Author: Timothy Brittain-Catlin
Publisher: Leuven University Press
ISBN: 9462700915
Category : Architecture
Languages : en
Pages : 257
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Book Description
Pugin’s global influence on church architecture and material reform The year 2012 marked the bicentenary of the gothic revival architect A.W.N. Pugin. His influence as a designer not only spread fast globally, but also played a leading part in the transformation of material culture from the mid-nineteenth century onwards. Pugin’s work has been comprehensively reevaluated over the last decade. In this volume sixteen leading scholars from across the globe discuss Pugin’s direct influence on church architecture and furnishing. Beautifully illustrated with a large selection of new photography, Gothic Revival Worldwide, the successor to the volume Gothic Revival published in 2000, reveals how Pugin’s ideas played a profound role in the changing face of material reform in church architecture as an expression of the evolving identity of the churches across the world from North America to Mongolia and the South Pacific. Contributors Stephen Bann (Bristol University), Jessica Basciano (University of St. Thomas, Houston), G.A. Bremner (University of Edinburgh), Martin Bressani (McGill University, Montréal), Karen Burns (University of Melbourne), Timothy Brittain-Catlin (University of Kent), Peter Coffman (Carleton University, Ottawa), Thomas Coomans (KU Leuven), Jan De Maeyer (KU Leuven / KADOC), Candace Iron (York University, Toronto), Stephen Kite (Cardiff University, Wales), Alex Lawrey (independent scholar), Peter N. Lindfield (University of Stirling), Cameron Macdonell (Institute for the History and Theory of Architecture, ETH Zurich), M. Stephen McNair, Jr. (McNair Historic Preservation), Gilles Maury (École National Supérieure d’Architecture et de Paysage, Lille), Henrik Schoenefeldt (University of Kent), Richard A. Sundt (University of Oregon), Malcolm Thurlby (York University, Toronto)
Author: Georg Germann
Publisher: Mit Press
ISBN: 9780262570503
Category : Architecture
Languages : en
Pages : 263
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Book Description
Most analyses of the nineteenth-century Gothic revival in architecture have treated it as an essentially English phenomenon. This work is one of the few to consider the important parallel developments in Europe and thus set the movement in proper international perspective. One interesting aspect of the Gothic revival is its development in notably different national ways. Dr. Germann examines the semantics of "Gothic" and "style" in Italian, French, and English and shows how each country's concept of style influenced the choice of particular Gothic modes and forms. In England the Gothic revival went hand in hand with liturgical revivals. French art historians saw the renewal of the Gothic style as a nationalistic tribute to a golden age in France's history. The Germans welcomed it as an opportunity for practical craft training. Contributions to the three key architectural journals of this period- The Ecclesiologist,the Annales archeologiques,and the Kolner Domblatt-are examined as evidence of the spirit behind the work. No understanding of the Gothic revival would be complete without also putting it into historical perspective. Dr. Germann examines the events leading up to the Gothic revival, its beginnings, doctrinal aspects, eventual decline, and, finally, historical significance. His analysis looks forward to Gaudi and the Bauhaus as well as back to Vitruvius. Although this book focuses primarily on the ideas of the period, rather than on specific works of architecture, there are 98 illustrations, including drawings and plans, depicting some of the principal buildings. There are also extensive footnotes and a thematic bibliographical index.
Author: Georg Germann
Publisher: London : Lund Humphries with the Architectural Association
ISBN:
Category : Architecture
Languages : en
Pages : 274
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Book Description
Most analyses of the nineteenth-century Gothic revival in architecture have treated it as an essentially English phenomenon. This work is one of the few to consider the important parallel developments in Europe and thus set the movement in proper international perspective.One interesting aspect of the Gothic revival is its development in notably different national ways. Dr. Germann examines the semantics of "Gothic" and "style" in Italian, French, and English and shows how each country's concept of style influenced the choice of particular Gothic modes and forms. In England the Gothic revival went hand in hand with liturgical revivals. French art historians saw the renewal of the Gothic style as a nationalistic tribute to a golden age in France's history. The Germans welcomed it as an opportunity for practical craft training. Contributions to the three key architectural journals of this period--"The Ecclesiologist, " the "Annales archeologiques, " and the "Kolner Domblatt"--are examined as evidence of the spirit behind the work.No understanding of the Gothic revival would be complete without also putting it into historical perspective. Dr. Germann examines the events leading up to the Gothic revival, its beginnings, doctrinal aspects, eventual decline, and, finally, historical significance. His analysis looks forward to Gaudi and the Bauhaus as well as back to Vitruvius.Although this book focuses primarily on the ideas of the period, rather than on specific works of architecture, there are 98 illustrations, including drawings and plans, depicting some of the principal buildings. There are also extensive footnotes and a thematic bibliographical index.
Author: Augustus Welby Northmore Pugin
Publisher: Yale University Press
ISBN: 0300066562
Category : Architecture
Languages : en
Pages : 424
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Book Description
Pub. for Bard Grad. Ctr. for Studies in Decorative Arts, NY, Exhibition catalog.
Author: Claudio Veliz
Publisher: Univ of California Press
ISBN: 0520914031
Category : History
Languages : en
Pages : 568
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Book Description
Claudio Véliz adopts the provocative metaphor of foxes and hedgehogs that Isaiah Berlin used to describe opposite types of thinkers. Applying this metaphor to modern culture, economic systems, and the history of the New World, Véliz provides an original and lively approach to understanding the development of English and Spanish America over the past 500 years. According to Véliz, the dominant cultural achievements of Europe's English- and Spanish-speaking peoples have been the Industrial Revolution and the Counter-Reformation, respectively. These overwhelming cultural constructions have strongly influenced the subsequent historical developments of their great cultural outposts in North and South America. The British brought to the New World a stubborn ability to thrive on diversity and change that was entirely consistent with their vernacular Gothic style. The Iberians, by contrast, brought a cultural tradition shaped like a vast baroque dome, a monument to their successful attempt to arrest the changes that threatened their imperial moment. Véliz writes with erudition and wit, using a multitude of sources—historians and classical sociologists, Greek philosophers, today's newspaper sports pages, and modern literature—to support a novel explanation of the prosperity and expanding cultural influence of the gothic fox and the economic and cultural decline endured by the baroque hedgehog.
Author: Dale Townshend
Publisher:
ISBN: 0198845669
Category : Architecture
Languages : en
Pages : 432
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Book Description
The first closely historicized study of the relationship between Gothic architecture and Gothic and Romantic literature.
Author: Andrea Elizabeth Donovan
Publisher: Routledge
ISBN: 1135914079
Category : Literary Criticism
Languages : en
Pages : 293
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Book Description
The Society for the Protection of Ancient Buildings, founded by artist and craftsman William Morris in 1877, sought to preserve the integrity of historic buildings by preventing unnecessary repairs and additions. William Morris's intention and that of the SPAB, as outlined by the original manifesto, was that buildings of any period had a life that was best protected through the conservative repair of what was falling into ruin and the prevention of injury to buildings by safeguarding them as much as possible and practical. This practice became known as historic preservation. In this study, Donovan, relying upon many original documents from the SPAB archives in London, traces the history of the SPAB from it's foundation in nineteenth-century England to its current activities in England and Western Europe.
Author: Jane Turner
Publisher: Macmillan
ISBN: 9780312229757
Category : Art
Languages : en
Pages : 438
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Book Description
"From the Renaissance and Mannerism to impressionism and Post-Impressionism, from the Gothic Revival to the Arts and Crafts Movement, and Art Nouveau, the history of Western Art is here narrated through more than 180 articles on its most significant styles and movements. Covering all forms of the visual arts - architecture and decorative arts as well as painting and sculpture, each survey discusses the origins, characteristics, leading players, and influence of the most important movements in European. North American, and Latin American art. With articles written in clear, straightforward language and with selective bibliographies, this extensive guide is an essential introduction for anyone with an interest in art and the arts in general."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Anuradha Chatterjee
Publisher: Cambridge Scholars Publishing
ISBN: 1443862967
Category : Architecture
Languages : en
Pages : 245
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Book Description
Surface in architecture has had a deeper and a more pervasive presence in the practice and theory of the discipline than is commonly supposed. Orientations to the surface emerge, collapse, and reappear, sustaining it as a legitimate theoretical and artefactual entity, despite the (twentieth-century) disciplinary definition of architecture as space, structure, and function. Even though surface is defended for its pervasiveness (Kurt Forster), its function as a theoretical motif with generative power (Andrew Benjamin), and in constituting the operative principles of modern architecture as a visual phenomenon (Mark Wigley), it occupies the interstice, or the space of the unconscious within architectural discourse, from where it defends its legitimacy as architecturally valuable or ‘functional,’ as opposed to merely visually pleasurable. Surface and Deep Histories positions surface within the scholarship of critical theory and design-based approaches, and invites academics and designers, and art and architectural historians based in Australia to consider the uses, figurations, scales, and typologies of surfaces. The collection choreographs contributions that focus on a variety of topics, such as montage and construction of colonial modernity and visual culture (Molly Duggins); wallpaper, rational space, and femininity (Anna Daly); the inter-constituted nature of bodies, clothes, and cities (Stella North); the reconstruction of the urban surface through a true integration of information and topology (M Hank Haeusler); James Fergusson’s theory of ornament (Peter Kohane); traditional and new verandahs in Australia (Chris Brisbin); contradictory effects of surface in Green architecture debates (Flavia Marcello and Ian Woodcock); and the thickness of thin curtain walls in contemporary Australian architecture (Anuradha Chatterjee). Surface and Deep Histories shows that surface is not thin — spatially or conceptually. It demonstrates that the practice of surface is simultaneously superficial and pervasive, symbol and space, meaningful and functional, static and transitory, and object and envelope.
Author: Bernard Porter
Publisher: A&C Black
ISBN: 1441174737
Category : History
Languages : en
Pages : 266
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Book Description
This title explores the controversy surrounding the design of the new Foreign Office in London during Britain's Imperial heyday. In 1855 it was decided to build a new block of government offices in London, starting with the Foreign and War Offices. The government offices competition came at what was probably - looking back on it - the zenith of Britain's confidence as a nation and international power. One would expect the mid-Victorians to have felt, firstly, pride in their current national situation; and secondly, the urge to commemorate this in the most important national building to be projected in twenty years. Porter uses the debates surrounding the building of these important new monuments to interrogate the very fabric of British society, culture and nation building. The discussion on so many issues - religion, nationality, empire, history, modernism, truth, morality, gender - quite apart from considerations of 'pure' aesthetics, offers an unusual, perhaps even unique, insight into the relationship between these matters and the 'culture' of the time.
