks in the fifteenth century, covering political and military history as well as all major changes in religion, society, demography, and economy. In recent decades, the study of Byzantium has been revolutionized by new approaches and sophisticated models for how its society and state operated. The book's core is an accessible and lively narrative of events, free of jargon, which incorporates new findings, explains recent models, and presents well-known historical characters and events in new light. Two overarching themes shape the narrative. First, by projecting accountability the Roman state persuaded its subjects that it was working in their interests and thereby forestalled separatist movements. To do so, it had to restrain the tendency of elites to extract ever more resources from the labor-force. Second, the effort to sustain a common identity, both Roman and Christian, was subject to powerful forces of internal division and put under severe strain by western Europeans in the later Middle Ages. The book explains in detail the alternating periods of success and failure in the long history of this polity. It foregrounds the dynamics of Christian identity, asking why it tended to fracture along lines of doctrine, practice, and ultimately over Union with the Catholic West"--
