Guillaume Morlaye Second Book of Tablature for the Renaissance Guitar In Tablature and Modern Notation For Renaissance Guitar, Guitar, and Baritone Ukulele PDF Download
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Author: Michael Walker
Publisher: Lulu.com
ISBN: 1365604861
Category : Music
Languages : en
Pages : 76
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Book Description
Here are thirty-three Fun to play pieces by Guillaume Morlaye transcribed from his Second book published in 1553 for the Renaissance guitar, guitar and for the baritone ukulele.
Author: Michael Walker
Publisher: Lulu.com
ISBN: 1365604861
Category : Music
Languages : en
Pages : 76
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Book Description
Here are thirty-three Fun to play pieces by Guillaume Morlaye transcribed from his Second book published in 1553 for the Renaissance guitar, guitar and for the baritone ukulele.
Author: Michael Walker
Publisher: Lulu.com
ISBN: 1365367932
Category : Art
Languages : en
Pages : 70
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Book Description
SECOND EDITION - These thirty compositions were transcribed for the Renaissance guitar, guitar and for the baritone ukulele from a facsimile copy of Guillaume Morlaye's first book of tablature for the guitar. Most are also playable on the soprano and tenor ukulele. The re-entrant tuning of the ukulele does not detract at all from what would otherwise be a faithful rendition of these compositions. Most of the pieces sound just fine and, in fact, while testing each piece for playability and checking for mistakes, I had both my tenor and baritone ukuleles close by my side. The music ranges from fairly easy to intermediate skill levels. I encourage you to experiment with the ornamentation and make these pieces your own. Have fun!
Author: Michael Walker
Publisher: Lulu.com
ISBN: 1387281429
Category : Art
Languages : en
Pages : 50
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Book Description
Here are ten fun to play pieces by Sixtus Kargel transcribed from his 1574 Book of Lute Pieces for the six-course lute transcribed for the Renaissance guitar, guitar, and for the baritone ukulele. Recommended: Intermediate to Advanced
Author: Michael Walker
Publisher: Lulu.com
ISBN: 1329724364
Category : Music
Languages : en
Pages : 74
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Book Description
A transcription into modern tablature and musical notation of the Premier Livre de Tablature de Guiterre by Adrian Le Roy originally published in 1551. These are fun to play and range in difficulty from easy to intermediate.
Author: Michael Walker
Publisher: Lulu.com
ISBN: 1365916863
Category : Art
Languages : en
Pages : 105
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Book Description
Here are compositions by John Dowland who was an English musician and lutenist of the late Renaissance, transcribed for the Renaissance guitar and baritone ukulele. Most are also playable on the tenor and soprano ukulele and, of course, may be played on the guitar.
Author: Michael Walker
Publisher: Lulu.com
ISBN: 1329877705
Category : Performing Arts
Languages : en
Pages : 12
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Book Description
A collection of four fantasias written for the Renaissance guitar in 1549 by Melchior Barberis. These pieces are fun and easy to play on the guitar and ukulele.
Author: Michael Walker
Publisher: Lulu.com
ISBN: 1329898540
Category : Music
Languages : en
Pages : 32
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Book Description
Transcribed from facsimilies of the original manuscript for guitar and ukulele here are three songs and six Fantasias from Renaissance Spain for the intermediate to advanced player. Although Miguel de Fuenllana wrote primarilly for the six course vihuella, the composer specifically included these nine pieces written specifically for the Renaissance four course guitar. These are beautiful pieces which may be played on either the guitar or ukulele.
Author: John Morrish
Publisher: Hal Leonard Corporation
ISBN: 0879307250
Category : Music
Languages : en
Pages : 134
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Book Description
Offering essays by the world's top experts in a full-color, coffee-table quality book, this is the first work to tell the complete story of the classical guitar and its repertoire, players and makers - from its 19th century European roots to modern international interpretations. This handsome softcover volume features lavish photography of classical guitars made by the best luthiers in the world. Additional essays cover use of the classical guitar in pop music, different playing and teaching techniques, the collectors' market, and the science of the guitar. It also features profiles of legendary artists such as Andres Segovia, Julian Bream and John Williams, plus a full discography, a glossary, an index, a bibliography, and a guitar measurement chart.
Author: Mark Kailana Nelson
Publisher: Mel Bay Publications
ISBN: 1610652940
Category : Music
Languages : en
Pages : 97
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Book Description
While the 'ukulele is enjoying a well-deserved renaissance on the mainland, in the land of its birth, it has never gone out of style. Hawaiians took to the jumping flea right from the start, creating music of stunning beauty and versatility. Now intermediate players can learn to play lovely finger style solo arrangements of classic Hawaiian songs, folk songs, standards–even a few pieces from the classical guitar repertoire.The book offers 27 arrangements from around the world written in standard notation and tablature playable on any 'ukulele. Songs are grouped according to level of difficulty, starting with simple arrangements well within the grasp of dedicated beginners and intermediate players and leading through more challenging songs featuring unusual chord voicings, inversions up the neck, tricky fingerings and all the fun stuff the author could muster. to aid the student, the companion CD includes all of the songs taught. Includes chord charts, inversion studies, introductory material on finger-picking and making the transition from strumming to melodic playing.
Author: James Tyler
Publisher: OUP Oxford
ISBN: 0191518514
Category : Music
Languages : en
Pages : 349
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Book Description
Following on from James Tyler's The Early Guitar: A History and Handbook(OUP 1980) tthis collaboration with Paul Sparks (their previous book for OUP, The Early Mandolin, appeared in 1989), presents new ideas and research on the history and development of the guitar and its music from the Renaissance to the dawn of the Classical era. Tyler's systematic study of the two main guitar types found between about 1550 and 1750 focuses principally on what the sources of the music (published and manuscript) and the writings of contemporary theorists reveal about the nature of the instruments and their roles in the music making of the period. The annotated lists of primary sources, previously published in The Early Guitar but now revised and expanded, constitute the most comprehensive bibliography of Baroque guitar music to date. His appendices of performance practice information should also prove indispensable to performers and scholars alike. Paul Sparks also breaks new ground, offering an extensive study of a period in the guitar's history—notably c.1759-c.1800—which the standard histories usually dismiss in a few short paragraphs. Far from being a dormant instrument at this time, the guitar is shown to have been central to music-making in France, Italy, the Iberian Peninsula, and South America. Sparks provides a wealth of information about players, composers, instruments, and surviving compositions from this neglected but important period, and he examines how the five-course guitar gradually gave way to the six-string instrument, a process that occurred in very different ways (and at different times) in France, Italy, Spain, Germany, and Britain.
