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Author: Benjamin B. Lovett
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author: Benjamin B. Lovett
Publisher:
ISBN:
Category :
Languages : en
Pages : 114
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Book Description
Author: Benjamin B. Lovett
Publisher:
ISBN:
Category : Square dancing
Languages : en
Pages : 140
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Book Description
Author:
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 0
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Book Description
Author: NULL DATA.
Publisher:
ISBN:
Category : Square dancing
Languages : en
Pages : 124
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Book Description
Author: Henry Ford, Jr.
Publisher: Mackaye Press
ISBN: 1445516306
Category : Sports & Recreation
Languages : en
Pages : 124
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Book Description
This early work is a fascinating read for any dance enthusiast or historian of the art. On the final pages illustrations are presented showing many of the movements. Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork.
Author: Benjamin B. Lovett
Publisher: Dearborn, Mich. : [s.n.]
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 130
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Book Description
Author: Dearborn publishing company
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 92
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Book Description
Author: Dearborn publishing company
Publisher:
ISBN:
Category : Dance
Languages : en
Pages : 124
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Book Description
Author: Benjamin B. Lovett
Publisher:
ISBN:
Category : Ballroom dancing
Languages : en
Pages : 184
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Book Description
Bouve collection.
Author: Janet Borgerson
Publisher: MIT Press
ISBN: 0262044331
Category : Design
Languages : en
Pages : 552
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Book Description
When Americans mamboed in the kitchen, waltzed in the living room, polkaed in the pavilion, and tangoed at the club; with glorious, full-color record cover art. In midcentury America, eager dancers mamboed in the kitchen, waltzed in the living room, Watusied at the nightclub, and polkaed in the pavilion, instructed (and inspired) by dance records. Glorious, full-color record covers encouraged them: Let’s Cha Cha Cha, Dance and Stay Young, Dancing in the Street!, Limbo Party, High Society Twist. In Designed for Dancing, vinyl record aficionados and collectors Janet Borgerson and Jonathan Schroeder examine dance records of the 1950s and 1960s as expressions of midcentury culture, identity, fantasy, and desire. Borgerson and Schroeder begin with the record covers—memorable and striking, but largely designed and created by now-forgotten photographers, scenographers, and illustrators—which were central to the way records were conceived, produced, and promoted. Dancing allowed people to sample aspirational lifestyles, whether at the Plaza or in a smoky Parisian café, and to affirm ancestral identities with Irish, Polish, or Greek folk dancing. Dance records featuring ethnic music of variable authenticity and appropriateness invited consumers to dance in the footsteps of the Other with “hot” Latin music, Afro-Caribbean rhythms, and Hawaiian hulas. Bought at a local supermarket, department store, or record shop, and listened to in the privacy of home, midcentury dance records offered instruction in how to dance, how to dress, how to date, and how to discover cool new music—lessons for harmonizing with the rest of postwar America.
