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Author: Richard J. Hand
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 296
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Book Description
Since the theatre closed its doors 40 years ago, the genre has been overlooked by critics and theatre historians. This book considers the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance.
Author: Richard J. Hand
Publisher:
ISBN:
Category : Drama
Languages : en
Pages : 296
Get Book Here
Book Description
Since the theatre closed its doors 40 years ago, the genre has been overlooked by critics and theatre historians. This book considers the importance and influence of the Grand-Guignol within its social, cultural and historical contexts, and is the first attempt at a major evaluation of the genre as performance.
Author:
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
Author: Mel Gordon
Publisher: Da Capo Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 196
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Book Description
The Theatre of the Grand Guignol, which began in turn-of-the-century Paris, celebrated horror and fear. Innocent victims, mangled beauty, insanity, mutilation, depravity and guilt were its primary themes. This text examines its history, themes and methods and summarizes its plots.
Author: Richard J. Hand
Publisher:
ISBN:
Category :
Languages : en
Pages :
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Book Description
A companion to UEP's Grand-Guignol: The French Theatre of Horror (now in its third reprint). London's Grand Guignol was established in the early 1920s at the Little Theatre in the West End. It was a high-profile venture that enjoyed popular success as much as critical controversy.
Author: Prof. Richard J. Hand
Publisher: University of Exeter Press
ISBN: 0859891143
Category : Drama
Languages : en
Pages : 393
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Book Description
From the authors of the successful Grand-Guignol and London’s Grand Guignol - also published by UEP – this book includes translations of a further eleven plays, adding significantly to the repertoire of Grand-Guignol plays available in the English language. The emphasis in the translation and adaptation of these plays is once again to foreground the performability of the scripts within a modern context – making Performing Grand-Guignol an ideal acting guide. Hand and Wilson have acquired extremely rare acting copies of plays which have never been published and scripts that were published in the early years of the twentieth century but have not been published since – even in French. Includes plays written by, or adapted from, such notable writers as Octave Mirbeau, Gaston Leroux and St John Ervine as well as examples by Grand-Guignol stalwarts René Berton and André de Lorde. Also included is the 1920s London translation of Blind Man’s Buff written by Charles Hellem and Pol d’Estoc and banned by the Lord Chamberlain. A brief history of the Parisian theatre is also included, for the benefit of readers who have not read the previous books.
Author: Maurice Level
Publisher:
ISBN: 9781933618944
Category : Fine books
Languages : en
Pages : 0
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Book Description
The only collection of fiction, and one novel, by Maurice Level, an acknowledged master of horror fiction.
Author: Andre de Lorde
Publisher:
ISBN: 9781329103863
Category :
Languages : en
Pages : 0
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Book Description
A play by the maestro of Paris' bloody "Grand Guignol" theater of the early 20th century, AT THE TELEPHONE (1924) is a play about a man that leaves his wife, young son, and servants for a business trip, and the horror that ensues afterward. Gripping and macabre like all the Grand Guignol! Cover image found at Pixabay. No attribution is required.
Author: Prof. Richard J. Hand
Publisher: University of Exeter Press
ISBN: 1804130168
Category : Drama
Languages : en
Pages : 251
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Book Description
While the infamous Théâtre du Grand-Guignol in Paris closed its doors in 1962, the particular form of horror theatre it spawned lives on and has, moreover, witnessed something of a resurgence over the past twenty years. During its heyday it inspired many imitators, though none quite as successful as the Montmartre-based original. In more recent times, new Grand-Guignol companies the world over have emerged to reimagine the form for a new generation of audiences. This book, the fourth volume in University of Exeter Press’s series on the Grand-Guignol by Richard J. Hand and Michael Wilson, examines the ongoing influence and legacy of the Théâtre du Grand-Guignol through an appraisal of its contemporary imitators and modern reincarnations. As with the previous volumes, Grand-Guignolesque consists of a lengthy critical introduction followed by a series of previously unpublished scripts, each with its own contextualizing preface. The effect thereof is to map the evolution of horror theatre over the past 120 years, asking where the influence of the Grand-Guignol is most visible today, and what might account for its recent resurgence. This book will be of interest not only to the drama student, theatre historian and scholar of popular theatre, but also to the theatre practitioner, theatregoer and horror fan.
