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Author: Patrick Elliott
Publisher: Gallery of Scotland
ISBN: 9781911054054
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
British realist art of the 1920s and 1930s is visually stunning - strong, seductive and demonstrating extraordinary technical skill. Despite this, it is often overshadowed by abstract art. This book presents the very first overview of British realist painting of the period, showcasing outstanding works from private and public collections across the UK. Of the forty artists featured in the show, many were major figures in the 1920s and 1930s but later passed out of fashion as abstraction and Pop Art became the dominant trends in the post-war years. In the last decade their work has re-emerged and interest in them has grown. Interwar realist art embraces a number of different styles, but is characterised by fine drawing, meticulous craftsmanship, a tendency towards classicism and an aversion to impressionism and visible brushwork. Artists such as Gerald Leslie Brockhurst, Meredith Frampton, James Cowie and Winifred Knights combine fastidious Old Master detail with 1920s modernity. Stanley Spencer spans various camps while Lucian Freud's early work can be seen as a realist coda which continued into the 1940s and beyond. Exhibition: Scottish National Gallery of Modern Art, Edinburgh, Scotland (01.07. - 29.10.2017).
Author: Patrick Elliott
Publisher: Gallery of Scotland
ISBN: 9781911054054
Category : Art, Modern
Languages : en
Pages : 0
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Book Description
British realist art of the 1920s and 1930s is visually stunning - strong, seductive and demonstrating extraordinary technical skill. Despite this, it is often overshadowed by abstract art. This book presents the very first overview of British realist painting of the period, showcasing outstanding works from private and public collections across the UK. Of the forty artists featured in the show, many were major figures in the 1920s and 1930s but later passed out of fashion as abstraction and Pop Art became the dominant trends in the post-war years. In the last decade their work has re-emerged and interest in them has grown. Interwar realist art embraces a number of different styles, but is characterised by fine drawing, meticulous craftsmanship, a tendency towards classicism and an aversion to impressionism and visible brushwork. Artists such as Gerald Leslie Brockhurst, Meredith Frampton, James Cowie and Winifred Knights combine fastidious Old Master detail with 1920s modernity. Stanley Spencer spans various camps while Lucian Freud's early work can be seen as a realist coda which continued into the 1940s and beyond. Exhibition: Scottish National Gallery of Modern Art, Edinburgh, Scotland (01.07. - 29.10.2017).
Author: S. Hay
Publisher: Springer
ISBN: 0230316832
Category : Literary Criticism
Languages : en
Pages : 253
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Book Description
Ghost stories are always in conversation with novelistic modes with which they are contemporary. This book examines examples from Sir Walter Scott, Charles Dickens, Henry James and Rudyard Kipling, amongst others, to the end of the twentieth century, looking at how they address empire, class, property, history and trauma.
Author: Sam Smiles
Publisher: Intellect Books
ISBN:
Category : Architecture
Languages : en
Pages : 164
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Book Description
This volume accepts that in the 20th century imagination, Devon has often been portrayed as the antitheses of an urban, technological modernism a place of nostalig retreat from change - yet argues that it has not been isolated from modernism.
Author: Jennifer Farrell
Publisher: Metropolitan Museum of Art
ISBN: 1588397394
Category : Art
Languages : en
Pages : 208
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Book Description
The bold graphic images made by artists affiliated with Vorticism, British Futurism, and the Grosvenor School of Modern Art capture the optimism and anxiety of early twentieth-century Britain. This richly illustrated volume features rare British prints from the Leslie and Johanna Garfield collection dating between 1913 and 1939—a period marked by two world wars, a global pandemic, the Great Depression, and the rise of Fascism and Communism, but also new technologies, women’s suffrage, and a growing focus on public access to art. Essays explore how artists turned to printmaking to alleviate trauma, memorialize their wartime experiences, and capture the aspirations and fears of the twenties and thirties. At the heart of the catalogue are the colorful linocuts made by artists associated with London’s celebrated Grosvenor School. The visually striking compositions by Sybil Andrews, Claude Flight, Cyril E. Power, and Lill Tschudi, among others, convey the vitality of quotidian life during the machine age.
Author: David Bindman
Publisher: Yc British Art
ISBN:
Category : Art
Languages : en
Pages : 264
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Book Description
Leading authorities explore the transition from the High Victorian period to the counterculture of the 1960s and the Young British Artists of the 1990s. The book brings to the fore Britain's complex role as a focus for the dissemination of modernist ideas, as well as the reaction against them, and details the political, social, and commercial relationships underpinning the role of art and artists in the history of modern Britain. Distributed for the Yale Center for British Art and Tate Britain
Author: Daniel Defoe
Publisher:
ISBN:
Category :
Languages : en
Pages : 400
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Book Description
Author: George Augustus Walpoole
Publisher:
ISBN:
Category :
Languages : en
Pages : 756
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Book Description
Author: Martin Johnes
Publisher: Bloomsbury Publishing
ISBN: 1474255396
Category : History
Languages : en
Pages : 320
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Book Description
The modern Christmas was made by the Victorians and rooted in their belief in commerce, family and religion. Their rituals and traditions persist to the present day but the festival has also been changed by growing affluence, shifting family structures, greater expectations of happiness and material comfort, technological developments and falling religious belief. Christmas became a battleground for arguments over consumerism, holiday entitlements, social obligations, communal behaviour and the influence of church, state and media. Even in private, it encouraged reflection on social change and the march of time. Amongst those unhappy at the state of the world or their own lives, Christmas could induce much cynicism and even loathing but for a quieter majority it was a happy time, a moment of a joy in a sometimes difficult world that made the festival more than just an integral feature of the calendar: Christmas was one of British culture's emotional high points. Moreover, it was also a testimony to the enduring importance of family, shared values and a common culture in the UK. Martin Johnes shows how Christmas and its traditions have been lived, adapted and thought about in Britain since 1914. Christmas and the British is about the festival's social, cultural and economic functions, and its often forgotten status as both the most unusual and important day of the year
Author: Lisa Tickner
Publisher: John Wiley & Sons
ISBN: 1118275845
Category : Art
Languages : en
Pages : 0
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Book Description
Informed by new research, this rich collection of thought-provoking essays presents a fresh assessment of British Art in the Cultural Field, 1939–69, locating influential artists, movements, institutions, and individual works against the changing economic and cultural landscape to shed new light on this seminal period in British art history. International art historians explore many different aspects of the period which saw post-war austerity, decolonisation, and the birth of postmodernism Takes a variety of approaches, from the broad canvas of the political economy of art to closely attentive readings of individual artists and works, from Bacon to Stirling, and the Independent Group to Pop Art Invaluable for students and scholars of the field, as well as general readers, including the growing number of collectors of twentieth-century British art
Author: Keith Robbins
Publisher: A&C Black
ISBN: 082646047X
Category : History
Languages : en
Pages : 319
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Book Description
The aspirations of democracy and the requirements of diplomacy have always coexisted uneasily. The politicians discussed in this book, in particular the appreciation of the careers of John Bright and James Bryce, reflect obliquely or directly on the problems of politicians who seek the 'high moral ground' either in domestic or international politics. There is also a discussion of the relationship between politicians and the press, as well as of the difficult link between cultural and political assumptions on the one hand and the facts of economic performance on the other.
