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Author: Walter Puchner
Publisher: Cambridge University Press
ISBN: 1108210260
Category : History
Languages : en
Pages : 377
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Book Description
This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is rather different. After traditional theatre ended in the sixth and seventh centuries, no traditional drama was written or performed on stage throughout the Greek-speaking world for centuries due to the Orthodox Church's hostile attitude toward spectacles. With the reinvention of theatre in Renaissance Italy, however, Greek theatre was revived in Crete under Venetian rule in the late sixteenth century. The following centuries saw the restoration of Greek theatre at various locations, albeit characterized by numerous ruptures and discontinuities in terms of geography, stylistics, thematic approaches and ideologies. These diverse developments were only 'normalized' with the establishment of the Greek nation state.
Author: Walter Puchner
Publisher: Cambridge University Press
ISBN: 1108210260
Category : History
Languages : en
Pages : 377
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Book Description
This first general history of Greek theatre from Hellenistic times to the foundation of the Modern Greek state in 1830 marks a radical departure from traditional methods of historiography. We like to think of history unfolding continuously, in an evolutionary form, but the story of Greek theatre is rather different. After traditional theatre ended in the sixth and seventh centuries, no traditional drama was written or performed on stage throughout the Greek-speaking world for centuries due to the Orthodox Church's hostile attitude toward spectacles. With the reinvention of theatre in Renaissance Italy, however, Greek theatre was revived in Crete under Venetian rule in the late sixteenth century. The following centuries saw the restoration of Greek theatre at various locations, albeit characterized by numerous ruptures and discontinuities in terms of geography, stylistics, thematic approaches and ideologies. These diverse developments were only 'normalized' with the establishment of the Greek nation state.
Author: Luke Beatty
Publisher: Routledge
ISBN: 1000073068
Category : Language Arts & Disciplines
Languages : en
Pages : 137
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Book Description
This comprehensive and practical guide covers the elements, style, and use of annotated bibliographies in the research and writing process for any discipline; key disciplinary conventions; and tips for working with digital sources. Written jointly by a library director and a writing center director, this book is packed with examples of individual bibliography entries and full bibliography formats for a wide range of academic needs. Online resources include sample bibliographies, relevant web links, printable versions of checklists and figures, and further resources for instructors and researchers. Writing the Annotated Bibliography is an essential resource for first-year and advanced composition classes, courses in writing across the disciplines, graduate programs, library science instruction programs, and academic libraries at the secondary level and beyond. It is suitable for both undergraduate and graduate students and for researchers at all levels.
Author: Vayos Liapis
Publisher: Cambridge University Press
ISBN: 1107155703
Category : Art
Languages : en
Pages : 447
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Book Description
Shows how contemporary adaptations, on the stage and on the page, can breathe new life into Greek tragedy.
Author: Erika Fischer-Lichte
Publisher: Taylor & Francis
ISBN: 1000825922
Category : Performing Arts
Languages : en
Pages : 324
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Book Description
Entangled Performance Histories is the first book-length study that applies the concept of "entangled histories" as a new paradigm in the field of theater and performance historiography. "Entangled histories" denotes the interconnectedness of multiple histories that cannot be addressed within national frameworks. The concept refers to interconnected pasts, in which historical processes of contact and exchange between performance cultures affected all involved. Presenting case studies from across the world—spanning Africa, the Arab-speaking world, Asia, the Americas and Europe—the book’s contributors systematically expand, exemplify and examine the concept of "entangled histories," thus introducing various innovative concepts, theories and methodologies for investigating reciprocally consequential processes of interweaving performance cultures from the past. Bringing together examples of entanglements in theater and performance histories from a broad variety of geographical and historical backgrounds, the book’s contributions build together a broad basis for a possible and necessary paradigmatic shift in the field of theater and performance historiography. Ideal for researchers and students of history, theater, performance, drama and dance, this volume opens novel perspectives on the possibilities and challenges of investigating the entangled histories of theater and performance cultures on a global scale.
Author: Mati Meyer
Publisher: Taylor & Francis
ISBN: 1040043453
Category : History
Languages : en
Pages : 549
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Book Description
This Handbook is the first to consider the interrelated subjects of gender and sexuality in the Eastern Roman Empire from an interdisciplinary perspective. Drawing on both modern theories and Byzantine perceptions, and considering multiple periods and religions (Eastern Orthodox, Islamic, and Jewish), it provides evidentiary textual and visual material support for an analysis of the two linked themes. Broadly, the essays demonstrate that gender and sexual constructs in Byzantium were porous. As a result, they expand our knowledge of not only how sex and gender were conceived and performed but also how ideas and practices shaped Byzantine life. The Routledge Handbook of Gender and Sexuality in Byzantium will be an indispensable guide for students and scholars of late antique and Byzantine religion, history, culture, and art, who will find it a useful critical survey of current scholarship and one that shines new light in their areas of research. The focus on issues of gender and sexuality may also be of interest to individuals concerned with Eastern Mediterranean culture, as well as to the broader public. Chapter 21 of this book is freely available as a downloadable Open Access PDF at http://www.taylorfrancis.com under a Creative Commons Attribution-Non Commercial-No Derivatives (CC-BY-NC-ND) 4.0 license.
Author: Sarah Bassett
Publisher: Cambridge University Press
ISBN: 1108498183
Category : History
Languages : en
Pages : 435
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Book Description
The collected essays explore late antique and Byzantine Constantinople in matters sacred, political, cultural, and commercial.
Author: Silvia Bigliazzi
Publisher: Skenè. Texts and Studies
ISBN:
Category : Language Arts & Disciplines
Languages : en
Pages : 465
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Book Description
Συναγωνίζεσθαι, the ancient Greek verb chosen as the title of this volume, belongs to the jargon of dramaturgy as employed by Aristotle inPoetics, where he emphasizes the function of the Chorus as an active co-protagonist in the dynamics of drama. Here it suggests the collaborative nature of this Festschrift offered to Guido Avezzù in the year of his retirement by friends and colleagues. The volume collects a wide selection of contributions by international scholars, grouped into four sections: Greek Tragedy (Part 1), Greek Comedy (Part 2), Reception (Part 3), and Theatre and Beyond (Part 4). The Authors. A. Andrisano, P. Angeli Bernardini, A. Bagordo, A. Bierl, S. Bigliazzi, M.G. Bonanno, S. Brunetti, D. Cairns, G. Cerri, V. Citti, A.T. Cozzoli, F. Dall’Olio, M. Di Marco, M. Duranti, S. Fornaro, A. Grilli, S. Halliwell, E.M. Harris, O. Imperio, P. Judet de La Combe, W. Lapini, V. Liapis, L. Lomiento, F. Lupi, A. Markantonatos, G. Mastromarco, E. Medda, F. Montana, F. Montanari, C. Neri, E. Nicholson, R. Nicolai, H. Notsu, G. Paduano, N. Pasqualicchio, M.P. Pattoni, A. Provenza, J. Redondo, A. Scafuro, S.L. Schein, A. Sidiropoulou, R. Tosi, P. Totaro, M. Treu, M. Tulli, G. Ugolini, P. Volpe, M. Zanolla
Author:
Publisher: Skenè. Texts and Studies
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Georgia Xanthaki-Karamanou
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110764490
Category : Literary Criticism
Languages : en
Pages : 334
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Book Description
This book consists of two main, interrelated thematic units: the reception of Aeschylus' Dionysiac plays in Bacchae and the refiguration of the latter in the Byzantine drama Christus Patiens. In both sections the common denominator is Euripides' Bacchae, which is approached as a receiving text in the first unit and as a source text in the second. Each section addresses dramatic, ideological and cultural facets of the reception process, yielding insight into pivotal Dionysiac motifs that the ancient and Byzantine treatments share. Different pieces of evidence, mythographic, stylistic, and iconographic, are interrogated, so that light is shed on aspects of the storyline, the concepts, and the imagery of Aeschylus' two tetralogies. At the same time, Bacchae provides a valuable exemplum for aspects of dramatic technique, plot-patterns, and concepts refigured in Christus Patiens. This exploration thoroughly and systematically focuses on the ways in which the pagan play was transformed to bring forward new pillars of thought and innovative values in different cultural and ideological contexts over a wide time span from Greek Antiquity to Byzantium.
Author: Charles Barber
Publisher: Oxford University Press
ISBN: 0190209003
Category : Art
Languages : en
Pages : 336
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Book Description
Eccentric Renaissance shows how El Greco and two other sixteenth-century Cretan artists, Michael Damaskenos and Georgios Klontzas, actively engaged in a re-casting of the Byzantine tradition of icon painting on the Venetian colony of Crete. In so doing, they created art that articulated a point of view that was shaped outside of and against the hegemonic world of Vasari's account of art history. Building upon their own tradition, they developed a highly original understanding of the icon and explored its power to reconcile Byzantine and Renaissance styles of painting and provide a response to the growing presence of Islam.
