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Author: Martin Kippenberger
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 64
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Book Description
On 26 February 2003 Martin Kippenberger would have turned fifty. In commemoration of his birthday, the gallerist Max Hetzler has dedicated a book to him. "Gitarren, die nicht Gudrun heißen" rekindles our memories of an enfant terrible of the art world and explores the oeuvre of this outstanding artist, who died six years ago. Artists, critics, art historians and authors have written a series of highly personal testimonies to Martin Kippenberger, who was a friend, a role model and a source of irritation all in one. Albert Oehlen tells of the intense artistic debate that began at the Hamburg Art Academy in the late 1970s and persisted even after both artists had moved off in different stylistic directions. Peter Pakesch recalls his encounter in the 1980s with Kippenberger the "utopian campaigner", and explains how the artist was driven by his boundless desire to grapple with the world, with whatever company he was keeping, and above all with art. As the artist's former assistant, Merlin Carpenter describes the "Kippenberger system" through which all manner of alien ideas and creativity were constantly ploughed into Kippenberger's artistic production. Stephan Schmidt-Wulffen examines how public discourse forged the identity of this artist, who declared that role-playing and strategy were crucial components of his perception of art. For his part, Martin Prinzhorn wonders what place should be given to a body of art that has become so indistinguishable from the persona of the artist, but which at the same time appears almost to vanish inside the most diverse artistic identities. Elusive but omnipresent, Martin Kippenberger appears to his friend Mayo Thompson in a dream as a restless spirit who, as Werner Buttner says, couldn't even have resisted mocking his own funeral-"He would have turned that into art, too". Or, to use Rainald Goetz's words: "Ego-apotheosis: whoosh and away." Martin Kippenberger's vivid presence in the thoughts and writings of his friends is matched by the forceful presence of his work throughout this publication. Pictures, invitation cards, catalogues, snapshots-the book's design compounds this path through the labyrinth of his artistic output and lends Martin Kippenberger physical and visual presence on every page.
Author: Martin Kippenberger
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 64
Get Book Here
Book Description
On 26 February 2003 Martin Kippenberger would have turned fifty. In commemoration of his birthday, the gallerist Max Hetzler has dedicated a book to him. "Gitarren, die nicht Gudrun heißen" rekindles our memories of an enfant terrible of the art world and explores the oeuvre of this outstanding artist, who died six years ago. Artists, critics, art historians and authors have written a series of highly personal testimonies to Martin Kippenberger, who was a friend, a role model and a source of irritation all in one. Albert Oehlen tells of the intense artistic debate that began at the Hamburg Art Academy in the late 1970s and persisted even after both artists had moved off in different stylistic directions. Peter Pakesch recalls his encounter in the 1980s with Kippenberger the "utopian campaigner", and explains how the artist was driven by his boundless desire to grapple with the world, with whatever company he was keeping, and above all with art. As the artist's former assistant, Merlin Carpenter describes the "Kippenberger system" through which all manner of alien ideas and creativity were constantly ploughed into Kippenberger's artistic production. Stephan Schmidt-Wulffen examines how public discourse forged the identity of this artist, who declared that role-playing and strategy were crucial components of his perception of art. For his part, Martin Prinzhorn wonders what place should be given to a body of art that has become so indistinguishable from the persona of the artist, but which at the same time appears almost to vanish inside the most diverse artistic identities. Elusive but omnipresent, Martin Kippenberger appears to his friend Mayo Thompson in a dream as a restless spirit who, as Werner Buttner says, couldn't even have resisted mocking his own funeral-"He would have turned that into art, too". Or, to use Rainald Goetz's words: "Ego-apotheosis: whoosh and away." Martin Kippenberger's vivid presence in the thoughts and writings of his friends is matched by the forceful presence of his work throughout this publication. Pictures, invitation cards, catalogues, snapshots-the book's design compounds this path through the labyrinth of his artistic output and lends Martin Kippenberger physical and visual presence on every page.
Author: Meg Wolitzer
Publisher: Penguin
ISBN: 1101602031
Category : Fiction
Languages : en
Pages : 482
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Book Description
Named a best book of the year by Entertainment Weekly, Time, and The Chicago Tribune, and named a notable book by The New York Times Book Review and The Washington Post “Remarkable . . . With this book [Wolitzer] has surpassed herself.”—The New York Times Book Review "A victory . . . The Interestings secures Wolitzer's place among the best novelists of her generation. . . . She's every bit as literary as Franzen or Eugenides. But the very human moments in her work hit you harder than the big ideas. This isn't women's fiction. It's everyone's."—Entertainment Weekly (A) From Meg Wolitzer, the New York Times–bestselling author of The Female Persuasion, a novel that has been called "genius" (The Chicago Tribune), “wonderful” (Vanity Fair), "ambitious" (San Francisco Chronicle), and a “page-turner” (Cosmopolitan). The summer that Nixon resigns, six teenagers at a summer camp for the arts become inseparable. Decades later the bond remains powerful, but so much else has changed. In The Interestings, Wolitzer follows these characters from the height of youth through middle age, as their talents, fortunes, and degrees of satisfaction diverge. The kind of creativity that is rewarded at age fifteen is not always enough to propel someone through life at age thirty; not everyone can sustain, in adulthood, what seemed so special in adolescence. Jules Jacobson, an aspiring comic actress, eventually resigns herself to a more practical occupation and lifestyle. Her friend Jonah, a gifted musician, stops playing the guitar and becomes an engineer. But Ethan and Ash, Jules’s now-married best friends, become shockingly successful—true to their initial artistic dreams, with the wealth and access that allow those dreams to keep expanding. The friendships endure and even prosper, but also underscore the differences in their fates, in what their talents have become and the shapes their lives have taken. Wide in scope, ambitious, and populated by complex characters who come together and apart in a changing New York City, The Interestings explores the meaning of talent; the nature of envy; the roles of class, art, money, and power; and how all of it can shift and tilt precipitously over the course of a friendship and a life.
Author: Claes Nyqvist
Publisher: BoD - Books on Demand
ISBN: 9180972411
Category : Fiction
Languages : en
Pages : 228
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Book Description
”Whytopia - a Choice of Destiny” gradually paints a shade of hopefulness for the reader, emphasizing that we indeed possess the power to choose the future we want. The future is by no means predetermined and certainly not written in stone. The future doesn’t have to become a dystopian existence, nor does it have to be a utopian existence reserved for only a privileged few. We are currently living in a crucial time that demands wise action and the responsible management of the opportunities rapidly emerging AI technology can off er. However, this can only be achieved if we make the right decisions. We can harness upcoming AI capabilities to develop new technologies that can address the environmental catastrophes our current technology has caused, fi nd cures for dreadful incurable diseases, eradicate poverty globally, and eliminate all heavy and monotonous labor that wears down people. But the price for all this potential good, if mishandled, may unfortunately be that we forever lose control over our future. If we act unwisely and hastily, allowing technology to fall into the wrong hands when it becomes a threat, it could quickly turn out very badly for most, if not all of us.
Author: Jennifer Shryane
Publisher: Routledge
ISBN: 1317173708
Category : Music
Languages : en
Pages : 395
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Book Description
At the end of his life, Pierre Schaeffer commented that his musical and sound experiments had attempted to go beyond 'do-re-mi'. This had a direct bearing on Einstürzende Neubauten's musical philosophy and work, with the musicians always striving to extend the boundaries of music in sound, instrumentation and purpose. The group are one of the few examples of 'rock-based' artists who have been able to sustain a breadth and depth of work in a variety of media over a number of years while remaining experimental and open to development. Jennifer Shryane provides a much-needed analysis of the group's important place in popular/experimental music history. She illustrates their innovations with found- and self-constructed instrumentation, their Artaudian performance strategies and textual concerns, as well as their methods of independence. Einstürzende Neubauten have also made a consistent and unique contribution to the development of the independent German Language Contemporary Music scene, which although often acknowledged as influential, is still rarely examined.
Author: Josepha Sherman
Publisher: Routledge
ISBN: 1317459385
Category : History
Languages : en
Pages : 758
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Book Description
Storytelling is an ancient practice known in all civilizations throughout history. Characters, tales, techniques, oral traditions, motifs, and tale types transcend individual cultures - elements and names change, but the stories are remarkably similar with each rendition, highlighting the values and concerns of the host culture. Examining the stories and the oral traditions associated with different cultures offers a unique view of practices and traditions."Storytelling: An Encyclopedia of Mythology and Folklore" brings past and present cultures of the world to life through their stories, oral traditions, and performance styles. It combines folklore and mythology, traditional arts, history, literature, and festivals to present an overview of world cultures through their liveliest and most fascinating mode of expression. This appealing resource includes specific storytelling techniques as well as retellings of stories from various cultures and traditions.
Author: Meg Wolitzer
Publisher: Random House
ISBN: 1448162262
Category : Fiction
Languages : en
Pages : 484
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Book Description
Discover the generation-defining American novel from the author of The Wife Whatever became of the most talented people you once knew? On a warm summer night in 1974, six teenagers play at being cool. They smoke pot, drink vodka, share their dreams and vow always to be interesting. Decades later, aspiring actress Jules has resigned herself to a more practical occupation; Cathy has stopped dancing; Jonah has laid down his guitar and Goodman has disappeared. Only Ethan and Ash, now married, have remained true to their adolescent dreams and have become shockingly successful too. As the group’s fortunes tilt precipitously, their friendships are put under the ultimate strain. ‘A truly great novel about friendship, and how it deepens and changes over the years’ David Sedaris, author of Me Talk Pretty One Day
Author:
Publisher:
ISBN:
Category : English poetry
Languages : en
Pages : 562
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Book Description
Author: Laura Schroff
Publisher: Simon and Schuster
ISBN: 1451648979
Category : Biography & Autobiography
Languages : en
Pages : 263
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Book Description
A cloth bag containing eight copies of the title, that may also include a folder.
Author: Björn Heile
Publisher: Routledge
ISBN: 131704245X
Category : Music
Languages : en
Pages : 669
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Book Description
Modernism in music still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological dominance for almost three decades following the Second World War, before becoming the object of widespread critique in the last two decades of the century, both from critics and composers of a postmodern persuasion and from prominent scholars associated with the ‘new musicology’. Yet these critiques have failed to dampen its ongoing resilience. The picture of modernism has considerably broadened and diversified, and has remained a pivotal focus of debate well into the twenty-first century. This Research Companion does not seek to limit what musical modernism might be. At the same time, it resists any dilution of the term that would see its indiscriminate application to practically any and all music of a certain period. In addition to addressing issues already well established in modernist studies such as aesthetics, history, institutions, place, diaspora, cosmopolitanism, production and performance, communication technologies and the interface with postmodernism, this volume also explores topics that are less established; among them: modernism and affect, modernism and comedy, modernism versus the ‘contemporary’, and the crucial distinction between modernism in popular culture and a ‘popular modernism’, a modernism of the people. In doing so, this text seeks to define modernism in music by probing its margins as much as by restating its supposed essence.
Author: Christina Scharff
Publisher: Routledge
ISBN: 1317375092
Category : Social Science
Languages : en
Pages : 185
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Book Description
What is it like to work as a classical musician today? How can we explain ongoing gender, racial, and class inequalities in the classical music profession? What happens when musicians become entrepreneurial and think of themselves as a product that needs to be sold and marketed? Gender, Subjectivity, and Cultural Work explores these and other questions by drawing on innovative, empirical research on the working lives of classical musicians in Germany and the UK. Indeed, Scharff examines a range of timely issues such as the gender, racial, and class inequalities that characterise the cultural and creative industries; the ways in which entrepreneurialism – as an ethos to work on and improve the self – is lived out; and the subjective experiences of precarious work in so-called ‘creative cities’. Thus, this book not only adds to our understanding of the working lives of artists and creatives, but also makes broader contributions by exploring how precarity, neoliberalism, and inequalities shape subjective experiences. Contributing to a range of contemporary debates around cultural work, Gender, Subjectivity, and Cultural Work will be of interest to scholars and students in the fields of Sociology, Gender and Cultural Studies.
