Guide for the Collection of Traditional Musical Instruments PDF Download
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Author: Geneviève Dournon
Publisher: UNESCO
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Author: Geneviève Dournon
Publisher: UNESCO
ISBN:
Category : Art
Languages : en
Pages : 116
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Book Description
Author: Geneviève Dournon
Publisher: UNESCO
ISBN:
Category : Music
Languages : en
Pages : 170
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Book Description
Collection in the field is the most propitious way of assembling ethnographic and ethnomusicological materials: it gives access to the socio-cultural context without which an object, a tale, a piece of music or an instrumenthas no cultural or scientific value. This handbook provides the beginne with an essential organological foundation for the recognition, identification and classification of musical instruments.
Author: Jennifer Post
Publisher: Routledge
ISBN: 1135949573
Category : Music
Languages : en
Pages : 369
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Book Description
Ethnomusicology: A Research and Information Guide is an annotated bibliography of books, recordings, videos, and websites in the field of ethnomusicology. The book is divided into two parts; Part One is organised by resource type in catagories of greatest concern to students and scholars. This includes handbooks and guides; encyclopedias and dictionaries; indexes and bibliographies; journals; media sources; and archives. It also offers annotated entries on the basic literature of ethnomusicological history and research. Part Two provides a list of current publications in the field that are widely used by ethnomusicologists. Multiply indexed, this book serves as an excellent tool for librarians, researchers, and scholars in sorting through the massive amount of new material that has appeared in the field over the past decades.
Author: Voichita Bucur
Publisher: Springer
ISBN: 3319320807
Category : Technology & Engineering
Languages : en
Pages : 977
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Book Description
This book addresses core questions about the role of materials in general and of wood in particular in the construction of string instruments used in the modern symphony orchestra – violins, violas, cellos and basses. Further attention is given to materials for classical guitars, harps, harpsichords and pianos. While some of the approaches discussed are traditional, most of them depend upon new scientific approaches to the study of the structure of materials, such as for example wood cell structure, which is visible only using modern high resolution microscopic techniques. Many examples of modern and classical instruments are examined, together with the relevance of classical techniques for the treatment of wood. Composite materials, especially designed for soundboards could be a good substitute for some traditional wood species. The body and soundboard of the instrument are of major importance for their acoustical properties, but the study also examines traditional and new wood species used for items such as bows, the instrument neck, string pegs, etc. Wood species’ properties for musical instruments and growth origins of woods used by great makers such as Antonio Stradivari are examined and compared with more recently grown woods available to current makers. The role of varnish in the appearance and acoustics of the final instrument is also discussed, since it has often been proposed as a ‘secret ingredient’ used by great makers. Aspects related to strings are commented.As well as discussing these subjects, with many illustrations from classical and contemporary instruments, the book gives attention to conservation and restoration of old instruments and the physical results of these techniques. There is also discussion of the current value of old instruments both for modern performances and as works of art having great monetary value.The book will be of interest and value to researchers, advanced students, music historians, and contemporary string instrument makers. Musicians in general, particularly those playing string instruments, will also find its revelations fascinating. It will also attract the attention of those using wood for a variety of other purposes, for its use in musical instruments uncovers many of its fundamental features. Professor Neville H. FletcherAustralian National University, Canberra
Author: Annette Bay Pimentel
Publisher: Abrams
ISBN: 1647006961
Category : Juvenile Nonfiction
Languages : en
Pages : 88
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Book Description
From award-winning author Annette Bay Pimentel comes an oversize nonfiction picture book exploring how music and musical instruments are made—across time and around the world Music doesn’t come out of nothing. It always starts somewhere . . . with something . . . with someone. Discover how music is made in this survey of musical instruments from around the world. Organized by material—from wood to gourds to found objects and more—Before Music marries a lyrical core text with tons of informational material for curious readers. In the narrative text, readers will encounter makers as they source their materials and craft instruments by hand, drawing the line from the natural world to the finished product and its sound. The sidebars offer much more to discover, including extensive instrument lists, short bios of musical innovators, and more.
Author: New York Public Library. Music Division
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 862
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Book Description
Author: Unesco
Publisher:
ISBN:
Category :
Languages : en
Pages : 1180
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Book Description
Author: Great Britain. Museums and Galleries Commission
Publisher:
ISBN:
Category : Museum conservation methods
Languages : en
Pages : 76
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Book Description
Author:
Publisher:
ISBN:
Category : Museums
Languages : en
Pages : 292
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Book Description
Author: Helen Rees
Publisher: University of Illinois Press
ISBN: 0252056906
Category : Music
Languages : en
Pages : 242
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Book Description
The musical instruments of East and Southeast Asia enjoy increasing recognition as parts of humanity’s intangible cultural heritage. Helen Rees edits a collection that offers vibrant new ways to link these objects to their materials of manufacture, the surrounding environment, the social networks they form and help sustain, and the wider ethnic or national imagination. Rees organizes the essays to reflect three angles of inquiry. The first section explores the characteristics and social roles of various categories of instruments, including the koto and an extinct Balinese wooden clapper. In section two, essayists focus on the life stories of individual instruments ranging from an heirloom Chinese qin to end-blown flutes in rural western Mongolia. Essays in the third section examine the ethics and other issues that surround instrument collections, but also show how collecting is a dynamic process that transforms an instrument’s habitat and social roles. Original and expert, Instrumental Lives brings a new understanding of how musical instruments interact with their environments and societies. Contributors: Supeena Insee Adler, Marie-Pierre Lissoir, Terauchi Naoko, Jennifer C. Post, Helen Rees, Xiao Mei, Tyler Yamin, and Bell Yung
