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Author: Caroline Farrar Ware
Publisher: Univ of California Press
ISBN: 9780520085664
Category : History
Languages : en
Pages : 548
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Book Description
"Greenwich Village represents American social science during the interwar years at its best. It remains the best community study of New York, important both for its innovative method and for its substantive findings about intergroup relations in a pluralistic, open, and urban society--during a period of crisis and reform ferment."--Thomas Bender, New York University
Author: Caroline Farrar Ware
Publisher: Boston, Houghton Mifflin
ISBN:
Category : Greenwich Village (New York, N.Y.)
Languages : en
Pages : 538
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Book Description
Author: Caroline Farrar Ware
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Caroline Farrar Ware
Publisher: Univ of California Press
ISBN: 9780520085664
Category : History
Languages : en
Pages : 548
Get Book Here
Book Description
"Greenwich Village represents American social science during the interwar years at its best. It remains the best community study of New York, important both for its innovative method and for its substantive findings about intergroup relations in a pluralistic, open, and urban society--during a period of crisis and reform ferment."--Thomas Bender, New York University
Author: Gritt Hönighaus
Publisher: GRIN Verlag
ISBN: 3638121046
Category : Literary Collections
Languages : en
Pages : 22
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Book Description
Seminar paper from the year 2000 in the subject American Studies - Culture and Applied Geography, grade: 1,7 (A-), Humboldt-University of Berlin (American Studies), course: Hauptseminar: Imagining the Cultural Metropolis: Urbanism and Public Culture in New York City and Berlin in the 1920s, language: English, abstract: Introduction 1.1. The 1920s in the United States The 1920s - also called the Roaring Twenties - proved to be a decade of triumphant capitalism in the United States. The American economy which was characterized by recession after World War I began to recover. By 1922 it was growing rapidly and prospering. New industries like the car industry stimulated other industries like rubber, oil and steel production and the construction of new highways. Besides, the mass production of cars brought hundreds of thousands of new jobs. Technological innovations like the assembly line increased the productivity by more than 40 per cent. The proportion of women working outside home went up, too. There was a need for secretaries, typists and filing clerks, which were new women's jobs. Real wages increased dramatically. This rapid process of modernization took place without governmental intervention. American politics went back to a tradition of the late 19th century, namely the faith in a strong economy with a weak state. Warren G. Harding's presidency which was marked by bribery scandals was followed by President Calvin Coolidge whose motto was "The business of America is business." The 1920s were a bad time for organized labor. Union membership went down because the managements of the factories discouraged its growth by intimidation and brutal violence. In summary one can say it was a time of severe hardship and repression for working-class men and women but a time of prosperity for the middle and upper classes. [...]
Author: Frédérique Baert
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Maxwell Bodenheim
Publisher: Pickle Partners Publishing
ISBN: 1789128404
Category : History
Languages : en
Pages : 262
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Book Description
When the poet Maxwell Bodenheim and his common-law wife, Ruth Fagan, were found brutally murdered by the insane man whose single room they were sharing, the press made much of the sensation. Persons safely distant from Bodenheim’s bitter struggle for existence, who thought of him merely as a drunken shambles, felt, somewhat smugly, he had met a suitable end. But Bodenheim’s funeral was richly attended by poets and artists who know better. They knew that to the last minute of his precarious life Bodenheim was a working writer and a productive poet, though he often had no place but a doorstep to lay his head. They came with tears instead of flowers to say goodbye. Alfred Kreymbourg read an eloquent tribute to Max’s undying sense of the beauty of life. Maxwell Bodenheim knew Greenwich Village as no one else did, because he was Greenwich Village. Its waywardness, its dreams, its love life, were his to cherish. These memoirs are filled with irony, with compassion, with love, laughter and unquenchable dignity. He had intended to write a summing-up, but death, most grotesquely, intervened. The publishers are proud to present Maxwell Bodenheim’s last and most fascinating work.
Author: Gerald W. McFarland
Publisher: Liverpool University Press
ISBN: 9781558495029
Category : History
Languages : en
Pages : 292
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Book Description
A vibrant portrait of a celebrated urban enclave at the turn of the twentieth century.
Author: Gillian Mitchell
Publisher: Routledge
ISBN: 1317022505
Category : Music
Languages : en
Pages : 259
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Book Description
This work represents the first comparative study of the folk revival movement in Anglophone Canada and the United States and combines this with discussion of the way folk music intersected with, and was structured by, conceptions of national affinity and national identity. Based on original archival research carried out principally in Toronto, Washington and Ottawa, it is a thematic, rather than general, study of the movement which has been influenced by various academic disciplines, including history, musicology and folklore. Dr Gillian Mitchell begins with an introduction that provides vital context for the subject by tracing the development of the idea of 'the folk', folklore and folk music since the nineteenth century, and how that idea has been applied in the North American context, before going on to examine links forged by folksong collectors, artists and musicians between folk music and national identity during the early twentieth century. With the 'boom' of the revival in the early sixties came the ways in which the movement in both countries proudly promoted a vision of nation that was inclusive, pluralistic and eclectic. It was a vision which proved compatible with both Canada and America, enabling both countries to explore a diversity of music without exclusiveness or narrowness of focus. It was also closely linked to the idealism of the grassroots political movements of the early 1960s, such as integrationist civil rights, and the early student movement. After 1965 this inclusive vision of nation in folk music began to wane. While the celebrations of the Centennial in Canada led to a re-emphasis on the 'Canadianness' of Canadian folk music, the turbulent events in the United States led many ex-revivalists to turn away from politics and embrace new identities as introspective singer-songwriters. Many of those who remained interested in traditional folk music styles, such as Celtic or Klezmer music, tended to be very insular and conservative in their approach, rather than linking their chosen genre to a wider world of folk music; however, more recent attempts at 'fusion' or 'world' music suggest a return to the eclectic spirit of the 1960s folk revival. Thus, from 1945 to 1980, folk music in Canada and America experienced an evolving and complex relationship with the concepts of nation and national identity. Students will find the book useful as an introduction, not only to key themes in the folk revival, but also to concepts in the study of national identity and to topics in American and Canadian cultural history. Academic specialists will encounter an alternative perspective from the more general, broad approach offered by earlier histories of the folk revival movement.
Author: Thomas J. Shelley
Publisher: CUA Press
ISBN: 9780813213491
Category : History
Languages : en
Pages : 336
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Book Description
Jay Dolan transformed the writing of American Catholic history a quarter-century ago by telling the story from the bottom up instead of from the top down. In recent years a number of parish histories have appeared that reflect and expand this new methodology. They successfully relate the life of a local faith community to the larger religious and secular world of which it is a part, and reciprocally illuminate that bigger world from the perspective of this local community. St. Joseph's Church in Greenwich Village offers a fruitful opportunity for this kind of history. During the life span of this parish, the Catholic community in New York City has grown from a mere thirty or forty thousand to over three million in two dioceses. St. Joseph's Church began as a poor immigrant parish in a hostile Protestant environment, developed into a prosperous working-class parish as the area became predominantly Catholic, survived a series of local economic and social upheavals, and remains today a vibrant spiritual center in the midst of an overwhelmingly secular neighborhood. Its history provides a fascinating glimpse of the evolution of Catholicism in New York City during the course of the past 175 years. The history of this parish is worth telling for its own sake as the collective journey of one faith community from immigrant mission to pillar of society and then to spiritual outpost in the Secular City. However, it has significance far beyond the boundaries of Greenwich Village because it documents at the most basic and vital level of Catholic communal organization the interaction between change and continuity that has been one of the most prominent features of urban Catholicism in the United States over the past two centuries.
Author: Jack Selzer
Publisher: Univ of Wisconsin Press
ISBN: 0299151832
Category : Biography & Autobiography
Languages : en
Pages : 308
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Book Description
Capturing the lively modernist milieu of Kenneth Burke’s early career in Greenwich Village, where Burke arrived in 1915 fresh from high school in Pittsburgh, this book discovers him as an intellectual apprentice conversing with “the moderns.” Burke found himself in the midst of an avant-garde peopled by Malcolm Cowley, Marianne Moore, Jean Toomer, Katherine Anne Porter, William Carlos Williams, Allen Tate, Hart Crane, Alfred Stieglitz, and a host of other fascinating figures. Burke himself, who died in 1993 at the age of 96, has been hailed as America’s most brilliant and suggestive critic and the most significant theorist of rhetoric since Cicero. Many schools of thought have claimed him as their own, but Burke has defied classification and indeed has often been considered a solitary, eccentric genius immune to intellectual fashions. But Burke’s formative work of the 1920s, when he first defined himself and his work in the context of the modernist conversation, has gone relatively unexamined. Here we see Burke living and working with the crowd of poets, painters, and dramatists affiliated with Others magazine, Stieglitz’s “291” gallery, and Eugene O’Neill’s Provincetown Players; the leftists associated with the magazines The Masses and Seven Arts; the Dadaists; and the modernist writers working on literary journals like The Dial, where Burke in his capacity as an associate editor saw T. S. Eliot’s “The Wasteland” into print for the first time and provided other editorial services for Thomas Mann, e.e. cummings, Ezra Pound, and many other writers of note. Burke also met the iconoclasts of the older generation represented by Theodore Dreiser and H. L. Mencken, the New Humanists, and the literary nationalists who founded Contact and The New Republic. Jack Selzer shows how Burke’s own early poems, fiction, and essays emerged from and contributed to the modernist conversation in Greenwich Village. He draws on a wonderfully rich array of letters between Burke and his modernist friends and on the memoirs of his associates to create a vibrant portrait of the young Burke’s transformation from aesthete to social critic.
