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Author: Victor Hugo
Publisher: Prabhat Prakashan
ISBN:
Category : Literary Criticism
Languages : en
Pages : 2578
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Book Description
Work 1: Experience the poetic brilliance of “Poems by Victor Hugo.” Hugo's collection of poems showcases his mastery of language and emotion. From romantic verses to poignant reflections on societal issues, Hugo's poetry captures the breadth of his literary prowess and his ability to evoke profound emotions. Work 2: Immerse yourself in the historical drama of “Ninety-Three by Victor Hugo.” Hugo's novel unfolds against the backdrop of the French Revolution, portraying the complexities of human nature and the moral dilemmas faced by its characters. The narrative is a gripping exploration of duty, sacrifice, and the pursuit of justice in times of upheaval. Work 3: Enter the world of social injustice and redemption with “Les Misérables by Victor Hugo.” Hugo's epic novel follows the lives of characters such as Jean Valjean and Inspector Javert in a sweeping narrative that spans decades. Filled with themes of love, justice, and the struggle for a better society, this masterpiece remains a timeless exploration of the human condition.
![Greatest Works of Victor Hugo: [Poems by Victor Hugo/ Ninety-Three by Victor Hugo/ Les Misérables by Victor Hugo] PDF](https://books.google.com/books/content/images/frontcover/jB4QEQAAQBAJ?fife=w80-h100)
Author: Victor Hugo
Publisher: Prabhat Prakashan
ISBN:
Category : Literary Criticism
Languages : en
Pages : 2578
Get Book Here
Book Description
Work 1: Experience the poetic brilliance of “Poems by Victor Hugo.” Hugo's collection of poems showcases his mastery of language and emotion. From romantic verses to poignant reflections on societal issues, Hugo's poetry captures the breadth of his literary prowess and his ability to evoke profound emotions. Work 2: Immerse yourself in the historical drama of “Ninety-Three by Victor Hugo.” Hugo's novel unfolds against the backdrop of the French Revolution, portraying the complexities of human nature and the moral dilemmas faced by its characters. The narrative is a gripping exploration of duty, sacrifice, and the pursuit of justice in times of upheaval. Work 3: Enter the world of social injustice and redemption with “Les Misérables by Victor Hugo.” Hugo's epic novel follows the lives of characters such as Jean Valjean and Inspector Javert in a sweeping narrative that spans decades. Filled with themes of love, justice, and the struggle for a better society, this masterpiece remains a timeless exploration of the human condition.
Author: Victor Hugo
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 390
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Book Description
THE FOREST OF LA SAUDRAIE. During the last days of May, 1793, one of the Parisian battalions introduced into Brittany by Santerre was reconnoitring the formidable La Saudraie Woods in Astillé. Decimated by this cruel war, the battalion was reduced to about three hundred men. This was at the time when, after Argonne, Jemmapes, and Valmy, of the first battalion of Paris, which had numbered six hundred volunteers, only twenty-seven men remained, thirty-three of the second, and fifty-seven of the third,—a time of epic combats. The battalion sent from Paris into La Vendée numbered nine hundred and twelve men. Each regiment had three pieces of cannon. They had been quickly mustered. On the 25th of April, Gohier being Minister of Justice, and Bouchotte Minister of War, the section of Bon Conseil had offered to send volunteer battalions into La Vendée; the report was made by Lubin, a member of the Commune. On the 1st of May, Santerre was ready to send off twelve thousand men, thirty field-pieces, and one battalion of gunners. These battalions, notwithstanding they were so quickly formed, serve as models even at the present day, and regiments of the line are formed on the same plan; they altered the former proportion between the number of soldiers and that of non-commissioned officers. On the 28th of April the Paris Commune had given to the volunteers of Santerre the following order: "No mercy, no quarter." Of the twelve thousand that had left Paris, at the end of May eight thousand were dead. The battalion which was engaged in La Saudraie held itself on its guard. There was no hurrying: every man looked at once to right and to left, before him, behind him. Kléber has said: "The soldier has an eye in his back." They had been marching a long time. What o'clock could it be? What time of the day was it? It would have been hard to say; for there is always a sort of dusk in these wild thickets, and it was never light in that wood. The forest of La Saudraie was a tragic one. It was in this coppice that from the month of November, 1792, civil war began its crimes; Mousqueton, the fierce cripple, had come forth from those fatal thickets; the number of murders that had been committed there made one's hair stand on end. No spot was more terrible.
Author: Victor Hugo
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 2960
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Book Description
PREFACE So long as there shall exist, by virtue of law and custom, decrees of damnation pronounced by society, artificially creating hells amid the civilization of earth, and adding the element of human fate to divine destiny; so long as the three great problems of the century-- the degradation of man through pauperism, the corruption of woman through hunger, the crippling of children through lack of light-- are unsolved; so long as social asphyxia is possible in any part of the world;--in other words, and with a still wider significance, so long as ignorance and poverty exist on earth, books of the nature of Les Miserables cannot fail to be of use. HAUTEVILLE HOUSE, 1862. Victor Hugo Although this detail has no connection whatever with the real substance of what we are about to relate, it will not be superfluous, if merely for the sake of exactness in all points, to mention here the various rumors and remarks which had been in circulation about him from the very moment when he arrived in the diocese. True or false, that which is said of men often occupies as important a place in their lives, and above all in their destinies, as that which they do. M. Myriel was the son of a councillor of the Parliament of Aix; hence he belonged to the nobility of the bar. It was said that his father, destining him to be the heir of his own post, had married him at a very early age, eighteen or twenty, in accordance with a custom which is rather widely prevalent in parliamentary families. In spite of this marriage, however, it was said that Charles Myriel created a great deal of talk. He was well formed, though rather short in stature, elegant, graceful, intelligent; the whole of the first portion of his life had been devoted to the world and to gallantry. The Revolution came; events succeeded each other with precipitation; the parliamentary families, decimated, pursued, hunted down, were dispersed. M. Charles Myriel emigrated to Italy at the very beginning of the Revolution. There his wife died of a malady of the chest, from which she had long suffered. He had no children. What took place next in the fate of M. Myriel? The ruin of the French society of the olden days, the fall of his own family, the tragic spectacles of '93, which were, perhaps, even more alarming to the emigrants who viewed them from a distance, with the magnifying powers of terror,--did these cause the ideas of renunciation and solitude to germinate in him? Was he, in the midst of these distractions, these affections which absorbed his life, suddenly smitten with one of those mysterious and terrible blows which sometimes overwhelm, by striking to his heart, a man whom public catastrophes would not shake, by striking at his existence and his fortune? No one could have told: all that was known was, that when he returned from Italy he was a priest. In 1804, M. Myriel was the Cure of B---- [Brignolles]. He was already advanced in years, and lived in a very retired manner. About the epoch of the coronation, some petty affair connected with his curacy--just what, is not precisely known--took him to Paris. Among other powerful persons to whom he went to solicit aid for his parishioners was M. le Cardinal Fesch. One day, when the Emperor had come to visit his uncle, the worthy Cure, who was waiting in the anteroom, found himself present when His Majesty passed.
Author: Victor Hugo
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 232
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Book Description
CHAPTER I. Sentenced to death! For five whole weeks have I lived with this one thought, always alone with it, always frozen by its ghastly presence, always crushed beneath its overwhelming weight. At first, years ago, as it seemed, not mere weeks as it really was, I was a man like any other. Every day, every hour, every minute was ruled by its own idea. My intellect, young and fresh, lost itself in a world of fantasy. I amused myself in mapping out a life without order, and without end, weaving into a thousand fantastic patterns the coarse and slender tissue of my existence. There were lovely girls, cardinals’ copes, victories won, theatres full of life and light, and then again the young girls, and walks in the twilight under the spreading boughs of the chestnut trees. My imagination always pictured scenes of pleasure. My thoughts were free, and therefore I was free also. But now I am a prisoner. My body is in irons in a dungeon, and my soul is fettered by an idea—one horrible, murderous, and implacable idea. I have but one thought, one certainty, one deep-rooted conviction, and that is that I am under sentence of death! Do what I may, that one terrible thought is ever with me, like a spectre by my side, lonely and jealous, driving away every effort that I may make to liberate myself from its presence, face to face with me, and clutching me with its icy hand when I endeavour to turn aside my head, or to close my eyes upon its horrifying existence. It intrudes itself into all the thoughts by which I vainly strive to forget it; I hear it like a horrible chorus in every word that is addressed to me; it places its face against mine as I glance through the barred windows of my dungeon; it attacks me whilst waking, it haunts my spasmodic efforts at sleep, and appears in my dreams under the form of the axe of the guillotine.
Author: Victor Hugo
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 581
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Book Description
URSUS. I. Ursus and Homo were fast friends. Ursus was a man, Homo a wolf. Their dispositions tallied. It was the man who had christened the wolf: probably he had also chosen his own name. Having found Ursus fit for himself, he had found Homo fit for the beast. Man and wolf turned their partnership to account at fairs, at village fêtes, at the corners of streets where passers-by throng, and out of the need which people seem to feel everywhere to listen to idle gossip and to buy quack medicine. The wolf, gentle and courteously subordinate, diverted the crowd. It is a pleasant thing to behold the tameness of animals. Our greatest delight is to see all the varieties of domestication parade before us. This it is which collects so many folks on the road of royal processions. Ursus and Homo went about from cross-road to cross-road, from the High Street of Aberystwith to the High Street of Jedburgh, from country-side to country-side, from shire to shire, from town to town. One market exhausted, they went on to another. Ursus lived in a small van upon wheels, which Homo was civilized enough to draw by day and guard by night. On bad roads, up hills, and where there were too many ruts, or there was too much mud, the man buckled the trace round his neck and pulled fraternally, side by side with the wolf. They had thus grown old together. They encamped at haphazard on a common, in the glade of a wood, on the waste patch of grass where roads intersect, at the outskirts of villages, at the gates of towns, in market-places, in public walks, on the borders of parks, before the entrances of churches. When the cart drew up on a fair green, when the gossips ran up open-mouthed and the curious made a circle round the pair, Ursus harangued and Homo approved. Homo, with a bowl in his mouth, politely made a collection among the audience. They gained their livelihood. The wolf was lettered, likewise the man. The wolf had been trained by the man, or had trained himself unassisted, to divers wolfish arts, which swelled the receipts. "Above all things, do not degenerate into a man," his friend would say to him. Never did the wolf bite: the man did now and then. At least, to bite was the intent of Ursus. He was a misanthrope, and to italicize his misanthropy he had made himself a juggler. To live, also; for the stomach has to be consulted. Moreover, this juggler-misanthrope, whether to add to the complexity of his being or to perfect it, was a doctor. To be a doctor is little: Ursus was a ventriloquist. You heard him speak without his moving his lips. He counterfeited, so as to deceive you, any one's accent or pronunciation. He imitated voices so exactly that you believed you heard the people themselves. All alone he simulated the murmur of a crowd, and this gave him a right to the title of Engastrimythos, which he took. He reproduced all sorts of cries of birds, as of the thrush, the wren, the pipit lark, otherwise called the gray cheeper, and the ring ousel, all travellers like himself: so that at times when the fancy struck him, he made you aware either of a public thoroughfare filled with the uproar of men, or of a meadow loud with the voices of beasts—at one time stormy as a multitude, at another fresh and serene as the dawn. Such gifts, although rare, exist. In the last century a man called Touzel, who imitated the mingled utterances of men and animals, and who counterfeited all the cries of beasts, was attached to the person of Buffon—to serve as a menagerie.
Author: Victor Hugo
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 410
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Book Description
A WORD WRITTEN ON A WHITE PAGE Christmas Day in the year 182- was somewhat remarkable in the island of Guernsey. Snow fell on that day. In the Channel Islands a frosty winter is uncommon, and a fall of snow is an event. On that Christmas morning, the road which skirts the seashore from St. Peter's Port to the Vale was clothed in white. From midnight till the break of day the snow had been falling. Towards nine o'clock, a little after the rising of the wintry sun, as it was too early yet for the Church of England folks to go to St. Sampson's, or for the Wesleyans to repair to Eldad Chapel, the road was almost deserted. Throughout that portion of the highway which separates the first from the second tower, only three foot-passengers could be seen. These were a child, a man, and a woman. Walking at a distance from each other, these wayfarers had no visible connection. The child, a boy of about eight years old, had stopped, and was looking curiously at the wintry scene. The man walked behind the woman, at a distance of about a hundred paces. Like her he was coming from the direction of the church of St. Sampson. The appearance of the man, who was still young, was something between that of a workman and a sailor. He wore his working-day clothes—a kind of Guernsey shirt of coarse brown stuff, and trousers partly concealed by tarpaulin leggings—a costume which seemed to indicate that, notwithstanding the holy day, he was going to no place of worship. His heavy shoes of rough leather, with their soles covered with large nails, left upon the snow, as he walked, a print more like that of a prison lock than the foot of a man. The woman, on the contrary, was evidently dressed for church. She wore a large mantle of black silk, wadded, under which she had coquettishly adjusted a dress of Irish poplin, trimmed alternately with white and pink; but for her red stockings, she might have been taken for a Parisian. She walked on with a light and free step, so little suggestive of the burden of life that it might easily be seen that she was young. Her movements possessed that subtle grace which indicates the most delicate of all transitions—that soft intermingling, as it were, of two twilights—the passage from the condition of a child to that of womanhood. The man seemed to take no heed of her.
Author: Victor Hugo
Publisher:
ISBN:
Category :
Languages : en
Pages : 454
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Book Description
Author: Victor Hugo
Publisher: 谷月社
ISBN:
Category : Literary Collections
Languages : en
Pages : 231
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Book Description
PREFACE. This volume of memoirs has a double character—historical and intimate. The life of a period, the XIX Century, is bound up in the life of a man, VICTOR HUGO. As we follow the events set forth we get the impression they made upon the mind of the extraordinary man who recounts them; and of all the personages he brings before us he himself is assuredly not the least interesting. In portraits from the brushes of Rembrandts there are always two portraits, that of the model and that of the painter. This is not a diary of events arranged in chronological order, nor is it a continuous autobiography. It is less and it is more, or rather, it is better than these. It is a sort of haphazard chronique in which only striking incidents and occurrences are brought out, and lengthy and wearisome details are avoided. VICTOR HUGO'S long and chequered life was filled with experiences of the most diverse character—literature and politics, the court and the street, parliament and the theatre, labour, struggles, disappointments, exile and triumphs. Hence we get a series of pictures of infinite variety. Let us pass the gallery rapidly in review. It opens in 1825, at Rheims, during the coronation of CHARLES X, with an amusing causerie on the manners and customs of the Restoration. The splendour of this coronation ceremony was singularly spoiled by the pitiable taste of those who had charge of it. These worthies took upon themselves to mutilate the sculpture work on the marvellous façade and to "embellish" the austere cathedral with Gothic decorations of cardboard. The century, like the author, was young, and in some things both were incredibly ignorant; the masterpieces of literature were then unknown to the most learnedlittérateurs: CHARLES NODIER had never read the "Romancero", and VICTOR HUGO knew little or nothing about Shakespeare. At the outset the poet dominates in VICTOR HUGO; he belongs wholly to his creative imagination and to his literary work. It is the theatre; it is his "Cid", and "Hernani", with its stormy performances; it is the group of his actors, Mlle. MARS, Mlle. GEORGES, FREDERICK LEMAITRE, the French KEAN, with more genius; it is the Academy, with its different kind of coteries. About this time VICTOR HUGO questions, anxiously and not in vain, a passer-by who witnessed the execution of LOUIS XVI, and an officer who escorted Napoleon to Paris on his return from the Island of Elba. Next, under the title, "Visions of the Real", come some sketches in the master's best style, of things seen "in the mind's eye," as Hamlet says. Among them "The Hovel" will attract attention. This sketch resembles a page from EDGAR POE, although it was written long before POE's works were introduced into France. With "Love in Prison" VICTOR HUGO deals with social questions, in which he was more interested than in political questions. And yet, in entering the Chamber of Peers he enters public life. His sphere is enlarged, he becomes one of the familiars of the Tuileries. LOUIS PHILIPPE, verbose and full of recollections that he is fond of imparting to others, seeks the company and appreciation of this listener of note, and makes all sorts of confidences to him. The King with his very haughty bonhomie and his somewhat infatuated wisdom; the grave and sweet DUCHESS D'ORLEANS, the boisterous and amiable princes—the whole commonplace and home-like court—are depicted with kindliness but sincerity. The horizon, however, grows dark, and from 1846 the new peer of France notes the gradual tottering of the edifice of royalty. The revolution of 1848 bursts out. Nothing could be more thrilling than the account, hour by hour, of the events of the three days of February. VICTOR HUGO is not merely a spectator of this great drama, he is an actor in it. He is in the streets, he makes speeches to the people, he seeks to restrain them; he believes, with too good reason, that the Republic is premature, and, in the Place de la Bastille, before the evolutionary Faubourg Saint Antoine, he dares to proclaim the Regency. Four months later distress provokes the formidable insurrection of June, which is fatal to the Republic. The year 1848 is the stormy year. The atmosphere is fiery, men are violent, events are tragical. Battles in the streets are followed by fierce debates in the Assembly. VICTOR HUGO takes part in the mêlée. We witness the scenes with him; he points out the chief actors to us. His "Sketches" made in the National Assembly are "sketched from life" in the fullest acceptation of the term. Twenty lines suffice. ODILON BARROT and CHANGARNIER, PRUDHON and BLANQUI, LAMARTINE and "Monsieur THIERS" come, go, speak—veritable living figures. The most curious of the figures is LOUIS BONAPARTE when he arrived in Paris and when he assumed the Presidency of the Republic. He is gauche, affected, somewhat ridiculous, distrusted by the Republicans, and scoffed at by the Royalists. Nothing could be more suggestive or more piquant than the inauguration dinner at the Elysee, at which VICTOR HUGO was one of the guests, and the first and courteous relations between the author of "Napoleon the Little" and the future Emperor who was to inflict twenty years of exile upon him. But now we come to the year which VICTOR HUGO has designated "The Terrible Year," the war, and the siege of Paris. This part of the volume is made up of extracts from note-books, private and personal notes, dotted down from day to day. Which is to say that they do not constitute an account of the oft-related episodes of the siege, but tell something new, the little side of great events, the little incidents of everyday life, the number of shells fired into the city and what they cost, the degrees of cold, the price of provisions, what is being said, sung, and eaten, and at the same time give the psychology of the great city, its illusions, revolts, wrath, anguish, and also its gaiety; for during these long months Paris never gave up hope and preserved an heroic cheerfulness. On the other hand a painful note runs through the diary kept during the meeting of the Assembly at Bordeaux. France is not only vanquished, she is mutilated. The conqueror demands a ransom of milliards—it is his right, the right of the strongest; but he tears from her two provinces, with their inhabitants devoted to France; it is a return towards barbarism. VICTOR HUGO withdraws indignantly from the Assembly which has agreed to endorse the Treaty of Frankfort. And three days after his resignation he sees CHARLES HUGO, his eldest son, die a victim to the privations of the siege. He is stricken at once in his love of country and in his paternal love, and one can say that in these painful pages, more than in any of the others, the book is history that has been lived. PAUL MAURICE. Paris, Sept. 15, 1899.
Author: Victor Hugo
Publisher: BoD – Books on Demand
ISBN: 3752304103
Category : Fiction
Languages : en
Pages : 362
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Book Description
Reproduction of the original: Poems by Victor Hugo
Author: Charles Dudley Warner
Publisher: Cosimo, Inc.
ISBN: 1605201855
Category : History
Languages : en
Pages : 434
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Book Description
Popular American essayist, novelist, and journalist CHARLES DUDLEY WARNER (1829-1900) was renowned for the warmth and intimacy of his writing, which encompassed travelogue, biography and autobiography, fiction, and more, and influenced entire generations of his fellow writers. Here, the prolific writer turned editor for his final grand work, a splendid survey of global literature, classic and modern, and it's not too much to suggest that if his friend and colleague Mark Twain-who stole Warner's quip about how "everybody complains about the weather, but nobody does anything about it"-had assembled this set, it would still be hailed today as one of the great achievements of the book world. Highlights from Volume 19 include: . the poetry of Oliver Wendell Holmes, Thomas Hood, Horace, and Julia Ward Howe . the legend of the Holy Grail . excerpts from Homer's the Iliad and the Odyssey . selections from Victor Hugo's Les Misrables . the science writing of Thomas Henry Huxley . and much, much more.
