Green Grow the Rashes, a Favorite Scotch Song... Arranged for the Piano-forte, Flute Or Harp PDF Download
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Author:
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ISBN:
Category :
Languages : en
Pages : 2
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Book Description
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages : 2
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Book Description
Author: British Library. Department of Printed Books
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 440
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Book Description
Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 840
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Book Description
Author: M. J. Grant
Publisher:
ISBN: 9781800640702
Category :
Languages : en
Pages :
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Book Description
Author: Harry Partch
Publisher: Da Capo Press
ISBN: 9780306801068
Category : Music
Languages : en
Pages : 544
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Book Description
Among the few truly experimental composers in our cultural history, Harry Partch's life (1901–1974) and music embody most completely the quintessential American rootlessness, isolation, pre-civilized cult of experience, and dichotomy of practical invention and transcendental visions. Having lived mostly in the remote deserts of Arizona and New Mexico with no access to formal training, Partch naturally created theatrical ritualistic works incorporating Indian chants, Japanese kabuki and Noh, Polynesian microtones, Balinese gamelan, Greek tragedy, dance, mime, and sardonic commentary on Hollywood and commercial pop music of modern civilization. First published in 1949, Genesis of a Music is the manifesto of Partch's radical compositional practice and instruments (which owe nothing to the 300-year-old European tradition of Western music.) He contrasts Abstract and Corporeal music, proclaiming the latter as the vital, emotionally tactile form derived from the spoken word (like Greek, Chinese, Arabic, and Indian musics) and surveys the history of world music at length from this perspective. Parts II, III, and IV explain Partch's theories of scales, intonation, and instrument construction with copious acoustical and mathematical documentation. Anyone with a musically creative attitude, whether or not familiar with traditional music theory, will find this book revelatory.
Author: Mary Kathleen Hunter
Publisher: Cambridge University Press
ISBN: 1107015146
Category : Literary Criticism
Languages : en
Pages : 363
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Book Description
Haydn is enjoying renewed appreciation: this book explores fresh approaches to his music and the cultural forces affecting it.
Author: Frederic H Cowen
Publisher: Legare Street Press
ISBN: 9781022243316
Category :
Languages : en
Pages : 0
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Book Description
This memoir provides a personal account of the life and career of Frederic H. Cowen, a notable British composer and conductor of the late 19th and early 20th centuries, highlighting his friendships and collaborations with other artists. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Author: Frank Kidson
Publisher: London : W. E. Hill
ISBN:
Category : Music
Languages : en
Pages : 256
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Book Description
Author: Frank D. Abbott
Publisher:
ISBN:
Category : Chicago (Ill.)
Languages : en
Pages : 338
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Book Description
Author: Douglas Kahn
Publisher: MIT Press
ISBN: 0262311623
Category : Design
Languages : en
Pages : 467
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Book Description
An examination of the role of sound in twentieth-century arts. This interdisciplinary history and theory of sound in the arts reads the twentieth century by listening to it—to the emphatic and exceptional sounds of modernism and those on the cusp of postmodernism, recorded sound, noise, silence, the fluid sounds of immersion and dripping, and the meat voices of viruses, screams, and bestial cries. Focusing on Europe in the first half of the century and the United States in the postwar years, Douglas Kahn explores aural activities in literature, music, visual arts, theater, and film. Placing aurality at the center of the history of the arts, he revisits key artistic questions, listening to the sounds that drown out the politics and poetics that generated them. Artists discussed include Antonin Artaud, George Brecht, William Burroughs, John Cage, Sergei Eisenstein, Fluxus, Allan Kaprow, Michael McClure, Yoko Ono, Jackson Pollock, Luigi Russolo, and Dziga Vertov.
