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Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : de
Pages : 574
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Book Description
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : de
Pages : 574
Get Book Here
Book Description
Author: Johann Wolfgang von Goethe
Publisher: Princeton University Press
ISBN: 0691181047
Category : Biography & Autobiography
Languages : en
Pages : 1051
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Book Description
First published by Wordsworth Editions 1999 and 2007. First published by Princeton University Press in 2016.
Author: Johann Wolfgang von Goethe
Publisher: Princeton University Press
ISBN: 9780691043456
Category : Fiction
Languages : en
Pages : 460
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Book Description
Goethe was a master of the short prose form. His two narrative cycles, Conversations of German Refugees and Wilhelm Meister's Journeyman Years, both written during a high point of his career, address various social issues and reveal his experimentation with narrative and perspective. A traditional cycle of novellas, Conversations of German Refugees deals with the impact and significance of the French Revolution and suggests Goethe's ideas on the social function of his art. Goethe's last novel, Wilhelm Meister's Journeyman Years, is a sequel to Wilhelm Meister's Apprenticeship and to Conversations of German Refugees and is considered to be his most remarkable novel in form.
Author: Johann Wolfgang von Goethe
Publisher:
ISBN:
Category :
Languages : en
Pages : 342
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Book Description
Author: Thomas Carlyle
Publisher:
ISBN:
Category : German fiction
Languages : en
Pages : 370
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Book Description
Author: Johann Wolfgang von Goethe
Publisher: Penguin UK
ISBN: 0141939184
Category : Reference
Languages : en
Pages : 237
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Book Description
Throughout his long, hectic and astonishingly varied life, Johann Wolfgang von Goethe (1749–1832) would jot down his passing thoughts on theatre programmes, visiting cards, draft manuscripts and even bills ... Goethe was probably the last true ‘Renaissance Man’. Although employed as a Privy Councillor at the Duke of Weimar’s court, where he helped oversee major mining, road-building and irrigation projects, he also painted, directed plays, carried out research in anatomy, botany and optics – and still found time to produce masterpieces in every literary genre. His fourteen hundred Maxims and Reflections reveal some of his deepest thought on art, ethics, literature and natural science, but also his immediate reactions to books, chance encounters or his administrative work. Although variable in quality, the vast majority have a freshness and immediacy which vividly conjure up Goethe the man. They make an ideal introduction to one of the greatest of European writers.
Author: Tobias Boes
Publisher: Cornell University Press
ISBN: 0801465214
Category : Literary Criticism
Languages : en
Pages : 215
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Book Description
The Bildungsroman, or "novel of formation," has long led a paradoxical life within literary studies, having been construed both as a peculiarly German genre, a marker of that country's cultural difference from Western Europe, and as a universal expression of modernity. In Formative Fictions, Tobias Boes argues that the dual status of the Bildungsroman renders this novelistic form an elegant way to negotiate the diverging critical discourses surrounding national and world literature. Since the late eighteenth century, authors have employed the story of a protagonist's journey into maturity as a powerful tool with which to facilitate the creation of national communities among their readers. Such attempts always stumble over what Boes calls "cosmopolitan remainders," identity claims that resist nationalism's aim for closure in the normative regime of the nation-state. These cosmopolitan remainders are responsible for the curiously hesitant endings of so many novels of formation. In Formative Fictions, Boes presents readings of a number of novels—Goethe's Wilhelm Meister's Apprenticeship, Karl Leberecht Immermann's The Epigones, Gustav Freytag's Debit and Credit, Alfred Döblin's Berlin Alexanderplatz, and Thomas Mann's Doctor Faustus among them—that have always been felt to be particularly "German" and compares them with novels by such authors as George Eliot and James Joyce to show that what seem to be markers of national particularity can productively be read as topics of world literature.
Author: Peter Boerner
Publisher: Haus Publishing
ISBN: 9781904341642
Category : Biography & Autobiography
Languages : en
Pages : 182
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Book Description
Johann Wolfgang von Goethe was an exceptionally prolific and versatile writer. From his 'Storm and Stress' Gotz von Berlichingen to Faust, which evolved over a sixty-year period and in which he created the prototype of the Romantic hero.
Author: Johann Wolfgang von Goethe
Publisher: Penguin Group
ISBN: 9780146001987
Category : Travel
Languages : en
Pages : 100
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Book Description
Author: Rüdiger Safranski
Publisher: Liveright Publishing
ISBN: 0871404915
Category : Biography & Autobiography
Languages : en
Pages : 405
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Book Description
A New York Times Book Review Editors’ Choice Selection Named one of the Best Books of the Year by the Economist and Kirkus Reviews This “splendid biography” (Wall Street Journal) of Goethe presents his life and work as an essential touchstone for the modern age. A masterful intellectual portrait, Goethe: Life as a Work of Art is celebrated as the seminal twenty-first-century biography of the writer considered to be the Shakespeare of German literature. Johann Wolfgang von Goethe (1749–1832), a remarkably prolific poet, playwright, novelist, and—as Rüdiger Safranksi emphasizes—a statesman and naturalist, first awakened not only a burgeoning German nation but the European continent with his electrifying novel The Sorrows of Young Werther. Safranski has scoured Goethe’s entire oeuvre, relying exclusively on primary sources, including his correspondence with contemporaries, to produce a “fresh and authentic” (Economist) portrait of the avatar of the Romantic era. Skillfully blending “artistic analysis with swift, sharp renderings” of the great political and intellectual figures Goethe encountered, “[Safranski’s] portrait of the prolific genius leaves the reader with lasting awe, even envy” of a monumental legacy (The New Yorker). As Safranski ultimately shows, Goethe’s greatest creation, even in comparison to his masterpiece Faust, was his own life.
