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Author: Allan Cunningham
Publisher: London : [s.n.]
ISBN:
Category : Artists
Languages : en
Pages : 360
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Book Description
Author: Allan Cunningham
Publisher: London : [s.n.]
ISBN:
Category : Artists
Languages : en
Pages : 360
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Book Description
Author: Francis Downman
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 380
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Book Description
Author: Alison Baverstock
Publisher: Prestel Junior
ISBN: 9783791370620
Category : Art, British
Languages : en
Pages : 0
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Book Description
"Colorful, chronologically arranged overview uses games, puzzles, and project ideas to encourage young people to appreciate the diverse ways in which British artists reflect their country's culture. Religious art, modern sculpture, exquisite landscapes and urban art are all presented in full-page spreads that engage children by inviting them into the works themselves, challenging them to answer questions about the artists' perceptions and exposing them to the fascinating historical forces that have shaped the artists' work"--Publishers website.
Author: Harry John Wilmot-Buxton
Publisher:
ISBN:
Category : Painters
Languages : en
Pages : 256
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Book Description
Author: Charles Hemming
Publisher: Victor Gollancz
ISBN: 9780575039575
Category : Art
Languages : en
Pages : 224
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Book Description
Author: Eddie Chambers
Publisher: Bloomsbury Publishing
ISBN: 0857736086
Category : Art
Languages : en
Pages : 307
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Book Description
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
Author: Andrew Wilton
Publisher: Prestel Publishing
ISBN: 9783791318790
Category : Watercolor painting
Languages : en
Pages : 0
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Book Description
The revolution in watercolours of the later eighteenth century and its Victorian aftermath is acknowledged to be one of the greatest triumphs of British art. Its effect was to transform the modest tinted drawing of the topographer into a powerful and highly flexible means of expression for some of the Romantic era's greatest artists, among them Thomas Girtin, J.M.W. Turner and John Constable. The painters of the next generation were no less ambitious, and the range of subject-matter and technical inventiveness that was sustained for much of the Victorian period was to set a standard in watercolour painting that was without equal abroad. In this magnificently illustrated survey of the great age of British watercolours, Andrew Wilton and Anne Lyles trace the development of attitudes to landscape and to the human figure in the landscape from 1750 to 1880. They show how once the traditional pen and ink drawing and its augmented washes of colour had been abandoned in order to paint directly in watercolours without pen outlines, the way was open for the powerful Romantic landscapes of the following decade and beyond, many of which were painted in the wild mountainous regions of Wales and Scotland. During the nineteenth century, as the gilt-framed exhibition watercolour began to challenge the long-established oil painting in terms of size and in brilliance of colour and effect, the range of subject-matter was broadened to include scenes of country and town life from every part of Britain and, increasingly, from the Continent too. By mid-century the Near East was attracting many of the greatest Victorian watercolourists, including J. E. Lewis, David Roberts and Edward Lear. Other leadingVictorians who regularly worked in watercolour include the Pre-Raphaelite painters John Everett Millais and William Holman Hunt, and the American-born James McNeill Whistler, all of whom are included in this book.
Author: Andrew Graham-Dixon
Publisher: Univ of California Press
ISBN: 9780520223769
Category : Art
Languages : en
Pages : 260
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Book Description
Andrew Graham-Dixon unveils the long-kept secret of Britain's rich and vital visual culture.
Author: Elizabeth Lunday
Publisher: Quirk Books
ISBN: 1594747458
Category : Biography & Autobiography
Languages : en
Pages : 292
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Book Description
Take a tour through the wilder side of art history, and discover true tales of murder, forgery, and trickery—featuring jaw-dropping profiles over 30 iconic artists like Leonardo Da Vinci and Salvadori Dalí. With outrageous anecdotes about everyone from Leonardo Da Vinci to Caravaggio to Edward Hopper, Secret Lives of Great Artists recounts the seamy, steamy and gritty history behind the great masters of international art. Here, you’ll learn that Michelangelo’s body odor was so bad, his assistants couldn’t stand working for him; that Vincent van Gogh sometimes ate paint directly from the tube; and Georgia O’Keeffe loved to paint in the nude. This is one art history lesson you’ll never forget!
Author: Sir Joshua Reynolds
Publisher: IndyPublish.com
ISBN:
Category : Art
Languages : en
Pages : 200
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Book Description
When the artist is once enabled to express himself with some degree of correctness, he must then endeavour to collect subjects for expression; to amass a stock of ideas, to be combined and varied as occasion may require. He is now in the second period of study, in which his business is to learn all that has hitherto been known and done. Having hitherto received instructions from a particular master, he is now to consider the art itself as his master. He must extend his capacity to more sublime and general instructions.
