Gothic Manuscripts 1260-1320: Text & illustrations ; v. 2. Catalogue PDF Download
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Author: Alison Stones
Publisher:
ISBN:
Category : Illumination of books and manuscripts, French
Languages : en
Pages :
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Book Description
"Part 1 [in two physical volumes] comprises the introduction, the lists of the producers (scribes, illuminators and decorators) and patrons whose names are known, followed by a catalogue of manuscripts made in the north (Paris and the province of Sens, Normandy, the province of Reims). Part 2 [also in two volumes] contains the catalogue of manuscripts made in the east, southeast, southwest, west and centre, followed by the comparative tables and the index of manuscripts cited."--Dust jacket.
Author: Alison Stones
Publisher:
ISBN:
Category : Illumination of books and manuscripts, French
Languages : en
Pages :
Get Book Here
Book Description
"Part 1 [in two physical volumes] comprises the introduction, the lists of the producers (scribes, illuminators and decorators) and patrons whose names are known, followed by a catalogue of manuscripts made in the north (Paris and the province of Sens, Normandy, the province of Reims). Part 2 [also in two volumes] contains the catalogue of manuscripts made in the east, southeast, southwest, west and centre, followed by the comparative tables and the index of manuscripts cited."--Dust jacket.
Author: Alison Stones
Publisher:
ISBN: 9781909400061
Category : Illumination of books and manuscripts, French
Languages : en
Pages : 598
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Book Description
This book is organized according to production in regional centres based on stylistic analysis and by comparative tables of the illustration of liturgical and devotional books, and a selection of romances, legal and historical works. Part 1 comprises the Introduction, the Lists of the Producers (scribes, illuminators and decorators) and Patrons whose names are known, followed by a Catalogue of Manuscripts made in the North (Paris and the Province of Sens, Normandy, the Province of Reims). Part 2 contains the Catalogue of Manuscripts made in the East, South-East, South-West, West and Centre, followed by the Comparative Tables and Index of Manuscripts Cited.
Author: Alison Stones
Publisher:
ISBN:
Category : Illumination of books and manuscripts, French
Languages : en
Pages :
Get Book Here
Book Description
Author: Alison Stones
Publisher:
ISBN:
Category : Illumination of books and manuscripts, French
Languages : en
Pages :
Get Book Here
Book Description
Author: Alison Stones
Publisher:
ISBN: 9781872501956
Category : Illumination of books and manuscripts, French
Languages : en
Pages : 0
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Book Description
"Part 1 [in two physical volumes] comprises the introduction, the lists of the producers (scribes, illuminators and decorators) and patrons whose names are known, followed by a catalogue of manuscripts made in the north (Paris and the province of Sens, Normandy, the province of Reims). Part 2 [also in two volumes] contains the catalogue of manuscripts made in the east, southeast, southwest, west and centre, followed by the comparative tables and the index of manuscripts cited."--Publisher description.
Author: Alison Stones
Publisher:
ISBN: 9781909400061
Category : Illumination of books and manuscripts, Gothic
Languages : en
Pages : 365
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Book Description
Author: Sarah Kay
Publisher: University of Chicago Press
ISBN: 022643673X
Category : Art
Languages : en
Pages : 244
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Book Description
Sarah Kay s interests in this book are, first, to examine how medieval bestiaries depict and challenge the boundary between humans and other animals; and second, to register the effects on readers of bestiaries by the simple fact that parchment, the writing support of virtually all medieval texts, is a refined form of animal skin. Surveying the most important works created from the ninth through the thirteenth centuries, Kay connects nature to behavior to Christian doctrine or moral teaching across a range of texts. As Kay shows, medieval thought (like today) was fraught with competing theories about human exceptionalism within creation. Given that medieval bestiaries involve the inscription of texts about and images of animals onto animal hides, these texts, she argues, invite readers to reflect on the inherent fragility of bodies, both human and animal, and the difficulty of distinguishing between skin as a site of mere inscription and skin as a containing envelope for sentient life. It has been more than fifty years since the last major consideration of medieval Latin and French bestiaries was published. Kay brings us up to date in the archive, and contributes to current discussions among animal studies theorists, manuscript studies scholars, historians of the book, and medievalists of many stripes."
Author: Jaroslav Folda
Publisher: Cambridge University Press
ISBN: 1107010233
Category : Art
Languages : en
Pages : 445
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Book Description
Jaroslav Folda traces the appropriation of the Byzantine Virgin and Child Hodegetria icon by thirteenth-century Crusader and central Italian painters and explores its transformation by the introduction of chrysography on the figure of the Virgin in the Crusader Levant and in Italy.
Author: Lynley Anne Herbert
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111435954
Category : Art
Languages : en
Pages : 370
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Book Description
This anthology honors Lawrence Nees’ expansive contributions to medieval art historical inquiry and teaching on the occasion of his retirement from the University of Delaware. These essays present a cross-section of recent research by students, colleagues, and friends; the breadth of subjects explored demonstrates the pertinence of Nees’ distinctive approach and methodology centering human agency and creativity. The contributions follow three main threads: Establishing Identity, Patronage and Politics, and Beyond the Canon. Some authors draw upon Nees’ systematic analysis of iconographic idiosyncrasies and ornamental schemes, whether adorning manuscripts or monumental edifices, which elucidates their unique visual and material characteristics. Others apply a Neesian engagement with the complex dynamics of cultural exchange, visual manifestations of political ambitions and ideologies, and selective mining of the classical past. Ultimately, this collection aims to illustrate the impact of Nees’ transformative scholarship, and to celebrate his legacy in the field of medieval art history.
Author: Elizabeth Eva Leach
Publisher: Boydell & Brewer
ISBN: 1783276525
Category : History
Languages : en
Pages : 287
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Book Description
Detailed exploration of an enigmatic manuscript containing the texts to hundreds of songs, but no musical notation. The medieval songbook known variously as trouvère manuscript C or the "Bern Chansonnier" (Bern, Burgerbibliothek, Cod. 389) is one of the most important witnesses to musical life in thirteenth-century France. Almost certainly copied in Metz, it provides the texts to over five hundred Old French songs, and is a unique insight into cultures of song-making and copying on the linguistic and political borders between French and German-speaking lands in the Middle Ages. Notably, the names of trouvères, including several female poet-musicians, are found in its margins, names which would be unknown today without this evidence. However, the manuscript has received relatively little scholarly attention, partly because the songs' musical staves remained empty for reasons now unknown, and partly because of where it was copied. This collection of essays is the first to consider C on its own terms and from a range of disciplinary perspectives, including philology, art history, literary studies, and musicology. The contributors explore the process of creating the complex object that is a music manuscript, examining the work of the scribes and artists who worked on C, and questioning how scribes acquired and organised exemplars for copying. The peculiarly Messine flavour of the repertoire and authors is also discussed, with contributors showing that C frames the tradition of Old French song from a unique perspective. As a whole, the volume demonstrates how in this eastern hub of music and poetry, poet-composers, readers, and scribes interacted with the courtly song tradition in fascinating and unusual ways.
