Author: Julie Brown
Publisher: Routledge
ISBN: 1351574574
Category : Music
Languages : en
Pages : 193
Book Description
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart as composing.
Bartók and the Grotesque
Author: Julie Brown
Publisher: Routledge
ISBN: 1351574574
Category : Music
Languages : en
Pages : 193
Book Description
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart as composing.
Publisher: Routledge
ISBN: 1351574574
Category : Music
Languages : en
Pages : 193
Book Description
The grotesque is one of art's most puzzling figures - transgressive, comprising an unresolveable hybrid, generally focussing on the human body, full of hyperbole, and ultimately semantically deeply puzzling. In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bart ngaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In a number of instrumental works he also overtly engaged grotesque satirical strategies, sometimes - as in Two Portraits: 'Ideal' and 'Grotesque' - indicating this in the title. In this book, Julie Brown argues that Bart concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. While Bart eveloped each interest in highly individual ways, and did so separately to a considerable extent, the three concerns remained conceptually interlinked. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bart as composing.
Bartók and the Grotesque
Author: Julie A. Brown
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657774
Category : Music
Languages : en
Pages : 204
Book Description
In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
Publisher: Ashgate Publishing, Ltd.
ISBN: 9780754657774
Category : Music
Languages : en
Pages : 204
Book Description
In Bluebeard's Castle (1911), The Wooden Prince (1916/17), The Miraculous Mandarin (1919/24, rev. 1931) and Cantata Profana (1930), Bartók engaged scenarios featuring either overtly grotesque bodies or closely related transformations and violations of the body. In this book, Julie Brown argues that Bartók's concerns with stylistic hybridity (high-low, East-West, tonal-atonal-modal), the body, and the grotesque are inter-connected. All three were thoroughly implicated in cultural constructions of the Modern during the period in which Bartók was composing.
Concerto for Orchestra
Author: Béla Bartók
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 168
Book Description
The Cultural Cold War
Author: Frances Stonor Saunders
Publisher: New Press, The
ISBN: 1595589147
Category : History
Languages : en
Pages : 458
Book Description
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
Publisher: New Press, The
ISBN: 1595589147
Category : History
Languages : en
Pages : 458
Book Description
During the Cold War, freedom of expression was vaunted as liberal democracy’s most cherished possession—but such freedom was put in service of a hidden agenda. In The Cultural Cold War, Frances Stonor Saunders reveals the extraordinary efforts of a secret campaign in which some of the most vocal exponents of intellectual freedom in the West were working for or subsidized by the CIA—whether they knew it or not. Called "the most comprehensive account yet of the [CIA’s] activities between 1947 and 1967" by the New York Times, the book presents shocking evidence of the CIA’s undercover program of cultural interventions in Western Europe and at home, drawing together declassified documents and exclusive interviews to expose the CIA’s astonishing campaign to deploy the likes of Hannah Arendt, Isaiah Berlin, Leonard Bernstein, Robert Lowell, George Orwell, and Jackson Pollock as weapons in the Cold War. Translated into ten languages, this classic work—now with a new preface by the author—is "a real contribution to popular understanding of the postwar period" (The Wall Street Journal), and its story of covert cultural efforts to win hearts and minds continues to be relevant today.
The Wolf at the Door
Author: Graham Shelby
Publisher: Canelo
ISBN: 1788632907
Category : Fiction
Languages : en
Pages : 336
Book Description
The country needs a strong king in this thrilling historical adventure of The Crusader Knights As Richard Coeur de Lion’s empire crumbles and castle after castle falls to the French, there is one man who can save England – but King John will not send for him. England is in disarray: William Marshal, the King’s battle-scarred champion is left to dally at home with his new wife. King John himself is newly wed to Isabell of Angoulême, who will vie to outdo her husband with cruelty and spite. Called Lackland by some, as a measure of his wealth, Soft-sword by others, as the measure of his military prowess, King John is reckoned a poor choice to succeed his heroic brother, Richard the Lionhearted. But his terrible cunning can strike fear into the heart of the most courageous of men... The fifth fascinating instalment of The Crusader Knights Cycle is perfect for fans of David Gilman and Bernard Cornwell. ‘Vivid visual moments and all the technology of medieval warfare’ Observer
Publisher: Canelo
ISBN: 1788632907
Category : Fiction
Languages : en
Pages : 336
Book Description
The country needs a strong king in this thrilling historical adventure of The Crusader Knights As Richard Coeur de Lion’s empire crumbles and castle after castle falls to the French, there is one man who can save England – but King John will not send for him. England is in disarray: William Marshal, the King’s battle-scarred champion is left to dally at home with his new wife. King John himself is newly wed to Isabell of Angoulême, who will vie to outdo her husband with cruelty and spite. Called Lackland by some, as a measure of his wealth, Soft-sword by others, as the measure of his military prowess, King John is reckoned a poor choice to succeed his heroic brother, Richard the Lionhearted. But his terrible cunning can strike fear into the heart of the most courageous of men... The fifth fascinating instalment of The Crusader Knights Cycle is perfect for fans of David Gilman and Bernard Cornwell. ‘Vivid visual moments and all the technology of medieval warfare’ Observer
Pantomime
Author: Karl Toepfer
Publisher: Vosuri Media
ISBN: 1733249737
Category : Performing Arts
Languages : en
Pages : 1320
Book Description
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.
Publisher: Vosuri Media
ISBN: 1733249737
Category : Performing Arts
Languages : en
Pages : 1320
Book Description
This book offers perhaps the most comprehensive history of pantomime ever written. No other book so thoroughly examines the varieties of pantomimic performance from the early Roman Empire, when the term “pantomime” came into use, until the present. After thoroughly examining the complexities and startlingly imaginative performance strategies of Roman pantomime, the author identifies the peculiar political circumstances that revived and shaped pantomime in France and Austria in the eighteenth century, leading to the Pierrot obsession in the nineteenth century. Modernist aesthetics awakened a huge, highly diverse fascination with pantomime. The book explores an extraordinary variety of modernist and postmodern approaches to pantomime in Germany, Austria, France, numerous countries of Eastern Europe, Russia, Scandinavia, Spain, Belgium, The Netherlands, Chile, England, and The United States. Making use of many performance and historical documents never before included in pantomime histories, the book also discusses pantomime’s messy relation to dance, its peculiar uses of music, its “modernization” through silent film aesthetics, and the extent to which writers, performers, or directors are “authors” of pantomimes. Just as importantly, the book explains why, more than any other performance medium, pantomime allows the spectator to see the body as the agent of narrative action.
Images of Beckett
Author: James Knowlson
Publisher: Cambridge University Press
ISBN: 9780521822589
Category : Art
Languages : en
Pages : 188
Book Description
Essays by Beckett's biographer and friend and hitherto unknown photographs by one of the leading theatre photographers in the field.
Publisher: Cambridge University Press
ISBN: 9780521822589
Category : Art
Languages : en
Pages : 188
Book Description
Essays by Beckett's biographer and friend and hitherto unknown photographs by one of the leading theatre photographers in the field.
Wicked River
Author: Lee Sandlin
Publisher: Vintage
ISBN: 0307379515
Category : History
Languages : en
Pages : 314
Book Description
A riveting narrative look at one of the most colorful, dangerous, and peculiar places in America's historical landscape: the strange, wonderful, and mysterious Mississippi River of the 19th century. Beginning in the early 1800s and climaxing with the siege of Vicksburg in 1863, Wicked River brings to life a place where river pirates brushed elbows with future presidents and religious visionaries shared passage with thieves. Here is a minute-by-minute account of Natchez being flattened by a tornado; the St. Louis harbor being crushed by a massive ice floe; hidden, nefarious celebrations of Mardi Gras; and the sinking of the Sultana, the worst naval disaster in American history. Here, too, is the Mississippi itself: gorgeous, perilous, and unpredictable. Masterfully told, Wicked River is an exuberant work of Americana that portrays a forgotten society on the edge of revolutionary change.
Publisher: Vintage
ISBN: 0307379515
Category : History
Languages : en
Pages : 314
Book Description
A riveting narrative look at one of the most colorful, dangerous, and peculiar places in America's historical landscape: the strange, wonderful, and mysterious Mississippi River of the 19th century. Beginning in the early 1800s and climaxing with the siege of Vicksburg in 1863, Wicked River brings to life a place where river pirates brushed elbows with future presidents and religious visionaries shared passage with thieves. Here is a minute-by-minute account of Natchez being flattened by a tornado; the St. Louis harbor being crushed by a massive ice floe; hidden, nefarious celebrations of Mardi Gras; and the sinking of the Sultana, the worst naval disaster in American history. Here, too, is the Mississippi itself: gorgeous, perilous, and unpredictable. Masterfully told, Wicked River is an exuberant work of Americana that portrays a forgotten society on the edge of revolutionary change.
The Nation
Author:
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 776
Book Description
Publisher:
ISBN:
Category : Current events
Languages : en
Pages : 776
Book Description
The Hungarian Folk Songs
Author: Bela Bartok
Publisher: SUNY Press
ISBN:
Category : Social Science
Languages : en
Pages : 466
Book Description
Bartók's classic Hungarian Folk Music, long out of print in English, remains the standard study of a single folk musical culture. This new edition of a major work in ethnomusicology is enriched by Benjamin Suchoff's research on Bartók's notes, analyses, and observations in the New York Archive of Bartók Estate, and the volume contains: —the history of Hungarian ethnomusicology. —a discussion of the Bartók-Kodály relationship. —a comparative overview of Bartokian and other Hungarian approaches to the systematic classification of Hungarian musical folklore, —a review of related literature with emphasis on variant relationships based on data extracted from source materials published as recently as 1979, and —previously unavailable or new data on Bartók's biography, research methods, and approach to musical composition. The volume also includes a tabulation of material, compiled in accordance with Bartók's innovative procedure which first reached the scholarly public in the composer's 4-volume study, Yugoslav Folk Music. A computerized lexico-graphical index of themes is provided. The Bartók texts and the music examples have been enriched by the addition of Zoltán Kodály's annotations. Clarification, where needed, is achieved through the comparative study of Hungarian, German, and English drafts. Previous errata have been eliminated, and symbols have been updated in accordance with Bartokian procedures of the 1940s.
Publisher: SUNY Press
ISBN:
Category : Social Science
Languages : en
Pages : 466
Book Description
Bartók's classic Hungarian Folk Music, long out of print in English, remains the standard study of a single folk musical culture. This new edition of a major work in ethnomusicology is enriched by Benjamin Suchoff's research on Bartók's notes, analyses, and observations in the New York Archive of Bartók Estate, and the volume contains: —the history of Hungarian ethnomusicology. —a discussion of the Bartók-Kodály relationship. —a comparative overview of Bartokian and other Hungarian approaches to the systematic classification of Hungarian musical folklore, —a review of related literature with emphasis on variant relationships based on data extracted from source materials published as recently as 1979, and —previously unavailable or new data on Bartók's biography, research methods, and approach to musical composition. The volume also includes a tabulation of material, compiled in accordance with Bartók's innovative procedure which first reached the scholarly public in the composer's 4-volume study, Yugoslav Folk Music. A computerized lexico-graphical index of themes is provided. The Bartók texts and the music examples have been enriched by the addition of Zoltán Kodály's annotations. Clarification, where needed, is achieved through the comparative study of Hungarian, German, and English drafts. Previous errata have been eliminated, and symbols have been updated in accordance with Bartokian procedures of the 1940s.