Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457480621
Category : Music
Languages : en
Pages : 52
Book Description
A choral worship cantata for SATB with SATB Soli composed by Johann Sebastian Bach.
Cantata No. 71 -- Gott ist mein König (God Is My King)
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457480621
Category : Music
Languages : en
Pages : 52
Book Description
A choral worship cantata for SATB with SATB Soli composed by Johann Sebastian Bach.
Publisher: Alfred Music
ISBN: 9781457480621
Category : Music
Languages : en
Pages : 52
Book Description
A choral worship cantata for SATB with SATB Soli composed by Johann Sebastian Bach.
Cantata No. 71
Author: J. S. Bach
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 40
Book Description
Cantata No. 71 -- Gott Ist Mein Konig
Author:
Publisher: Alfred Music
ISBN: 9780769260594
Category : Cantatas, Sacred
Languages : en
Pages : 0
Book Description
A choral worship cantata for SATB with SATB Soli composed by Johann Sebastian Bach.
Publisher: Alfred Music
ISBN: 9780769260594
Category : Cantatas, Sacred
Languages : en
Pages : 0
Book Description
A choral worship cantata for SATB with SATB Soli composed by Johann Sebastian Bach.
Bach The Borrower
Author: Norman Carrell
Publisher: Taylor & Francis
ISBN: 1040223990
Category : Music
Languages : en
Pages : 397
Book Description
Originally published in 1967, in this book the author delves deeply into the fascinating field of Bach’s music and the reasons for his ‘borrowing’, and adaptation within his oeuvre. This book, scrupulously uncontroversial in its manner, contains evidence which upends many established judgements. Whether concerned with Bach’s artistic personality or with details of his performance, this voluminous record, with commentary, of his adaptations, recompositions or transcriptions is an essential work of reference. When it was first published much of the information on the Choralgesänge and the chorals contained in or intended for the Orgelbüchlein was available for the first time in English.
Publisher: Taylor & Francis
ISBN: 1040223990
Category : Music
Languages : en
Pages : 397
Book Description
Originally published in 1967, in this book the author delves deeply into the fascinating field of Bach’s music and the reasons for his ‘borrowing’, and adaptation within his oeuvre. This book, scrupulously uncontroversial in its manner, contains evidence which upends many established judgements. Whether concerned with Bach’s artistic personality or with details of his performance, this voluminous record, with commentary, of his adaptations, recompositions or transcriptions is an essential work of reference. When it was first published much of the information on the Choralgesänge and the chorals contained in or intended for the Orgelbüchlein was available for the first time in English.
J.S. Bach: the Vocal Texts in English Translation with Commentary
Author: Z. Philip Ambrose
Publisher: Xlibris Corporation
ISBN: 1664119841
Category : Music
Languages : en
Pages : 1024
Book Description
Prof. Ambrose has revised and enlarged into one volume his 2006 two-volume English translations of virtually all the vocal works of Johann Sebastian Bach. By preserving the meter and key-word placement of the original, J.S. Bach: The Vocal Texts in English Translation with Commentary is a good guide to the poetics of Bach's music and will help listeners and interpreters perceive more clearly Bach's own "translation" of text into music.
Publisher: Xlibris Corporation
ISBN: 1664119841
Category : Music
Languages : en
Pages : 1024
Book Description
Prof. Ambrose has revised and enlarged into one volume his 2006 two-volume English translations of virtually all the vocal works of Johann Sebastian Bach. By preserving the meter and key-word placement of the original, J.S. Bach: The Vocal Texts in English Translation with Commentary is a good guide to the poetics of Bach's music and will help listeners and interpreters perceive more clearly Bach's own "translation" of text into music.
Compositional Choices and Meaning in the Vocal Music of J. S. Bach
Author: Mark A. Peters
Publisher: Rowman & Littlefield
ISBN: 1498554962
Category : Music
Languages : en
Pages : 355
Book Description
Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.
Publisher: Rowman & Littlefield
ISBN: 1498554962
Category : Music
Languages : en
Pages : 355
Book Description
Compositional Choices and Meaning in the Vocal Music of J. S. Bach collects seventeen essays by leading Bach scholars. The authors each address in some way such questions of meaning in J. S. Bach’s vocal compositions—including his Passions, Masses, Magnificat, and cantatas—with particular attention to how such meaning arises out of the intentionality of Bach’s own compositional choices or (in Part IV in particular) how meaning is discovered, and created, through the reception of Bach’s vocal works. And the authors do not consider such compositional choices in a vacuum, but rather discuss Bach’s artistic intentions within the framework of broader cultural trends—social, historical, theological, musical, etc. Such questions of compositional choice and meaning frame the four primary approaches to Bach’s vocal music taken by the authors in this volume, as seen across the book’s four parts: Part I: How might the study of historical theology inform our understanding of Bach’s compositional choices in his music for the church (cantatas, Passions, masses)? Part II: How can we apply traditional analytical tools to understand better how Bach’s compositions were created and how they might have been heard by his contemporaries? Part III: What we can understand anew through the study of Bach’s self-borrowing (i.e., parody), which always changed the earlier meaning of a composition through changes in textual content, compositional characteristics, the work’s context within a larger composition, and often the performance context (from court to church, for example)? Part IV: What can the study of reception teach us about a work’s meaning(s) in Bach’s time, during the time of his immediate successors, and at various points since then (including our present)? The chapters in this volume thus reflect the breadth of current Bach research in its attention not only to source study and analysis, but also to meanings and contexts for understanding Bach’s compositions.
The hymns and hymn melodies of the cantatas and motetts
Author: Charles Sanford Terry
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 640
Book Description
Publisher:
ISBN:
Category : Chorale
Languages : en
Pages : 640
Book Description
Bach's Chorals
Author: Charles Sanford Terry
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 728
Book Description
Johann Sebastian Bach
Author: Martin Geck
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151006489
Category : Biography & Autobiography
Languages : en
Pages : 764
Book Description
Publisher Description
Publisher: Houghton Mifflin Harcourt
ISBN: 9780151006489
Category : Biography & Autobiography
Languages : en
Pages : 764
Book Description
Publisher Description
Johann Sebastian Bach’s St John Passion (BWV 245): A Theological Commentary
Author: Andreas Loewe
Publisher: BRILL
ISBN: 9004272364
Category : History
Languages : en
Pages : 351
Book Description
This Theological Commentary is the first full-length work in English to consider Johann Sebastian Bach’s St John Passion in its entirety, both the words and the music. Bach’s oratorio is a globally popular musical work, and a significant expression of Lutheran theology. The commentary explains the Biblical and poetic text, and its musical setting, line by line. Bach’s Passion is shown to be the work of a master craftsman and trained theologian, in the collaborative and cultural milieu of eighteenth-century, Lutheran Leipzig. For the first time, this work makes much German scholarship available in English, including archival sources, and includes a new scholarly translation of the libretto. The musical and theological terms are explained, to enable an interdisciplinary understanding of the Passion’s meaning and continued significance.
Publisher: BRILL
ISBN: 9004272364
Category : History
Languages : en
Pages : 351
Book Description
This Theological Commentary is the first full-length work in English to consider Johann Sebastian Bach’s St John Passion in its entirety, both the words and the music. Bach’s oratorio is a globally popular musical work, and a significant expression of Lutheran theology. The commentary explains the Biblical and poetic text, and its musical setting, line by line. Bach’s Passion is shown to be the work of a master craftsman and trained theologian, in the collaborative and cultural milieu of eighteenth-century, Lutheran Leipzig. For the first time, this work makes much German scholarship available in English, including archival sources, and includes a new scholarly translation of the libretto. The musical and theological terms are explained, to enable an interdisciplinary understanding of the Passion’s meaning and continued significance.