Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642

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Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum

Catalogue of the Harvard University Fine Arts Library, The Fogg Art Museum PDF Author: Harvard University. Fine Arts Library
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 642

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Book Description


Art and Auctions

Art and Auctions PDF Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 606

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Internationale Bibliographie der Antiquariats-, Auktions- und Kunstkataloge

Internationale Bibliographie der Antiquariats-, Auktions- und Kunstkataloge PDF Author:
Publisher:
ISBN:
Category : Bibliography of bibliographies
Languages : en
Pages : 278

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Gauguin

Gauguin PDF Author: Jean Leymarie
Publisher: Rizzoli International Publications
ISBN:
Category : Architecture
Languages : en
Pages : 112

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Book Description
Paul Gauguin (1848-1903) came late to painting, after two previous careers, first as a seaman, then as a stockbrocker. A romantic, a primitive, a symbolist, a born rebel and flamboyant personality, he stands at the crossroads of modern painting, summing up in his life's work the crucial transition from Impressionism to abstraction. He had no art school training. What we did have was an idea and a dream. His genius is usually considered in terms of his painting. This book offers the rare treat of a selection of watercolors, gouaches, pastels, pen-and-ink and charcoal drawings, monotypes, zincograph and woodcuts, together with pages from "Noa Noa", Gauguin's illustrated account of his stay in Tahiti. In many ways these works are more revealing than his paintings, as they allowed the artist a spontaneity and intimacy that painting, by the very nature of his technique, could not. -- From publisher's description.

Artisan Reports on the Paris Universal Exhibition of 1878

Artisan Reports on the Paris Universal Exhibition of 1878 PDF Author: Royal Society of Arts (Great Britain)
Publisher:
ISBN:
Category : Decorative arts
Languages : en
Pages : 690

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Rethinking Boucher

Rethinking Boucher PDF Author: Melissa Lee Hyde
Publisher: Getty Publications
ISBN: 9780892368259
Category : Art
Languages : en
Pages : 304

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Book Description
"Unequivocally a modern, Francois Boucher (1703-70) defined the French artistic avant-garde throughout his career. Yet the triumph of modernist aesthetics - with its focus on the self-critical, the autonomous, and the intellectually challenging - has long discouraged art historians and other viewers from taking Boucher's playful and alluring works seriously. Rethinking Boucher revisits the cultural meanings and reception of his diverse oeuvre, inviting us to revise the interpretive cliches by which we have sought to tame this artist and his epoch."--BOOK JACKET.

Bohemian Versus Bourgeois

Bohemian Versus Bourgeois PDF Author: César Graña
Publisher: New York, Basic Books
ISBN:
Category : France
Languages : en
Pages : 252

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When I Was a Photographer

When I Was a Photographer PDF Author: Felix Nadar
Publisher: MIT Press
ISBN: 0262029456
Category : Photography
Languages : en
Pages : 335

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Book Description
The first complete English translation of Nadar's intelligent and witty memoir, a series of vignettes that capture his experiences in the early days of photography. Celebrated nineteenth-century photographer—and writer, actor, caricaturist, inventor, and balloonist—Félix Nadar published this memoir of his photographic life in 1900 at the age of eighty. Composed as a series of vignettes (we might view them as a series of “written photographs”), this intelligent and witty book offers stories of Nadar's experiences in the early years of photography, memorable character sketches, and meditations on history. It is a classic work, cited by writers from Walter Benjamin to Rosalind Krauss. This is its first and only complete English translation. In When I Was a Photographer (Quand j'étais photographe), Nadar tells us about his descent into the sewers and catacombs of Paris, where he experimented with the use of artificial lighting, and his ascent into the skies over Paris in a hot air balloon, from which he took the first aerial photographs. He recounts his “postal photography” during the 1870-1871 Siege of Paris—an amazing scheme involving micrographic images and carrier pigeons. He describes technical innovations and important figures in photography, and offers a thoughtful consideration of society and culture; but he also writes entertainingly about such matters as Balzac's terror of being photographed, the impact of a photograph on a celebrated murder case, and the difference between male and female clients. Nadar's memoir captures, as surely as his photographs, traces of a vanished era.

The Orientalists

The Orientalists PDF Author: Lynne Thornton
Publisher: www.acr-edition.com
ISBN: 9782867700835
Category : Architecture
Languages : en
Pages : 196

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Book Description
At the end of the nineteenth century, numerous painters succumbed to the charms of the Orient. Travel to distant lands was easier, and artists brought back voluptuous images filled with sun and colour. This title studies almost 150 painters, from Delacroix to Ziem. It features many lesser known masters and is suitable for collectors.

Architectural Space in Eighteenth-Century Europe

Architectural Space in Eighteenth-Century Europe PDF Author: Meredith Martin
Publisher: Routledge
ISBN: 1351576062
Category : Art
Languages : en
Pages : 428

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Book Description
Architectural Space in Eighteenth-Century Europe: Constructing Identities and Interiors explores how a diverse, pan-European group of eighteenth-century patrons - among them bankers, bishops, bluestockings, and courtesans - used architectural space and décor to shape and express identity. Eighteenth-century European architects understood the client's instrumental role in giving form and meaning to architectural space. In a treatise published in 1745, the French architect Germain Boffrand determined that a visitor could "judge the character of the master for whom the house was built by the way in which it is planned, decorated and distributed." This interdisciplinary volume addresses two key interests of contemporary historians working in a range of disciplines: one, the broad question of identity formation, most notably as it relates to ideas of gender, class, and ethnicity; and two, the role played by different spatial environments in the production - not merely the reflection - of identity at defining historical and cultural moments. By combining contemporary critical analysis with a historically specific approach, the book's contributors situate ideas of space and the self within the visual and material remains of interiors in eighteenth-century Europe. In doing so, they offer compelling new insight not only into this historical period, but also into our own.