Greenes Tu Quoque, Or Cittie Gallant PDF Download
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Languages : en
Pages :
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Languages : en
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![Greenes Tu quoque, or The cittie gallant [a comedy]. PDF](https://books.google.com/books/content/images/frontcover/cEfAzwEACAAJ?fife=w80-h100)
Author: John Cooke
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Category :
Languages : en
Pages : 0
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![Greenes Tu quoque, or The cittie gallant [a comedy]. PDF](https://books.google.com/books/content/images/frontcover/1kZRAAAAcAAJ?fife=w80-h100)
Author: John Cooke
Publisher:
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Category :
Languages : en
Pages : 102
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Author: John Cooke
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Category :
Languages : en
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Author: John Cooke
Publisher: Routledge
ISBN: 9780367182526
Category :
Languages : en
Pages : 168
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Published in 1984: Greene's Tu Quoque, or, The Cittie Gallant is a satirical play from 1611 which was first presented at court by the Queen's players.
Author: Jo Cooke
Publisher:
ISBN:
Category :
Languages : en
Pages : 85
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Author: Mary Bly
Publisher: Oxford University Press, USA
ISBN: 9780198186991
Category : Drama
Languages : en
Pages : 234
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Queer Virgins and Virgin Queans looks at the early modern theater through the lens of obscure and obscene puns--especially "queer" puns, those that carry homoerotic resonances and speak to homoerotic desires. In particular, it resurrects the operations of a small boys' company known as the first Whitefriars, which performed for about nine months in 1607-8. As a group, the plays performed by this company exhibit an unusually dense array of bawdy puns, whose eroticism is extremely interesting, given that the focus of eros is the male body. The laughter recoverable from Whitefriars plays harnesses the pun's inherent doubleness to homoerotic pleasure; in these plays, 'the bawdy hand of the dial' is always 'on the pricke of noone'. Mary Bly's analysis depends on the nature of punning itself, and the inflections of language and the creativity that marked Whitefriars punsters, with special emphasis on the effect of puns on an audience. What happens to audience members who sit shoulder to shoulder and laugh at homoerotic quibbles? What is the effect of catching a queer pun's double meaning in a group rather than while alone? How can we characterize those auditors, within the convoluted, if fascinating, theories of erotic identity offered by queer theorists?
![Bibliotheca Anglo-poetica; or, A descriptive catalogue of a rare ... collection of early English poetry: in the possession of Longman, Hurst, Rees, Orme, and Brown. Illustr. by occasional extracts and remarks [signed A.F.G.]. PDF](https://books.google.com/books/content/images/frontcover/uxYCAAAAQAAJ?fife=w80-h100)
Author: Acton Frederick Griffiths
Publisher:
ISBN:
Category :
Languages : en
Pages : 628
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Author: Longman (Firm)
Publisher:
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Category : English poetry
Languages : en
Pages : 481
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Author: Jean E. Howard
Publisher: University of Pennsylvania Press
ISBN: 0812202309
Category : Literary Criticism
Languages : en
Pages : 285
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Arguing that the commercial stage depended on the unprecedented demographic growth and commercial vibrancy of London to fuel its own development, Jean E. Howard posits a particular synergy between the early modern stage and the city in which it flourished. In London comedy, place functions as the material arena in which social relations are regulated, urban problems negotiated, and city space rendered socially intelligible. Rather than simply describing London, the stage participated in interpreting it and giving it social meaning. Each chapter of this book focuses on a particular place within the city—the Royal Exchange, the Counters, London's whorehouses, and its academies of manners—and examines the theater's role in creating distinctive narratives about each. In these stories, specific locations are transformed into venues defined by particular kinds of interactions, whether between citizen and alien, debtor and creditor, prostitute and client, or dancing master and country gentleman. Collectively, they suggest how city space could be used and by whom, and they make place the arena for addressing pressing urban problems: demographic change and the influx of foreigners and strangers into the city; new ways of making money and losing it; changing gender roles within the metropolis; and the rise of a distinctive "town culture" in the West End. Drawing on a wide range of familiar and little-studied plays from four decades of a defining era of theater history, Theater of a City shows how the stage imaginatively shaped and responded to the changing face of early modern London.
