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Author: Robert Boenig
Publisher: Routledge
ISBN: 1317126092
Category : Literary Criticism
Languages : en
Pages : 217
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Book Description
In Gonzalo de Berceo and the Latin Miracles of the Virgin, Patricia Timmons and Robert Boenig present the first English translation of a twelfth-century Latin collection of miracles that Berceo, the first named poet in the Spanish language, used as a source for his thirteenth-century Spanish collection Milagros de Nuestra Señora. Using the MS Thott 128, close to the one Berceo must have used, Timmons and Boenig provide both translation and analysis, exploring the Latin Miracles, suggesting how it was used as a sacred text, and placing it within the history of Christians' evolving understanding of the Virgin's role in their lives. In addition, this volume explores Berceo's reaction to the Latin Miracles, demonstrating that he reacted creatively to his source texts as well as to changes in Church culture and governance that occurred between the composition of Latin Miracles and the thirteenth century, translating it across both language and culture. Accessible and useful to students and scholars of medieval and Spanish studies, this book includes the original Latin text, translations of the Latin Miracles, including analyses of 'Saint Peter and the Lustful Monk,' 'The Little Jewish Boy,' and 'The Jews of Toledo.'
Author: Robert Boenig
Publisher: Routledge
ISBN: 1317126092
Category : Literary Criticism
Languages : en
Pages : 217
Get Book Here
Book Description
In Gonzalo de Berceo and the Latin Miracles of the Virgin, Patricia Timmons and Robert Boenig present the first English translation of a twelfth-century Latin collection of miracles that Berceo, the first named poet in the Spanish language, used as a source for his thirteenth-century Spanish collection Milagros de Nuestra Señora. Using the MS Thott 128, close to the one Berceo must have used, Timmons and Boenig provide both translation and analysis, exploring the Latin Miracles, suggesting how it was used as a sacred text, and placing it within the history of Christians' evolving understanding of the Virgin's role in their lives. In addition, this volume explores Berceo's reaction to the Latin Miracles, demonstrating that he reacted creatively to his source texts as well as to changes in Church culture and governance that occurred between the composition of Latin Miracles and the thirteenth century, translating it across both language and culture. Accessible and useful to students and scholars of medieval and Spanish studies, this book includes the original Latin text, translations of the Latin Miracles, including analyses of 'Saint Peter and the Lustful Monk,' 'The Little Jewish Boy,' and 'The Jews of Toledo.'
Author: Gonzalo de Berceo
Publisher: University Press of Kentucky
ISBN: 0813181542
Category : Literary Criticism
Languages : en
Pages : 199
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Book Description
Miracle tales, in which people are rewarded for piety or punished for sin through the intervention of the Virgin Mary, were a popular literary form all through the Middle Ages. Milagros de Nuestra Sehora, a collection of such stories by the Spanish secular priest Gonzalo de Berceo, is a premier example of this genre; it is also regarded as one of the four most important texts of medieval Spain. Difficulties in translating this work have made it unavailable in English except in fragments; now Spanish-language scholars Richard Terry Mount and Annette Grant Cash have made the entire work accessible to English readers for the first time. Berceo's miracle tales use the verse form cuaderna via (fourfold way) of fully rhymed quatrains—which Berceo may even have invented—and are told in the language of the common man. They were written to be read aloud, most likely to an audience of pilgrims, and are an outstanding example of oral religious narrative. The total work comprises twenty-five miracles, preceded by a renowned Introduction that celebrates the Virgin in rich symbolic allegory. Mount and Cash's translation is highly readable, yet it retains the original meaning and captures Berceo's colloquial style and medieval nuances. An introduction placing the miracles in their medieval context and a bibliography complement the text.
Author: Robert Boenig
Publisher: Routledge
ISBN: 1317126106
Category : Literary Criticism
Languages : en
Pages : 198
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Book Description
In Gonzalo de Berceo and the Latin Miracles of the Virgin, Patricia Timmons and Robert Boenig present the first English translation of a twelfth-century Latin collection of miracles that Berceo, the first named poet in the Spanish language, used as a source for his thirteenth-century Spanish collection Milagros de Nuestra Señora. Using the MS Thott 128, close to the one Berceo must have used, Timmons and Boenig provide both translation and analysis, exploring the Latin Miracles, suggesting how it was used as a sacred text, and placing it within the history of Christians' evolving understanding of the Virgin's role in their lives. In addition, this volume explores Berceo's reaction to the Latin Miracles, demonstrating that he reacted creatively to his source texts as well as to changes in Church culture and governance that occurred between the composition of Latin Miracles and the thirteenth century, translating it across both language and culture. Accessible and useful to students and scholars of medieval and Spanish studies, this book includes the original Latin text, translations of the Latin Miracles, including analyses of 'Saint Peter and the Lustful Monk,' 'The Little Jewish Boy,' and 'The Jews of Toledo.'
Author: Nora Clark
Publisher: Cambridge Scholars Publishing
ISBN: 144387678X
Category : Literary Criticism
Languages : en
Pages : 460
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Book Description
Aphrodite and Venus in Myth and Mimesis is a broad, flexible source book of comparative literature and cultural studies. It promotes the wide-ranging presence and impact of prominent idiosyncratic personalities in fabled goddess mythology and its emphatic notions of endearment and allure. The book brings together seven hundred acknowledged sources drawn from successive historical, global and literary eras, including principal commentaries, along with factual information and important renditions in art, prose and verse, within and beyond mainstream western culture. A lengthy, detailed introduction presents a copious documented preview of the viable adaptation and mimesis of ‘divine’ characterization and its respective centrality from the long distant past to the present day. Myth, rarely latent, demonstrates varied modes of expression and open-ended flexibility throughout the six comprehensive chapters which illuminate and probe, in turn, aspects of the ideological presence, sensibilities, trials and triumphs and interventions of the goddess, whether sacred or profane. Particular literary extracts and episodes range across ancient cultures alongside quite recent expressions of hermeneutics, blending myth with the contemporary in the multi-layered reception or admonishment of the goddess, whether by one designation or the other. As such, this book is wholly relevant to all stages of the evolution and expansion of a dynamic European literary culture and its leading authors and personalities.
Author: Amy I. Aronson-Friedman
Publisher: BRILL
ISBN: 9004214402
Category : Literary Criticism
Languages : en
Pages : 264
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Book Description
This collection of essays reveals the diversity of the impact on late medieval and Golden Age Spanish literature of the socio-religious dichotomy that came to exist between conversos (New Christians), who were perceived as inferior because of their Jewish descent, and Old Christians, who asserted the superiority of their pure Christian lineage.
Author: Margaret Schaus
Publisher: Taylor & Francis
ISBN: 0415969441
Category : History
Languages : en
Pages : 986
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Book Description
Publisher description
Author: Rachel Fulton Brown
Publisher: Columbia University Press
ISBN: 0231543719
Category : Religion
Languages : en
Pages : 710
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Book Description
Would you like to learn to pray like a medieval Christian? In Mary and the Art of Prayer, Rachel Fulton Brown traces the history of the medieval practice of praising Mary through the complex of prayers known as the Hours of the Virgin. More than just a work of comprehensive historical scholarship, the book asks readers to immerse themselves in the experience of believing in and praying to Mary. Mary and the Art of Prayer crosses the boundaries that modern scholars typically place between observation and experience, between the world of provable facts and the world of imagination, suggesting what it would have been like for medieval Christians to encounter Mary in prayer. Mary and the Art of Prayer opens with a history of the devotion of the Hours or “Little Office” of the Virgin. It then guides readers in the practice of saying this Office, including its invitatory (Ave Maria), antiphons, psalms, lessons, and prayers. The book works on several levels at once. It provides a new methodology for thinking about devotion and prayer; a new appreciation of the scope of and audience for the Hours of the Virgin; a new understanding of how Mary functions theologically and devotionally; and a new reading of sources not previously taken into account. A courageous and moving work, it will transform our ideas of what scholarship is and what it can accomplish.
Author: Gonzalo de Berceo
Publisher: Arizona Center for Medieval and Renaissance Studies (ACMRS)
ISBN:
Category : Literary Collections
Languages : en
Pages : 552
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Book Description
"For the first time, the complete works of Gonzalo de Berceo are available to the English reader. Originally written in the Old Spanish of the 13th century, this translation preserves the medieval flavor and imagery of the poems while retelling them in a contemporary language."--BOOK JACKET.
Author: Jan M. Ziolkowski
Publisher: Open Book Publishers
ISBN: 1783744367
Category : Art
Languages : en
Pages : 310
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Book Description
This ambitious and vivid study in six volumes explores the journey of a single, electrifying story, from its first incarnation in a medieval French poem through its prolific rebirth in the nineteenth and twentieth centuries. The Juggler of Notre Dame tells how an entertainer abandons the world to join a monastery, but is suspected of blasphemy after dancing his devotion before a statue of the Madonna in the crypt; he is saved when the statue, delighted by his skill, miraculously comes to life. Jan Ziolkowski tracks the poem from its medieval roots to its rediscovery in late nineteenth-century Paris, before its translation into English in Britain and the United States. The visual influence of the tale on Gothic revivalism and vice versa in America is carefully documented with lavish and inventive illustrations, and Ziolkowski concludes with an examination of the explosion of interest in The Juggler of Notre Dame in the twentieth century and its place in mass culture today. The Juggler of Notre Dame and the Medievalizing of Modernity is a rich case study for the reception of the Middle Ages in modernity. Spanning centuries and continents, the medieval period is understood through the lens of its (post)modern reception in Europe and America. Profound connections between the verbal and the visual are illustrated by a rich trove of images, including book illustrations, stained glass, postage stamps, architecture, and Christmas cards. Presented with great clarity and simplicity, Ziolkowski's work is accessible to the general reader, while its many new discoveries will be valuable to academics in such fields and disciplines as medieval studies, medievalism, philology, literary history, art history, folklore, performance studies, and reception studies.
Author: Ottó Gecser
Publisher: Central European University Press
ISBN: 9639776947
Category : Religion
Languages : en
Pages : 337
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Book Description
The studies in this volume concentrate on a complex set of socio-cultural phenomena, the cult of saints, in a variety of regions from Egypt to Poland, with a focus on Italy and Central Europe. The subjects of the contributions range in time from the fourth until the eighteenth century. The diversity of approaches adopted by the contributors—from literary analysis and historical anthropology to archaeology and art history—represents that open and multidisciplinary historical research that characterizes the work of Gábor Klaniczay to whom these essays are dedicated.
