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Author: J. M. Walton
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Author: J. M. Walton
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Author: Edith Hall
Publisher: A&C Black
ISBN: 0715638262
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
Constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective.
Author: Peter D. Arnott
Publisher: Routledge
ISBN: 1134924038
Category : History
Languages : en
Pages : 214
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Book Description
Peter Arnott discusses Greek drama not as an antiquarian study but as a living art form. He removes the plays from the library and places them firmly in the theatre that gave them being. Invoking the practical realities of stagecraft, he illuminates the literary patterns of the plays, the performance disciplines, and the audience responses. Each component of the productions - audience, chorus, actors, costume, speech - is examined in the context of its own society and of theatre practice in general, with examples from other cultures. Professor Arnott places great emphasis on the practical staging of Greek plays, and how the buildings themselves imposed particular constraints on actors and writers alike. Above all, he sets out to make practical sense of the construction of Greek plays, and their organic relationship to their original setting.
Author: J. M. Walton
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 256
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Book Description
Author: Gregory W. Dobrov
Publisher: Oxford University Press, USA
ISBN: 0195116585
Category : Aesthetics, Ancient
Languages : en
Pages : 249
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Book Description
"The book should be of particular interest to those working in Greek tragedy and comedy and classical literary theory."--Jacket.
Author: Rush Rehm
Publisher: Princeton University Press
ISBN: 1400825075
Category : Performing Arts
Languages : en
Pages : 466
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Book Description
Is "space" a thing, a container, an abstraction, a metaphor, or a social construct? This much is certain: space is part and parcel of the theater, of what it is and how it works. In The Play of Space, noted classicist-director Rush Rehm offers a strikingly original approach to the spatial parameters of Greek tragedy as performed in the open-air theater of Dionysus. Emphasizing the interplay between natural place and fictional setting, between the world visible to the audience and that evoked by individual tragedies, Rehm argues for an ecology of the ancient theater, one that "nests" fifth-century theatrical space within other significant social, political, and religious spaces of Athens. Drawing on the work of James J. Gibson, Kurt Lewin, and Michel Foucault, Rehm crosses a range of disciplines--classics, theater studies, cognitive psychology, archaeology and architectural history, cultural studies, and performance theory--to analyze the phenomenology of space and its transformations in the plays of Aeschylus, Sophocles, and Euripides. His discussion of Athenian theatrical and spatial practice challenges the contemporary view that space represents a "text" to be read, or constitutes a site of structural dualities (e.g., outside-inside, public-private, nature-culture). Chapters on specific tragedies explore the spatial dynamics of homecoming ("space for returns"); the opposed constraints of exile ("eremetic space" devoid of normal community); the power of bodies in extremis to transform their theatrical environment ("space and the body"); the portrayal of characters on the margin ("space and the other"); and the tragic interactions of space and temporality ("space, time, and memory"). An appendix surveys pre-Socratic thought on space and motion, related ideas of Plato and Aristotle, and, as pertinent, later views on space developed by Newton, Leibniz, Descartes, Kant, and Einstein. Eloquently written and with Greek texts deftly translated, this book yields rich new insights into our oldest surviving drama.
Author: John J. Winkler
Publisher: Princeton University Press
ISBN: 0691206481
Category : Drama
Languages : en
Pages : 240
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Book Description
"When John J. Winkler died in 1990, he left a substantially complete manuscript containing the final version of the project he had undertaken in the last decade of his life: an original interpretation of the development and meaning of ancient Greek drama. That manuscript was based on The Martin Classical Lectures at Oberlin College, which Winkler delivered in September of 1988. The present text has been edited and updated by classicists David Halperin, Winkler's literary executor, and Kirk Ormand, Winkler's student and an expert on Greek drama. Rehearsals of Manhood, the final work of a widely recognized and celebrated classical scholar, proposes an entirely new account of Greek drama providing an explanation of the social place of Greek drama and its relation to the gendered organization of Athenian social life. Winkler interprets drama as a secular manhood ritual, a public aesthetic undertaking focused on the initiation of boys into manhood and, specifically, on the training, the display, and the representation of young male warriors. According to Winkler, the chorus of both tragedy and comedy was composed of young Athenian men of citizen status, about eighteen to twenty years of age, who were undergoing military training in order to prepare themselves for the task of warfare; they danced on a rectangular dance floor in a rectangular formation that recalled the arrangement of the infantry phalanx; they accompanied plays that often highlighted scenarios of risk faced by young men on the verge of adulthood; and they performed in a theater whose seating was arranged to display the corporate body of the male citizenry as a whole, both its democratic equality and its hierarchical ranking according to degrees of excellence. Winkler does not offer new interpretations of the texts of Greek plays but a new account of how the very practice of dramatic performance fit into the social life and gender politics of the Athenian state"--
Author: David Sansone
Publisher: John Wiley & Sons
ISBN: 1118358376
Category : Drama
Languages : en
Pages : 279
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Book Description
GREEK DRAMA and the Invention of Rhetoric “An impressively erudite, elegantly crafted argument for reversing what ‘everybody knows’ about the relation of two literary genres that played before mass audiences in the Athenian city state.” Victor Bers, Yale University “Sansone’s book is first-rate and should be read by any scholar interested in the origins of Greek rhetorical theory or, for that matter, interested in Greek tragedy. That Greek tragedy contains elements properly described as rhetorical is familiar, but Sansone goes far beyond this understanding by putting Greek tragedy at the heart of a counter-narrative of those origins.” Edward Schiappa, The University of Minnesota This book challenges the standard view that formal rhetoric arose in response to the political and social environment of ancient Athens. Instead, it is argued, it was the theater of Ancient Greece, first appearing around 500 BC that prompted the development of formalized rhetoric, which evolved soon thereafter. Indeed, ancient Athenian drama was inextricably bound to the city-state’s development as a political entity, as well as to the birth of rhetoric. Ancient Greek dramatists used mythical conflicts as an opportunity for staging debates over issues of contemporary relevance, civic responsibility, war, and the role of the gods. The author shows how the essential feature of dialogue in drama created a ‘counterpoint’—an interplay between the actor making the speech and the character reacting to it on stage. This innovation spurred the development of other more sophisticated forms of argumentation, which ultimately formed the core of formalized rhetoric.
Author: Laura Swift
Publisher: Bloomsbury Publishing
ISBN: 1474236847
Category : Drama
Languages : en
Pages : 145
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Book Description
The latest volume in the Classical World series, this book offers a much-needed up-to-date introduction to Greek tragedy, and covers the most important thematic topics studied at school or university level. After a brief analysis of the genre and main figures, it focuses on the broader questions of what defines tragedy, what its particular preoccupations are, and what makes these texts so widely studied and performed more than 2,000 years after they were written. As such, the book will be of interest to students taking broad courses on Greek tragedy, while also being suitable for the general reader who wants an overview of the subject. All passages of tragedy discussed are translated by the author and supplementary information includes a chronology of all the surviving tragedies, a glossary, and guidance on further reading.
Author: Bloomsbury Publishing
Publisher: A&C Black
ISBN: 1472519779
Category : Literary Criticism
Languages : en
Pages : 320
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Book Description
This exciting collection constitutes the first analysis of the modern performance of ancient Greek drama from a theoretical perspective. The last three decades have seen a remarkable revival of the performance of ancient Greek drama; some ancient plays - "Sophocles", "Oedipus", "Euripides", and "Medea" - have established a distinguished place in the international performance repertoire, and attracted eminent directors including Peter Stein, Ariane Mnouchkine, Peter Sellars, and Katie Mitchell. Staging texts first written two and a half thousand years ago, for all-male, ritualised, outdoor performance in masks in front of a pagan audience, raises quite different intellectual questions from staging any other canonical drama, including Shakespeare. But the discussion of this development in modern performance has until now received scant theoretical analysis. This book provides the solution in the form of a lively interdisciplinary dialogue, inspired by a conference held at the Archive of Performances of Greek & Roman Drama (APGRD) in Oxford, between sixteen experts in Classics, Drama, Music, Cultural History and the world of professional theatre.The book will be of great interest to scholars and students of Classics and Drama alike.
